Some 2020 classes and links

I’m off to teach one last class for the year, the carved oak box at Lost Art Press. Then home for a few months before 2020 season really kicks in. My teaching schedule for 2020 is a bit scattered. Several classes filled before I could even write about them, like the JA chair at Pete Galbert’s. He thinks it’s me – I know it’s the chair and his avid students. I’ll post here if any openings come up in that class.   

https://www.petergalbert.com/schedule/2020/7/13/make-a-chair-from-a-tree-with-peter-follansbee 

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THE JA CHAIR W PLYMOUTH CRAFT

 

 

Like we did in 2020, we’ll run that class at Plymouth CRAFT – I think twice, once in May, once in August. We’ve not put them on the site yet, but are very close to ready. If you’re signed up for our newsletter then you’ll hear about it the minute it happens. We rarely send out news, we’re too busy or distracted. I’ll also post here on the blog before registration opens. I expect it too will fill quickly, we keep it at 6 students so I can keep an eye on everything that’s happening. I don’t know how Drew Langsner did it all those years with 10 or 12 students. Here’s the link to sign up for the Plymouth CRAFT newsletter – https://www.plymouthcraft.org/contact

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MAKE A SHAVING HORSE WITH TIM MANNEY

Tim.jpg

While on the subject of Plymouth CRAFT though – we did just post Tim Manney’s first shaving horse class. Not using one, but making one. A 3-day class with Tim guiding you through the steps to build the horse he wrote about in Fine Woodworking, July/August 2017 (issue #262) – there you’ll see a quote from Curtis Buchanan, who estimates that in over 34 years, he’s spent 21,000 hours at a shaving horse. “The one (shaving horse) I’m using now was designed and made by Tim Manney and it’s the best I’ve ever used.” Need more than that? Sign up here: 

https://www.plymouthcraft.org/build-a-shaving-horse-with-tim-mann 

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Also, while I think of it, there’s still a few spots left in Plymouth CRAFT’s classes working on the Plymouth Tapestry –

 

https://www.plymouthcraft.org/plymouth-tapestry-registration 

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CARVED DECORATION 17TH CENTURY ENGLISH STYLE

Image of Wood Week

I do have a couple things coming in 2020 about carving oak – I’ll be back at North House Folk School out on Highway 61. I’ll teach carving oak patterns twice during “Wood Week” – a series of classes that run the gamut. This place is right on the shores of Lake Superior (it’s like an ocean, but different) – an astounding experience that I’m happy to repeat. Looks like there’s room in my two classes, (most of my others are full, so this might be the one shot – and the setting & surroundings are amazing) so come join us. 

 

https://northhouse.org/events/wood-week 

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CARVED OAK BOX

The other is Roy’s. April. Make a carved oak box. Whoops – filled instantly. Sorry I’m late posting this stuff, but Roy’s place is really popular. I think he just opened registration yesterday. Not my fault, really. A lot can happen between now & then, so the waiting list won’t hurt  – https://www.woodwrightschool.com/classes/waiting-list-wish-list

https://www.woodwrightschool.com/classes/carved-oak-box-w-peter-follansbee-2020 

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I’ll try to squeeze in one or two more, but it’s getting tight. I have some custom work to do, but always welcome more. I also have a student or two coming here for one-on-one work. You can email me if you have questions regarding private lessons or ordering furniture.

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MAUREEN’S FIBER ARTS

Closer to home, at home, in fact, my wife Maureen has kept up her knitting/felting/shibori scene and has a number of things in her etsy shop. Just like my wooden stuff, when you buy some it makes room for us to make more. https://www.etsy.com/shop/MaureensFiberArts

A couple of samples of her work; it keeps us warm all winter.

a small joined & carved chest for sale

I’ve taught the style of carving I do many times, shot a few videos about it and included a slew of it (almost 50 pages) in the book Joiner’s Work that was published this year. https://lostartpress.com/products/joiners-work The first “pattern” I have students do is a simple exercise that uses one tool and two moves. If you go crazy with it, it can look like this:

That’s a detail from a small joined chest I started many years ago. Ah, I can check – it was 2013, because it was preparation for a pair of episodes on Roy Underhill’s show – https://www.pbs.org/video/woodwrights-shop-paneled-chest-peter-follansbee/  Roy always wanted backup materials in case something went wrong, so I started two of these chests prior to going down to shoot.

