I got back from North Carolina a few days ago. Jumped right into the next thing, but here is a snippet from my time with Roy.
Seeing the recent post on Lost Art Press’ blog about misericords was great. https://blog.lostartpress.com/2016/04/28/a-gallery-of-misericords-the-woodworkers/ Suzanne Ellison has rounded up images of a bunch of woodworkers – nice to have them in one place. Misericords are always an eye-opener. The thing about them that gets me is the piece of oak they come from…really large pie-shaped chunks. Makes me think riven. makes me wonder why these large pieces have no checks & splits in them. Nobody ever talks about how they were made, only about the carvings and the irreverence of them. Her’e’s a photo I shot on our 2005 trip, so maybe Yorkshire, or en route.
Another thing her post did for me was to remind me that I wanted to show this carved panel to Roy Underhill. He & I were boring end-grain recently (shrink pots), and were crowing about how lucky we were to not be boring water pipes.
This carving is thought to be a shop sign for blockmakers in Amsterdam. I think it’s late 1680s/90s if I recall correctly. A friend gave me the photo years ago, and I never have posted it. Was waiting for him to publish it…but time moves on. It’s in one of the Amsterdam museums, I forget which.
I broke it down into 2 detail shots too – this one with the lathe, skew chisel & gouges, planes, drawknives, calipers – great detail.
Here’s the other half.
The dog; the kid putting shavings in the basket, boring tools, hatchets, saws – it’s all here in great detail. Enjoy it.
Link for late registration:
Time to get the tools all sharpened & primed – Plymouth CRAFT’s Greenwood Fest is coming up before you know it. As it turns out, we have a few slots open as of today (April 13) – maybe 4 or 5 spaces. So if you missed out, or hesitated and now wish you didn’t – here goes. Dates are June 10-12, 2016. Jump on them here:
Line up includes spoon carving, bowl carving & turning, furniture work (me, and Tim Manney on chairs) riving & hewing – on & on. Presenters include:
Jarrod & April Stone Dahl,
me & my Plymouth CRAFT friends, Pret Woodburn & Rick McKee (last seen on this blog working on my timber frame)
Once these few spots go, it’s still worth getting on the waiting list. You won’t get in if you’re not on it, and you might get in if you are. Many have in the past couple of months. Things change.
It’s quite a festive year for some of us – Going in reverse chronological order, the circus I’m in has expanded so that I’ll be travelling to Sweden & England this summer, in addition to my usual East Coast wanderings.
The last one is Täljfest at Sätergläntan in Sweden. Among the many participants are Del Stubbs, renowned knife-maker to the spoon world, working on his fan birds; Jögge Sundqvist, inspiring us all with his extraordinary work, Beth Moen, carver of giant bowls, (her favorite tools is the axe!); Anja Sundberg, whose work is almost as colorful (more colorful?) than Jögge’s; and Jojo Wood. (it’s the Year of JoJo). There’s more craftspeople to come, too. It’s my first trip to that part of the world, I’m beside myself with excitement. I cant’ believe I get to be a part of this. https://www.facebook.com/taljfest/?fref=nf and http://www.saterglantan.com/evenemang/taljfest/
The middle festival for me is Spoonfest in Edale, Derbyshire, England. http://spoonfest.co.uk/
It’s the reverse British invasion, four Americans coming for the pre-fest courses; me, Fred Livesay, Jarrod Stone Dahl, and Alexander Yerks. Among others are Magnus Sundelin- I’m thrilled to be in such company. that’s just the sessions beforehand, then the whole thing kicks off for 3 days…with Robin Wood, Barn Carder and I-don’t-know-who-else. Spoonfest is the legend, and this is my first time getting to it. I’m looking forward to meeting all those spoon-crazed people!
Plymouth CRAFT’s Greenwood Fest is the first, coming up in early June. http://www.plymouthcraft.org/?page_id=2189
Spoonfest was our inspiration; some common threads are JoJo Wood, Jarrod Stone Dahl, Jögge Sundqvist, Beth Moen – but we have Owen Thomas, Dave Fisher, Tim Manney, April Stone Dahl and others coming too. Later this month, I’ll be getting some lists of wood needs, and other preparations. It will be here before you know it, and before I’m ready. Thankfully, CRAFT is in better hands than mine, so I just have to show up & introduce some people and cut wood…
Some catch up about the wainscot chair underway. First off, the back of the panel is decorated, unlike most (all?) New England wainscots – in this case a raised/tabled panel. The raising is quite distinct, leaving a high rectangle (the table) that is then set off by scraping a molded edge to it. Here, I have the panel on the bench, pausing in mid-bevelling.
