While I wait for the legs of the brettstuhl to dry, Daniel & I worked on catching up at the beginning of the joined stool video series. This one will do it, planing the stock. It’s got a couple of blips in the video, I had some trouble with one of the cameras. And some fumbling around on my part – had I been watching Daniel I probably would have had him edit some stumbling out – but in the end, it’s probably good to show it. Yes, I fumble around some too, looking for tools, setting the cap iron too close to the cutting edge & more.
I’ll organize the joined stool playlist when I think of it – now it should be the whole project. When I get going full-tilt on the joined press cupboard there’ll be a lot of videos about that – I’m really looking forward to it. I don’t have a log yet, but some ideas in the works.
As soon as the fire was lit this morning, I got to work. I only had a couple short bolts of oak left, so that’s what I started with. That surface that’s facing up is a split! It’s as perfect as it can be. This piece is about 8″ wide and 18″ long – destined for the panels on the ends of the lower case.
It might as well have been perforated it split so well.
Snowy weather is ideal for green woodworking – no worries about the heat & sunlight causing unwanted splits.
Then some skimming with the planes to make one face flat. I try to get the shavings into the basket, but there’s too many.
Then I scootch down and check the face with winding sticks and proceed.
These cupboards (the one pictured is one of 12-13 related cupboards) are the most complex pieces I know of from early New England. It’s more than I can keep track of in my head, so I began a checklist of which part is planed. These are the first 8; four panels, 2 muntins and 2 cornice rails.
I marked each one of the framing parts on its end. Dated too. They’re planed slightly oversized, they’ll shrink a little.
I cleaned up & sharpened the planes after that – the tannic acid made a mess of them. Then had a little time to figure out the angles I’ll need to plane up the upper case stiles. I never use drawings for joined chests, stools – even the wainscot chairs. But this upper case is a bit more complicated. I won’t need a drawing for the other parts – just to get those funny-shaped stiles. Now to find the next oak log.
Well, I finally made a video that is short enough to actually watch. Back last year, when I began shooting the video series on making a joined stool, I got the idea for video after I had begun making the stool. So that series starts in the stock all prepped. I made a stool a month or so ago and got around to shooting some of the splitting-through-planing process.
This one is splitting with some wedges, a bit of froe-work, and some hatchet work. I shot the planing at the bench, that’s next on Daniel’s to-be-done list.
I think I made about 6 carved boxes in the last month. I love making them, but some variety is nice too. So it was fun to go into the shop today and pick out some squared stock for a joined stool I have coming up next. At the end of the bench you can see 4 of 5 blanks for the stiles. I’m checking the first one against the story stick for the stool I’m making. I’ll pick the best 4 of the batch, and put the 5th one back in the pile.
Some of these 2″ squares were planed from green wood in late September and they are just right now for working further. Not bone-dry, not sopping wet. In the photo above, I’m truing up the two outside faces. I called them 2″ squares, but they’re initially planed a bit over that, 2 1/8″ or so. That leaves room for this step, getting them nice & straight, with the outside faces at 90 degrees to each other.
After I like those two faces, I mark the 2″ dimension, and plane down to that.
From there, I go ahead to layout and mortising. I didn’t shoot any photos of that today. I’ve covered that at length here, in the book with Jennie Alexander and in the video series I shot last spring on making a joined stool.
Here’s the real thing I want to talk about – case hardening. I might be the only woodworker you’re going to hear extol the virtues of case-hardened oak. I trimmed about 2″ off the end of this stile – and could clearly see the darker middle of the blank, surrounded by lighter-colored, drier outer edges. A nightmare for some, heaven for me.
The next step for me is to chop four mortises in this piece – two of them 5/16″ wide by 3 1/4″ long, the other two only 2″ long. About 1 1/2″ deep. I can chop mortises in dry stock, but it’s easier when that stock has more moisture in it. (Usually a mortise takes me about 4-6 minutes – unless I get distracted by action out at the birdfeeders.) In this stock, I’ll quickly chop past the drier wood into the slightly wetter interior.