They both ended up in the book, the first one was a dead-plain one that’s in the section on fitting lids to a chest. This one, sans lid, is on page 40, in the carving section, complete with a caption that says “Someday I hope to actually finish this chest…”  Today was that day. Thankfully, unlike the chest of drawers, this one only took the morning to finish. The pine lid is quite bright, but given time it catches up to the oak in tone. I’ve just given the whole thing a going-over with linseed oil. I don’t usually go on about the figure in oak, it’s always there in my stock, but I never think about it. This chest, though, has some really nice red oak. The two-tone effect in the front panels was there the day I split the log, something in the tree, I guess.

 

Here it’s open, with the till lid propping up the chest lid. The lid is a single-board of white pine. Red oak chest, white pine bottom board too.

When I turned it around, I saw more practice carvings re-used, here one of the rear panels and the bottom rail. Iron gimmal (snipe-bill to many of you) hinges. I forget who made them, either Peter Ross, Tom Latane or Mark Atchison.

The till lid inside, molded edge.

I opened the lid & saw that the side & bottom to the till are American chestnut. Leftovers from a restoration project I did that year.

I really like this little chest, but I’m supposed to making this stuff to make a living. So it’s for sale.

Dimensions are H:  21″  W: 30 3/4″  D: 16 1/2″
$3,000 plus shipping.

Make a Carved Oak Box; at Lost Art Press Dec 9-13

There’s a nearly-last-minute opening in the final carved oak box class for the year – I’m returning to Lost Art Press for a small class (6 students) in making these boxes. There’s few versions in my book Joiner’s Work https://lostartpress.com/products/joiners-work and this class will follow much of what’s in there – but there’s always more to add. Different patterns, more details. I have taught the class four times in the past 12 months; this is the last time for this year and there’s only one shot at it next year. So…if you’re free December 9-13 and able to come to Covington, KY – have at it. Here’s the blurb, contact Megan Fitzpatrick to register…

“In this workshop, we’ll explore the construction techniques and decorative carving styles of oak boxes made in New England during the 17th century. Using quartersawn red oak and white pine, we’ll size the materials, cut rabbets to join the corners and fasten them with square wooden pins. Fitted inside the box is a lidded compartment called a till. The white pine bottom is attached with hand-made iron nails. The lid, also white pine, opens on a wooden pintle & cleat hinge.

 

Much of the focus is learning the carving style. Using about a half-dozen different gouges and simple layout tools including an awl, square, compass and marking gauge, we’ll go through numerous patterns in practice sessions prior to carving the actual box. We’ll study reference photographs of period carvings, learning how to lay out and cut them based on the tools and some basic geometry.

No experience necessary. Some basic tools required; a list will be sent to participants. (Follansbee will have some extra carving tools for students’ use.)

The fee for the weeklong class is $1,200, plus a materials fee for the wood and hand-forged iron nails. Register by sending an email to Megan Fitzaptrick at Lost Art Press: fitz@lostartpress.com.

Two new boxes for sale: SOLD

UPDATE:

Both boxes are sold. More are in the works, thanks as always for the interest and support,

PF

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I finished up two boxes in the past couple of weeks. Both are white oak, the one on the left with a pine lid, the other with a white oak lid.

They’re for sale – $900 for the white pine lid example, $1,000 for the oak lid one. Plus shipping. Leave a comment if you’d like to order one. I’m making more in a week or two.

These came about because a friend gave me some fabulous white oak; the best oak I’ve had in ages & ages. Both use wooden hinges (like most of my boxes, and a few period boxes…) – carved on the fronts & the ends. Till inside each. (click the pictures to enlarge.)

Here’s a look at each. The pine lid one first. A pattern on the front that I really like. I’ve never seen the original carving; it’s in Victor Chinnery’s book Oak Furniture: the British Tradition. I’ve done it a few times; it works best with a pretty wide piece of stock. Both of these boxes are 8 1/2″ high, the oak boards that make up the carcasses are 7″-7 1/2″ wide. Overall dimensions for this one are:

H:  8 1/2″  W: 24 1/2″  D: 15 1/2″

Here’s the general form:

And the end view, showing the pintle & cleat wooden hinge. This carving is based on some I saw in a Wiltshire church w Chinnery almost 20 years ago.

