Two carved boxes for sale

A couple of carved boxes available for sale. If you’re interested in one, email me or leave a comment. Peterfollansbee7@gmail.com

(for some reason, when I previewed this post, to enlarge the photos I have to click them twice. It’s worth it.)

I’m making some chairs next; and still have two of those for sale. https://pfollansbee.wordpress.com/ladderback-chairs-oak-boxes-for-sale/

CARVED BUTTERNUT BOX

The first one is made from butternut (Juglans cinerea) – a relative of walnut. This was a wide board that I cut apart to make quartersawn stock. I chose a strapwork pattern for the front and sides – I wanted to make the most of this fabulous wood for carving. Wooden hinges (the back board and the cleats under the lid are oak), a till inside. Pine bottom as usual.

H: 9 1/2″   W: 24 1/4″ D: 14 1/2″
$1,200 including shipping in US.

 

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CARVED OAK BOX
white & red oak, white pine bottom.
H: 8 1/2″ W: 23 3/8″  D: 13″
$1,000 includes shipping in US.

This pattern is often found on 17th-century work – a surprising amount of detail in small spaces. (the bottom photo shows the detail well…)
Glued & pegged at the corners, bottom nailed on w handmade nails. Handmade hinges as well. A lidded till inside.

 

Carving video – upright S-scrolls

I uploaded the next carving video to go along with the drawings. This video builds on the previous one, now the S-scrolls are standing upright rather than running in a row (or rows).

I first saw this as a box front, and have used it that way many times over the years. Here’s one from earlier this year, I think.

It could just as easily be a horizontal panel in frame-and-panel work. Or a wide framing member in the same sort of construction. The example I carved is 6″ high, with a margin of 1/2″ top & bottom.

Here’s the video –

 

And the drawings are available here https://pfollansbee.wordpress.com/carving-drawings-17th-century-work-from-devon-england-and-ipswich-massachusetts-set-1/

If you’re just getting to this set of drawings and videos – the previous posts for this batch are

https://pfollansbee.wordpress.com/2020/09/04/carving-s-scrolls-video/

https://pfollansbee.wordpress.com/2020/09/01/carving-drawings-for-sale-now/

and – https://pfollansbee.wordpress.com/2020/09/09/carving-gouges-2/

 

 

Carving gouges

First, thanks for the quick response on the Carving Drawings – I have 6 sets that haven’t gone out yet; but the 2nd print run should be here today. I’ll get those out right away. https://pfollansbee.wordpress.com/carving-drawings-17th-century-work-from-devon-england-and-ipswich-massachusetts-set-1/

I thought this would be a good time to look at the carving gouges I use everyday. I checked and it’s been 7 years since I last did this run-down (& 3 years before that…). My gouges are a mixture of modern and old, some made here in the US, some English ones, some Swiss-made. A couple of other odds and ends too. As you see above, I keep them in shallow trays. In use I bring the trays to the bench, and try to keep the gouges in the trays as I work. It might make for more picking up & putting down, but my goal is to keep from hitting the tools’ edges together on the bench. When not in use, the trays fit into the upper drawer in my tool chest.

I count 13 tools in that photo above. I never use that many in any one carving, or even one project. Typically it’s about 4-8 tools per carving. Because of the mixed-batch of tools, it’s hard for me to tell students what to shop for if they want shapes like I use. In person, I usually end up whacking each tool into a scrap of wood and sending them on their way with that as a guide. So these photos aim for that effect. (I just previewed this post, and for some reason I have to click the photos twice to enlarge them.)

Left to right here, a Swiss-made (Pfiel is the company name) V-tool. Sometimes called a V-parting tool. Mine’s their #15 6mm wide. I tried to measure its angle and it seems to be around 55 degrees. Next is also Swiss-made; a #5 I use for removing background and shaping some patterns. Then two antiques, so no numbers. These are similar to the Swiss-made #8s, maybe a little more curve than that. Below are the same tools, with a ruler just below them to give you an idea of scale.

Below are the marks on those tools – the top two the Swiss-made, then W. Butcher (English I think) and Buck Brothers (Massachusetts, here in US).