Here it is, test-fitted into the rear stiles & crest rail. The stiles still need moldings scraped along their long edges. This section is leaning against the front section, so you see the scrolled apron peeking through behind. I can’t wait to work in the new shop, where I hope to have some room for photos!
The front of the panel has 4 “crop circles” (I had to give them some name…) – you might have seen an earlier post where I showed a couple of period examples of this decoration.
I had no evidence regarding what tool might have made these shapes – I’ve only seen the circles a few times… so I made a tool much like a wooden brace, or “wimble” as it’s sometimes called. But instead of a boring bit in the bottom, I inserted a scraper, like we use on scratch stocks for molding.
Here’s the head. I left it loose, thinking I might like to use this head for an actual brace (that’s what I cut it for ages ago, was just lucky I could find it now, & thus didn’t have to make it)
Here’s the scraping profile, and the result. If I had time to spend, I would have rounded the end of the tool, and installed a ferrule to keep the cutter in place. I tried a screw like I use on scratch stocks, but it split the maple. So I temporarily clamped the end closed, cut the circles & moved on.
Our neighbor Sara invited us to see Sara & Brad, fish monitors from the Massachusetts Division of Marine Fisheries checking the smelt coming up the river. We had quite a time. Birds I know because they fly right around where you can see them, but the fish rarely poke their heads out of the water…
here’s the fyke net:
Here’s one of the smelt. I think I heard them say they caught 190 overnight, and over 400 in 4 days this week. They told us it has been the best year (out of 14 or so) they have had for smelt. they do the whole “record-them, measure them, toss them back” thing.
In between the raising and moving & stacking roughly 160 white pine boards I got some work in on the wainscot chair(s) I have underway. Soon, I’ll set up my lathe (yes, even before the shop is closed in) and get on with turning the front stiles in these chairs. But before that, I can do all the joinery and other decoration. There’s some rather pedestrian carving, some scroll work on the lower edge of the aprons, and top of the crest, and some scratched moldings on the rails and stiles.
The scroll work on the aprons is simply a matter of boring a few holes, connecting some dots with a turning saw, and clean-up with a chisel. One nice feature almost every time I see this detail is that the scroll work is cut into an angled rabbet on the bottom of the rail. This tilts the scroll work upwards to the viewer’s eyes, and thins out the piece to be pierced. Those old guys knew what they were about.
One detail on the carved panel of the original chair is something I have only seen a few times before – these little round bits (bottom corners in this photo) – they look like turned decoration, but that’s nuts of course. They aren’t carved, that’s for sure. They seem to be made like “scratch stock” moldings, but around an axis.
Here’s a detail of some on an English box I saw years ago:
After some head-scratching, I decided I’m going to make a wooden brace fitted out with a molding scraper, like a scratch stock. Now that the pine boards are all stickered, I can go back to working on the chairs. If the brace does the job, you’ll hear about it
I really like the look of a timber frame against the sky; a giant wooden skeleton, all pegged together.
Pret designed this one with asymmetrical braces – often braces are at 45-degrees, but these are laid out two feet out from the vertical post, and three feet from the horizontal (either the tie-beam or the plate). He’s right, they look very nice, now that all the mind-crushing & teeth-gnashing is over and the joints all pegged.
It’s been fun this past week having the frame in our view. But this ain’t the old world, with its half-timbered framing tradition, wattle & daub and brick infill.
Here in New England the tradition is to cover the frame with sheathing – the frame only showing inside the building. Not as romantic, not as attractive; but I rarely mess with tradition. Thus, it’s time to cover that thing up.
Yesterday, Nathan Goodwin, a regular at some Plymouth CRAFT events, kindly hauled me in his truck and trailer down to East Freetown Massachusetts, to Gurney’s Sawmill to pick up our order of white pine sheathing/siding and floor boards.
I usually buy wood as a log – thus one piece, or a few boards at a time. But this framed building is the largest thing I eve made…so I need more boards than usual.
I stacked and stickered the boards, and our next move will be to sheath around the corners of the building, to tie the frame to the sills. Then tackle sheathing the roof, which will then be covered with wooden shingles. And no, I am not making the shingles. There’s only so many hours in the day.
If you’re around this area, try Gurney’s – they’re the nicest folks. It’s like stepping back in time… http://www.gurneyssawmill.com/