This is the one with a figured sycamore till lid. Flashy.

No photo description available.

Now the oak lid example. I had some nice quartersawn white oak to glue up to make this lid…more work than a pine lid. Heavier, but tougher too. I like both, I more often use pine lids, just to conserved the oak for carving.

This pattern is one I copied from a photo a student brought to the Lost Art Press workshop in the summer. He got the photo off an auction site…I think the original was part of the Devon group of carved oak that I have studied so frequently. I adapted the pattern to become a running band, then added S-scrolls below it.

Just a plain ol’ red oak till lid.

Is

I stood the S-scrolls upright on the ends. This is a common pattern from that group…


a few period details in oak

I didn’t take any photos in the shop this week. So I sat down & looked at folders that I haven’t seen in ages. There must be stuff there we can look at.

Here’s a scan I made from a book that fell part – the Gate on the Stairs at Haddon Hall, Derbyshire. this picture is from Henry Tanner’s book “English Interior Woodwork of the XVI, XVII & XVIII Centuries” Batsford, London, 1903.

Here’s the actual item, I shot this at Haddon Hall over 10 years ago.

This one was maybe the same trip, a row of spindles above panelling – a church at Great Durnford, Wiltshire. The arcading carving is what I was after today; but then I noticed there’s a row of punch marks just above the spindles, between the dentil carvings. Shows how many teeth the punch had…(but I didn’t measure the impression.)

That reminded me of this detail from a New England chest, showing the punch used on the background, also used as a decorative accent on the solid. That one is about 1/4″ x 1/2″ maybe a bit fatter, 5/16″?

From a related New England chest, here it’s on its head showing the bottom boards. They fit into a groove in the front rail (top of the photo) and the side rails (on our left) and are nailed up to a higher rear rail. Riven oak, tongue & groove between the boards. Note the sawmarks where they trimmed these boards after installation. Also visible are the layout lines locating the mortises on the faces of the stock.

chest bottom 

This next one is a rear rail of a chest, missing its drawer runner, thus the empty notch. That’s a side lower rail coming down into this stile. It features a barefaced tenon – no rear shoulder. Stock needs to be accurately planed to thickness. But fun to do sometimes…

rear stile 

One more – scribed layout lines remaining on a Lake District carved panel.

 

 

Chairs, stools, boxes – for sale; some on sale

The house is full, the shop is pretty full as well. So I went up in the loft and here goes a few things for sale, a couple on sale. Some prices include shipping, in the smaller and/or lighter stuff. Heavier & bigger, shipping is additional. Come pick them up if you’re nearby.

If you’d like something, leave a comment. I can send a paypal invoice, or you can send a check.

thanks, PF

Ladderback chair

The latest version of my JA chairs; this one I started last month during Plymouth CRAFT’s chair class & finished it up right after. Red oak, some ash rungs. Hickory bark seat.

H: 33 1/2″ seat is 17″ wide at front, 13″ deep. Seat height about 18″
$1200 plus shipping; which runs around $150 here in the US.

 

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Post & rung stool

Related to the above; I made this for a recent article in Fine Woodworking; when that photo shoot was over I stashed it in the loft & promptly forgot about it. Found it today in a pile of chairs and things. I own a John Alexander version of this item; so this one’s extra. The bark seat will last decades; but it’s just a step or so off from what it should be – strips vary a bit too much in width; and are spaced a bit too far apart. There – I’ve told you what’s wrong with it; but it’s a perfectly fine stool really. I’ve priced it to reflect my take on it –

seat height:  18″ frame is 14 1/4″ x 17″
$500 plus shipping

 

 

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Joined stool; oak with red wash – SOLD

H: 20 1/2″ top is 14″ x 15″
I had it at $850; now $750 plus shipping

This stool is like a pair I made recently for an historic house museum in that the stiles/legs are plumb, not canted in one direction like many joined stools. I added carving to the aprons of this one; two different, but related patterns from Connecticut.

 

Single-board quartersawn oak top.

Carved oak box; pine lid & bottom  – SOLD

I made this box earlier this summer; took it with me to Lost Art Press when I taught my first box class there. It’s not a copy of an existing box, but the carvings are based on some work from Connecticut.