There’s a few small gouges that get tucked into that box; these are only used once in a while. The first two from the left are essentially the same size and “sweep” (a term for the curvature of a gouge’s edge) – the difference being the one on the left is ground straight across its end, the middle gouge is crowned – sometimes referred to as a fingernail gouge. The narrow one is maybe like a #5, I use if for shaping in tight spots. It’s a Henry Taylor, made in Sheffield.

Some of the larger gouges are in the next tray. These are all about the same sweep, the one on the left is a Swiss-made #7, about 3/4″ wide. I use it in almost every carving I do, probably 2nd most important gouge after the V-tool. Middle is Austrian, Stubai is the maker. And the large one on the right is English/modern by Ashley Iles – here in the States they’re from https://toolsforworkingwood.com/store/dept/TXQ

The English sweeps are I think one step off from the Swiss/Austrian ones – that Ashley Iles is maybe a #6, but it’s a similar curve to the #7s beside it.

A few more, like in the first tray, these are less-used than the others. On the left is another antique, of these three, it gets used the most. It’s W. Butcher again. Then another Ashley Iles, more sweep than the previous one, and an antique Henry Taylor small shallow gouge.

A detail showing the edges of the tools above.

While we’re looking at carving gouges, here’s a few #5s – I use them for background removal, shaping & beveling, etc. The one on the bottom is straight across its edge, the other two are crowned across their cutting edge. I much prefer this shape, I feel it’s more versatile, better able to meet curved lines – just all around easier to handle. My everyday one is on top of this batch.

These V-tools were difficult to photograph to show what I want here – my everyday Vee is on bottom, it’s cutting edge is angle up from the V to the tops of the “wings” – the German tool above is an excellent V-tool, but its edge is pretty much 90 degrees to the line of the tool’s shank. I find the angled end slices a little easier…I can carve with either, I prefer the bottom one.

You can go back & read what I said about the same subject 7 & 10 years ago…I skimmed it. Not much has changed. I’ve switched some tools out here & there. There might be some better photos there…

https://pfollansbee.wordpress.com/2013/12/05/carving-tools-i-use-for-oak-furniture/

https://pfollansbee.wordpress.com/2010/06/21/carving-gouges/

Carving S-scrolls video

First, thanks for all the positive response to the sets of Carving Drawings/Patterns. I ordered more, so they’ll be here soon. Daniel & I finished the first video associated with the drawings, so here it is. Hope it helps.

 

You can order the drawings here https://pfollansbee.wordpress.com/carving-drawings-17th-century-work-from-devon-england-and-ipswich-massachusetts-set-1/

And a video showing the content is here – https://pfollansbee.wordpress.com/2020/09/01/carving-drawings-for-sale-now/

there’s a full-length video I did with Lie-Nielsen than includes this and other version of S-scrolls – https://www.lie-nielsen.com/products/17th-century-new-england-carving-carving-the-s-scroll?path=home-education-videos&node=4243

Carving Drawings for sale now

UPDATE – I’ve had some problems making the paypal button work – as of 9:35 this morning I think it’s working. The page for the drawings is here –

https://pfollansbee.wordpress.com/carving-drawings-17th-century-work-from-devon-england-and-ipswich-massachusetts-set-1/

I’ll keep an eye on things and will try to respond to any problems. Thanks for your patience. If only it were wooden, I could fix it easier…

 

I’ve got the first set of the carving patterns available finally. I think I’ve ironed out the international shipping wrinkles, but bear with me. I don’t have great faith in my setup. But the US option is working, I tested it with some guinea pigs. 

A youtube video showing just what’s in this set – (if you watch the whole thing, keep an eye peeled for the hummingbirds)

 

If it looks familiar, that might mean you’ve seen Curtis Buchanan’s videos – I picked his brain a lot over the past couple of months getting this together. He’s the inspiration for the whole project…

This set of patterns is part of my interpretation of carvings found on furniture from Devon, England and Ipswich, Massachusetts in the 17th century. This body of work is quite varied, and contains designs that can be used in many combinations. This particular group of furniture is quite large, with many surviving works. The furniture I study and make mainly uses frame-and-panel construction, and the designs reflect this format. The drawings include patterns for framing parts, from 2” high rails to 5” wide vertical muntins. In addition there are three designs for wider vertical panels, as well as horizontal box fronts. 