So why not just chop those joints back in September when it was sopping wet? I used to do so, but it’s a bit trickier. Really wet wood is a bit fuzzy to cut, the fibers mush around more so than cutting cleanly. And that touches on the really great feature of this in-between material. After mortising, I’m going to turn these stiles on the lathe – and that drier, outer wood cuts more cleanly – allowing more crisp detail (as much as you can get in red oak) than if the wood were just out of the log. (here’s a photo from way back when I was working on the book w JA )
First off, thanks to those who responded to Maureen’s work yesterday & today. I greatly appreciate it. Now, a blog update. I know I’ve been posting lots of stuff for sale recently. Being off the road for the past nine months has been very nice, but it also dried up a great portion of my income. The other flip side of that is it gave me lots of time to make things. I hope to return to teaching in person in 2021, we’ll see how things unfold. I am planning an on-line class with Elia Bizzarri http://handtoolwoodworking.com/ where we’ll cover some spoon carving. He & I are planning on testing some stuff this month. We’ll both post details when we have them. It’ll be partially modeled after what Elia & Curtis Buchanan have done with their recent chairmaking stint; but I’ll have axes & knives in hand too.
In January (probably before) I’ll be concentrating on blog posts again, some carving, some chairmaking and spoon carving. I also have a 2nd set of carving drawings pretty much ready to go, but the timing was such that I’d be posting them maybe a week from now. I decided to hold them back til after the holidays. I didn’t want to add to any frenzy – no one needs it this year.
I also plan on getting back to some more video work in January. I’ve been busy trying to get the boxes done for December, but haven’t given up on the video work.
Meantime – I have three boxes and some other craft items as well as some videos & drawings available. Leave me a comment if you’d like to claim any of these, or send an email to firstname.lastname@example.org
CARVED OAK BOX – SOLD white & red oak, white pine bottom. H: 8 1/2″ W: 23 3/8″ D: 13″ $1,000 includes shipping in US.
This first box got posted some time ago, but it didn’t sell right off, then other blog posts pushed it aside, and I put it in a chest & forgot it. Found it the other day…the box is some great riven white oak, the lid quartersawn red oak.
This pattern is often found on 17th-century work – a surprising amount of detail in small spaces. Glued & pegged at the corners, bottom nailed on w handmade nails. Handmade iron hinges as well. A lidded till inside.
Carved box; oak & pine. Strapwork design with carved lid. SOLD H: 8 1/4″ W: 23 1/2″ D: 11 3/4″ $1,500 includes shipping in US.
This box is a slightly new direction for some of my work. Until recently, I had mostly avoided carving the lids, but last month I made a box from yellow cedar and decided to carve its lid. I had seen a photograph of an English box with a “strapwork” pattern carved in its lid, and decided to do that. I loved the way it looked, and so did two other people at least (it sold & I took an order for a 2nd). My friend Rick DeWolf provides me with great quartersawn oak for my box-carving classes – this year he brought me the wood, but with no classes, I dove into making boxes & boxes. Among that stash was a great piece of 12″ wide perfect quartersawn stock. Bang! Carved the lid, then make a box to go under it.
You can see some streakiness through the oak on this box, the result of something or other in the tree. Time will mute all these oak colors together. Patience and patina rule the oaks. For that matter, the pine too. Here’s a photo I’ve posted before, showing a new box on the left, and one about 12 years old on the right. Both red oak and white pine. Both with linseed oil finish. The one on the right has been in use in our house now for 15 years.
CARVED BOX, S-scroll design – SOLD H: 7 1/4″ W: 17″ D: 11″ $850 includes shipping in US.
This one’s just a bit smaller than usual. I think the box front carving was either a demo or maybe a video I did this year…however it happened, I found the board all carved – so rather than waste it I made a box to go around it.
This one has an extra carving too – the till lid I made from a leftover white oak carving. You’ll only see it when you go fumbling around in the till.
Catalpa bowl H: 5 3/4″-6″ L: 20 1/2″ W: 12″ $600 includes shipping in US.
I’ve made bowls with axes, adzes & gouges going back to the late 1980s. From time to time I take another stab at them, but usually just winging it. Then, I met Dave Fisher. I’ve watched Dave teach bowl carving a number of times, but I would usually see just some of the steps, not in order. This time, I tried to just follow Dave’s instructions based on his video with Fine Woodworking https://www.finewoodworking.com/videoworkshop/2017/11/carve-greenwood-bowl-david-fisher
You can flip it over and wear it as a helmet. When I shot this photo, I realized I need to carve my initials on the bottom.
CARVED SPOON #1 – SOLD rhododendron, L: 9 1/2″ W: 2 1/2″ $100 includes shipping in US
This spoon is made from a “crook” – a naturally bent or curved section from which the spoon derives its shape. The most fun spoons there are to make…
large round basket – white ash splints; hickory rims & handle. Hickory bark lashing 14″ diameter at rims, basket height 9″ to handle 18″ $600 including shipping in US.