It got a bit battered in transit; then back here in the shop something fell on the pine lid & scarred it. So a ding or two. It’s either make a new lid or lower the price. This one works just fine, and now you don’t have to worry about banging it around. Been done for you..

H: 6 1/2″  W: 18 3/4″  D: 12″
was $850, now $750  including shipping

 

Below are the two main detractions on the lid – right dead center on the end molding something fell on it. Looks like it was a chisel! Out along the back edge is some minor denting…

Desk boxSOLD

This one’s been around the block a few times. Most recently it’s featured in my book Joiners’ Work – (get the book here & make your own desk box, https://lostartpress.com/products/joiners-work )

I really like this box, but am seriously jammed for room in the house. Plus I have a very large chest of drawers to bring in the house soon, so I’d be pushing my luck to get this & that in. It’s a copy of one I saw many years ago, made in Braintree, Massachusetts about 1670-1700. Red and white oak, white pine bottom. Hand-made iron hinges. 4 drawers inside, two tills and a tray. Great thing about it is your family can’t pile anything on top of it, so you can get at its contents easily.

H: 11 1/2″ W: 24 1/2″  D: 16 1/4″  height at the front is 6 1/2″

Was $2,000. Now $1,600 plus shipping.

 

 

Carved panel; Alaskan Yellow cedar – SOLD

I’ve said it before, but this is really & truly the last piece of this wood that I have. Working this wood was like nothing I’ve ever seen or felt before. Or since. There wasn’t enough wood to re-saw and make a small box, so I carved this large panel with a design found in a room at the Victoria & Albert Museum. The room came from Bromley-by-Bow; maybe early 1600s.

If you’d like, I can put some screw eyes & wire on the back, or you can decide on how to display it when you get it.

H: 21 3/4″  W:  10 1/2″
$450 including shipping

 

Upcoming classes in October

Last week we announced a couple short-notice classes with Plymouth CRAFT. https://www.plymouthcraft.org/events

The lineup is Pocket Spoons with JoJo Wood and Bowl Turning with Darrick Sanderson. Two great instructors, one weekend, fabulous venue – October 5 & 6, 2019 at Overbrook House, Buzzards Bay, Massachusetts.

JoJo Wood returns for 2 days of spoon carving. JoJo is a great teacher, and has spent a tremendous amount of time perfecting her techniques in carving. Noted for clear, distinct facets and beautiful shapes, her spoons are easily picked out of a crowd. She was here in June to teach two classes and those went over very well. This class will focus on her “pocket spoon” – it’s a social movement – you make great spoons and improve the planet at the same time.

Pocket Spoon

There’s still room in this class, so you can sign up now. October is coming soon. At some point, she’ll get sick of that trans-Atlantic flight and we won’t see her as much. Get it while you can.

Image may contain: one or more people and outdoor

Darrick’s class is essentially sold out – (there’s a waiting list) EXCEPT – we’ve kept a spot in both Darrick’s and JoJo’s for a scholarship applicant. Maybe we’ve been too quiet about this, but here’s the story, clipped from our website:

“We get it that registration fees can be a stretch for plenty of people. A community conversation about how to foster broader, more diverse, participation in green woodworking began at Greenwood Fest 2018 and is still ongoing; many present last June made donations to support that goal. Since then we at CRAFT have been trying to figure out the best way to extend the largesse of those generous folks who can afford it to those who cannot.”

Our audience has responded very well to our request for help in offering these scholarships, for which we are grateful.

Read about it here: https://www.plymouthcraft.org/craft-green-woodworking-sch

At the bottom of that page are two buttons – one for “apply” and one for “donate”

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My own classes – I have two left for this year that have space. Both at Connecticut Valley School of Woodworking. One’s a 2-day class in carving oak patterns; Sept 28 & 29;  https://www.schoolofwoodworking.com/class-schedule/29-speciality-weekend-classes/626-carving-in-the-17th-century-style-with-peter-follansbee-2.html

carvings for new chest

the other is a 5-day class in making (& carving) an oak box with a pine lid; October 12-16.

https://www.schoolofwoodworking.com/class-schedule/37-week-long-classes/635-make-a-carved-oak-box-with-peter-follansbee.html