I’ve drawn most of them “full scale”, I chose typical sizes for the patterns, based on some chests and boxes I’ve measured over the years. I worked the same way I carve them, using some basic geometry for the layout, and tracing the carving gouges to establish some of the curves. Many shapes are drawn freehand; these represent V-tool outlines.  

This style of carving is readily adaptable. These are not templates, nor are they to be slavishly copied when you’re carving. Treat them as a pattern, something to base work on, but make adjustments as required. You might have slightly different carving gouges, or stock narrower or wider than what I have drawn. That just gives you a chance to change things around a bit. As you study these patterns, you’ll see common themes in them. The intention is that some of these will recur and be expanded on in future sets of related works. 

If you’ve seen other drawings & plans drawn by Jeff Lefkowitz for Curtis Buchanan, Dawson Moore, Tim Manney, Pete Galbert and others, these are different. I’ve drawn the images, Jeff did the layout and planning. These pencil drawings reproduce differently than the line drawings noted – and the curves and shapes are not perfect, nor are they supposed to be. As I said, I drew them just like I carve them. It’s just that carving is quicker! 

There’s step-by-step sequences for several of the patterns; a couple of designs include alternate sections, some are layout sequences. 

Here’s the page where you can order them https://pfollansbee.wordpress.com/carving-drawings-17th-century-work-from-devon-england-and-ipswich-massachusetts-set-1/

(the international shipping is the part I’m the least confident about. Advance apologies for any mixup, I’ll do what I can to make it work.)

As for instruction in the actual carving, there’s lots of options. The free one is/will be a series of videos on my Youtube channel https://www.youtube.com/user/MrFollansbee  

My book Joiner’s Notes published by Lost Art Press has __ pages on carving, including some of these patterns. https://lostartpress.com/collections/books/products/joiners-work

 

Basket making video Handles & Rims; drawings next

OK – a few things. A couple of chairs & boxes are left, those things are selling in dribs & drabs. I can always make more, too… https://pfollansbee.wordpress.com/ladderback-chairs-oak-boxes-for-sale/

Daniel & I finally sat down & finished the next basket video; Handles & Rims.

I’m sorry it’s taking so long with this set of videos. When I shoot them, I’m both cameraman and subject. On something at the bench, that’s not difficult to do; but with the baskets, I’m always picking them up, shifting them this way & that…so there’s a lot of editing involved. Sometimes, I just don’t have the shot we need to get the point across – and it’s too late to go back & shoot more right now. So caveat emptor.

There’s still a couple of baskets left for sale too. Email me if you are interested, and I’ll send photos & specs.

The drawings of carving patterns arrived yesterday.

Now to sort them, roll them into mailing tubes and set up the page for it. There will be a blog post and a video very soon showing what these are, and what they aren’t. I’ll get on it right away. I have no idea how to gauge how these will sell, so I started with 50 sets…means there’s maybe 46 or so to sell…but I can get more if we need them.

a few ladderbacks & oak boxes for sale

Daniel & I are slowly working out the next basket video, but we’re on it. Today I made a page of a few ladderback chairs & two oak boxes for sale. https://pfollansbee.wordpress.com/ladderback-chairs-oak-boxes-for-sale/

If any of it catches your eye, leave me a comment, or send an email – peterfollansbee7@gmail.com

Two of the ladderbacks are at a slightly reduced price, details on the page – one of them is this slightly used Shaker-tape seat chair.

My cousin Paula came by recently, brought her husband Jim so he could buy her a carved oak box for her birthday. She had picked out this one:

But then when they got here, she chose a different one. (You should have seen that one! I almost brought it into the house…)

So now the one I had set aside is available…it’s a very nice box. Oak lid, nails & hinges by Tom Latane, till inside, etc.