DVD – Build a Shaving Horse
$42 includes shipping in US 2 discs; 162 minutes.
I have 9 copies left of this video I shot with Lie-Nielsen Toolworks. They have plenty I’m sure, and they offer it as streaming video too. How to make the style of shaving horse developed by Jennie Alexander and adapted by me. Mine’s been in use since the late 1980s. I still use it all the time…
Carving Drawings 17th-century Style Carving: Devon, England and Ipswich, Massachusetts, set #1 4 pages, 24″ x 36″, rolled in a cardboard tube. $66 includes shipping in US.
These have their own page describing them, but in summary – 4 pages 24″ x 36″ of drawings showing several designs I carve in my oak furniture. Full-scale chest panels, framing parts, box front. Step-by-step drawings showing how to establish the patterns…
I plodded my way through another video edit to go along with the Carving Drawings – this one the lunette above. I can’t match Daniel for speed, and this one had two good camera angles, but the sound levels dip when I switch to the canon camera view. But all the steps are there, some in detail. And it doesn’t cost you anything, so it’s worth it.
Today I’ll finish this box by adding cleats under the lid; they’ll form part of the hinges too. As I’ve worked on it, I’ve thought about my first carved box. Between 1989 & 1994, I was a chairmaker/basketmaker learning joinery in my spare time. Now it’s flipped around just the other way. My first joinery projects were carved chests and then joined stools and a wainscot chair. I didn’t make a box until I got the job at Plimoth Plantation in 1994. They had an original box and one of my first projects was to study it & make a copy to use there. Flatsawn white oak, Mark Atchison made the hinges and nails. I hadn’t yet made a background punch, so I textured the background by repeatedly striking a nail into the recessed ground.
I kept looking for a scheme to the layout of the design. I tried striking segments of arcs here & there, combining them this way & that. It wasn’t until I carved this design a few times that I realized it’s just freehanded. It was Victor Chinnery who told me that this box belonged to the overall group of carved works from Devon England – the material that New England works done in Ipswich, Massachusetts by Thomas Dennis and William Searle stems from.
Jump ahead quite a few years and enter Paul Fitzsimmons and Marhamchurch Antiques. He specializes in oak furniture in general, and the Exeter/Devon works specifically. https://www.marhamchurchantiques.com/
He’s been great about posting photos of his finds and I don’t miss a post from him. Over the years he’s handled a number of related boxes to this one – and nearly every one of them is different, but clearly the same general elements/composition.
The box I made the past few days is one of my versions of these designs. I had a photo of one from Paul’s site and switched things around here and there to come up with a “new” design.
The variations depend on the scale of the board I have, and what I plan to improvise in the middle – the old ones always had locks there, and a big part of the upper middle of the design got covered. On my first take above I hadn’t yet removed the lock plate on the old box, so didn’t know what design was under there.
Here’s a later version I did of that first box. I have no idea when this was – photo stamp says 2008. Pine lid this time, that means the museum was selling it – I kept the oak lids for use in the recreated period houses.
This one was earlier this year. I’ve carved it a few times since Paul first posted his photo of the original.
When Pret & I built the shop, we scabbed framing in to mount the windows. I didn’t want to look at that framing all the time, so I dug out a box of carved samples and nailed them up all over the shop. From time to time, I paint them – mostly to use up extra paint I’ve mixed. Here’s some box fronts mounted now vertically.
This box is from 2013 back when I was still at the museum. Might be the last one I made there. It was for an EAIA raffle, I think. Or auction.
It’s funny, I never drew any carving designs when I was learning them. I always worked from photos (still do mostly). But several years ago I started drawing them. These pages show a couple of these designs; the top one done as a 1/2 box front full-scale and the full box front half-scale. If that makes sense…
This is the third video in the series; fourth if you count the intro to the drawings. I have several more to go, some of which have already been shot and just need editing. The floral panel I plan on shooting in the next week or so. Then it’s on to finishing the next set of drawings. I post all of the videos here on the blog as well as on youtube.
This one I shot the steps and discussed them as I went along, then carved the whole pattern a second time with little commentary, trying to just carve it in “real” time. (I hate that expression). So the back 12 minutes or so is a bit redundant. You’re warned, repetition is the mother of retention.