I’ll make a separate page for the big-ticket items, I never expect them to fly out the door. But eventually someone finds them – chests, wainscot chairs, etc.

carving video posted

I’ve been working on a series of carving videos to go with the upcoming drawings/patterns (out for what we figure is the final test-print now) – I’ll write more about these series of drawings soon. One thing about them is that they are grouped according to bodies of work I have studied for 30 years now. The first set will be called “Devon, England and Ipswich, Massachusetts – set 1.”  If things go well (polite-speak for “if they sell…”) there will be at least one, maybe two more from that group, and many others besides. There’s lots of groups/shop-traditions/locales – when I was studying surviving furniture, the goal was to see as many related works as possible, to better understand what is “normal” versus what is an aberration.

But there were/are times when I come across an object for which there is no known history and no obvious related works. My friend Trent and I used to use an informal shorthand for these – UFOs.

The carving at the top of this post is my version of one of these UFO patterns. It’s a typical format – the use of lunettes above and below a horizontal centerline – I carved a different take on it in my first Lie-Nielsen video years ago, and in the book Joiner’s Work. But this “infill” is slightly made up by me, using a photo from Vic Chinnery’s Oak Furniture: The British Tradition as a starting point.

So this one doesn’t fit into any grouping – thus I shot a video of it just because I had a wide enough board. And it gives us a carving video-tease until the real thing comes along… I shot some new footage for an opening sequence and Daniel put it together perfectly…we hope you like it.

We’ll still finish the basket-making series, but I’ve been up to my eyeballs in carving lately and wanted to show some. Here goes:

 

OAK FURNITURE & ASH BASKETS FOR SALE

I have some baskets & a few pieces of oak furniture for sale.

The furniture is all joined & carved by hand. Almost all the oak was split from a log, hewn & planed, etc. (except for the box lid and chair seat – those are quartersawn stock) Construction details are throughout the blog here, in my videos w Lie-Nielsen and books with Lost Art Press.

The carved box I can pack & ship. The larger pieces I will have to take somewhere (UPS probably) to be packed & shipped. Or I can deliver them within a couple hours’ drive of Kingston MA. (or you can come pick them up if you wear a mask…)

The baskets are all ash, with hickory rims & handles. There’s videos on the blog recently, showing all the steps in making baskets, from pounding the log apart, weaving, (and next up for the videos) shaving and bending handles & rims.

If you’d like to purchase anything, leave a comment here or send an email peterfollansbee7@gmail.com  you can pay through paypal (with additional fees) or send a check. Just let me know which you prefer.

The carved box is the only one ready for sale right now, but I have two more underway, and will take orders for boxes anytime. They’re something I keep stock for all the time, so there’s never too long a wait for one. Email me if you’d like to order something.

Thanks as always,
PF

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CARVED OAK BOX –

white & red oak, white pine bottom.
H: 8 1/2″ W: 23 3/8″  D: 13″
$1,050 includes shipping in US.

This pattern is often found on 17th-century work – a surprising amount of detail in small spaces. (the bottom photo shows the detail well…)
Glued & pegged at the corners, bottom nailed on w handmade nails. Handmade hinges as well. A lidded till inside.

 

 

 

JOINED & CARVED CHEST
red oak & white pine. Handmade hinges & nails. Lidded till inside.
H: 30 1/2″   W: 45″  D: 21 1/4″
$4,000 plus shipping.

I was recently trying to estimate how many joined chests I’ve made. It’s well over 60. This is one of my favorites – the wide front panels separated by an extra-wide muntin is an unusual format. I based mine on a Devon chest I saw 20 years ago, and have seen others presumably by the same maker since then in photographs. Back when I was writing my book, I wanted to include a short detour on making the “brackets” that fit under the bottom rail. So I made this chest just to get the photos for the book! Then it sat around unfinished for years. Now it’s done, and there’s no room in the house for it. Room for your (or someone’s) initials or date on the muntin…

Here it is with junk piled on it:

I cleared out some room in the shop today to take “proper” photographs (as proper as I’m going to get…) – but there’s only room for the 53″ wide paper, and the chest is 45″ wide. Technically, it fits on the paper, but not for a photo…so here is what I call a “half-view” –

 

The lidded till inside, and the handmade hinges visible in the rear rail.

The only way it fit, but you can’t see the front. Two-panel ends, typical of my chests. Single-board white pine lid.

One of the panels in this chest:

WAINSCOT CHAIR

red and white oak. Finial is ash.
H: 47 1/2″ W: (widest point across front of seat) 25 1/2″  D: c. 24″  Seat height: 18 1/2″
$4,000 plus shipping

I’ve made versions of this chair three times before. This one I designed the panel as well as the top rear rail, just below the crest. Otherwise, it’s a close copy to two originals made in Ipswich Massachusetts, probably by Thomas Dennis, between the late 1660s and 1700.

Sometimes it seems from photos that these chairs are huge, there’s a shot in this gallery of me in the chair & you’ll get a sense of its actual size.

 

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BASKETS – All of these are ash splints, with hickory handles and rims. Most, maybe all, have hickory bark lashing around the rims. These baskets are made for use; I’ve been using baskets like these around the shop and house for over 30 years.

If you’d like to purchase one, leave a comment here. Prices include shipping in the US – you can pay through paypal or send a check. Just let me know which you prefer.

 

large round basket –
14″ diameter at rims, basket height 9″ to handle 18″
$600 including shipping in US.

 

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rectangular basket  – SOLD
10″ x 13″ at rims; basket height is 8″, to handle about 15″
$400 including shipping in US.

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Swing-handle round basket  –  SOLD
12 1/2″ – 13″ diameter at rims; basket height 8 3/4″, overall 16″ high.
$500 including shipping in US.

This form is a favorite of mine, based on baskets made in eastern New York state in the early 20th century.

——————

long rectangular basket   SOLD
10″ x 16 1/2″ at rims, basket height 6″, to handle 14″
$400 including shipping in US.

 

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square-to-round basket   SOLD
10″ diameter at rims, basket height 9″, to handle 17″
$350 including shipping in US.

wainscot chair terminus/termes

a lot of photographs today. I got some nice quartersawn oak (thanks Rick D) – and have been using it for box lids and now the seat to my wainscot chair that’s been hanging around waiting to get finished.

I didn’t shoot the whole sequence of test-fitting the seat over those front stiles. A lot of wriggling around to get it just right…then you peg it to the side and front rails.

Then the arms can go back on, and get pegged to the rear & front stiles. Above you can see why the arms go on after the seat, you couldn’t peg the seat down if the arms were in place.

After the arms are pinned, it’s time to carve & install these figures that adorn the edges of the rear stiles. All I know about the two originals these are based on is that there are two or three large nails fixing these things in place. Whether there’s anything more than that is conjecture. But I’ll show you what I did.

This is one case where I use a template to outline the pattern.

Then I use a V-tool to cut just outside this outline, I find this helps when sawing the shape out.

A turning saw, used carefully, does a good job of roughing out the scrolls and other bits.

Then I clean up with a large #5 carving gouge. Often with the bevel up.

Carving some of the details.

Installing it – I add some belt-and-suspenders action. I use pegs between the stile and this appliled ornament. To locate them, I drove two small wire brads into the applied bit, then snipped off their heads.

Then blammed it in place and the brads made prick marks where I then want to bore holes. I pulled the brads and bored 3/8″ holes in the applied bit and the stiles.

then shaved a couple of small pins, and glued the whole thing & knocked it in place. Then clamped it and came in for lunch. Later I’ll add a couple of toe-nailed wrought nails.

I’ve heard many names for these figures. We often refer to them as “Easter Island” figures, which is of course nonsense. I learned of Atlantes/Atlas, carytids, and probably other names too. Jennie Alexander gave me a copy of Cyril Harris’ Illustrated Dictionary of Historic Architecture many years ago. Told me to keep it in the bathroom. I did for a while. But now it’s in the shop. There, I looked up “termes” – what I knew as another name for these figures. Harris has “terminus” – “the upper part of a human body springing out of a plain block…pilaster, console, bracket OR THE LIKE”!