March. Hmm… it means two things to me right now. One is turn the page on the Yurt Foundation calendar, the other is to march, get going, quit fooling around. This is the month that my schedule picks up. So rather than just picking up whatever project happens to catch my fancy at any given moment, it’s time to knuckle down and get some stuff done.
I keep shifting back & forth. I have to ignore these spoons in the daylight right now, and get to work on my desk box, and the 2 chests with drawers I have underway. At least by having these spoons roughed out, I can carve them at night.
Daylight is for heavier bench work…so the goal for this week is to get the desk box all cut and ready to assemble, then work on cutting joinery and laying out carving for the chest with drawer that’s the focus of my class beginning later this month.
I’ve spent a chunk of today unpacking from the Lie-Nielsen Hand Tool Event I did at Goosebay Lumber & Sawmill, in Chichester, NH this weekend. It was a small show by some standards, but very nice venue. here’s some photos I got.
I saw many logs there, red oak, ash, maple, pine and more. Both Carl and young Carl assured my that if you are looking to buy a green log for riving, they can help you. You just need to give them some advance warning.
Sawn stuff too.
Here’s the Lie-Nielsen crates – these things have a lot of miles on them…
When you go to the upper level to look for wood, you can view down where the action was/is. I was carving spoons off to the right in the 2nd photo. But not while I was shooting these…
Thanks to Carl, Carl, Ted, Kirsten & Danielle – and to the folks who came out to see us. Next time, the rest of you can come too! We had a great time.
I almost forgot – this one’s for Chris, made by “Down to Earth” = I forget the whole story… I’ve made several, but never a paneled one. Ahh, another project. picture it carved.
Tomorrow some spoons, baskets and hewn bowls for sale. About 10AM my time, east coast US.
Back in the good ‘ol days, I was on the payroll, but no one knew what my job was. So I could spend 4 or 5 hours at a time, watching for bald eagles in the winter… Now that I’m on my own, time’s a bit tighter. I gambled a couple hours today, came up empty for eagles, but got some shots of a red tail hawk shrugging off some crows.
When the hawk is over-exposed, the crow comes out with some detail.
This one’s got a nice diagonal symmetry to it.
While waiting for the eagles that didn’t show up, this great blue heron flew in front of the sun…
“I am fascinated by the continuing dialogue about green woodworking crafts. They are crafts where wood of substantial moisture content is initially processed by riving, not sawing, in the direction of its long fibers. Glossary, Make a Chair from a Tree, Third Edition, Lost Art Press…..when it gets published. So there. Jennie”
JA – by your definition today, the chest above is not green woodworking. i.e. it’s sawn stock. Not riven.
just to keep things lively…on a cold winter day.
By the way, I can’t remember the last time I mentioned it, but if readers want to see lots of oak furniture of this period, do sign up for Marhamchurch Antiques emails. I always stop and look at what Paul Fitzsimmons has churned up over there. Great stuff. I swiped these photos from him. Thanks, Paul.
OK for those of you who wrote, and now mostly for those who didn’t – yes, it’s a technical mixup…
I edited the sidebar of the blog – to do a little housekeeping, and to add some new stuff, Instagram for example. In doing so, it seems that now the sidebar (widgets in WordPress-speak) right now only appears on the front page of the blog. If you open just a post, then all you get is some blather about that particular entry. So something went haywire when I updated the widgets…
My intention is to keep some links there, a search button (that’s how I answer most of your questions, by the way…) and I forget what else.
It’s all still here, going back to 2008. I’ll sit down tonight to try to get it back on track. Daylight is for woodworking, or, I wish, birdwatching.
If you know what I did, and how to un-do it, let me know. Otherwise, I scroll through loads of the help forums on wordpress.com
I can’t believe how fast this month is going by. I guess all that playing in the snow is catching up with me. Tweaked my back a little, (I think it was a sledding incident) so for the past 2 days have had light duty… so some blog updating was due. I wrangled with the sidebar to this blog. I doubt any one actually uses it; but there is a search button down there somewhere, as well as links to order the wainscot chair DVD; Maureen’s knitting/felting site, and Plymouth CRAFT. You will also see I have, much to my own shock, joined the 21st century and added an Instagram link. There is also a Facebook something-or-other out there with my name on it – all of this is down to Robin Wood and Jarrod Stone Dahl, those cursed bowl turners. I’m astounded by these things. Robin showed me his Instagram site – and while I was creating one, people were finding it…I don’t want to know how that works!
I’m trying both of these things. Who knows how long it will last? I still like the blog – that I know I’ll keep.
I’ve been carving some parts for a desk box lately. I’ve only made this type of box once before. The original is from the Braintree, Massachusetts group, William Savell and his sons John and William. These are the first patterns I ever learned how to carve. Working on them now is really so much fun; makes me look back on the whole joinery trip. I shoveled out some oak the other day; so more work coming.
Some time ago, I wrote a column for Popular Woodworking and asked the question “what is green woodworking?” (December 2014, #215) I’m not going to repeat the article here, but want to look at the subject. The column stemmed from a talk I gave at Lie-Nielsen’s Open House last summer.
I used to know pretty clearly what “green woodworking” meant. But the older I get, the more I realize the less I know.
Making a carved spoon is a great example of green woodworking – you can make them from dry wood, (I wouldn’t) but the best ones come from trees, and are worked while the wood still has a high moisture content. More direct, easier to cut, exploiting the fibers of the riven/split form – all of these are hallmarks of green woodworking. Hewn bowls, and many turned ones fall into a similar category. But bowls and spoons are single pieces of wood. what about furniture, when you put stuff together?
When I first learned of this method of woodworking, it was Drew Langsner’s Country Woodcraft, Roy Underhill’s Woodwright’s Shop – and the book that coined the term for the modern day – Make a Chair from a Tree: An Introduction to Green Woodworking by John (now Jennie) Alexander. What puts the green in green woodworking? Is it moisture content? Is it riving the wood? Is it “country crafts” like the British books that inspired all of the authors listed above – Jenkins’ Traditional Country Craftsmen” and Edlin “Woodland Crafts in Britain”. Alexander felt left out of the “country” aspect of this traditional woodworking, living in the heart of the city. Hence her book’s subtitle has “green woodworking” – not country anything.
The ladderback style chair Alexander learned even got a great deal of its strength from the moisture content manipulation – dry tenons in wetter mortises. the mortise shrinks, the tenon swells. Presto! You’re a chairmaker and have never been to a lumberyard. The way I remember it, in the 1980s green woodworking was ladderback chairs, some bowl-turning (I remember folks used to turn them green, let them dry, the re-turn them round again!) and a few other disciplines. Timber framing comes to mind.
I think about coopering – is that green woodworking? Usually riven stock, worked with a hatchet, drawkinives, shaving horses – but the critical parts are either executed or at least assembled when the stock is bone-dry. Or else.
Windsor chairs? In America, these usually had, and have, softwood seats. Often white pine. That ain’t worked green. But the hardwood components are often riven from green stock. They’re selectively dried, like parts of Alexander’s ladderback chair, before assembly. Even the hardwood seats of British Windsors can’t be dead-green…
Some approach the “green” like the modern use of the term, renewable energy; careful use of resources, that sort of thing. Coppice crafts, are perfectly aligned with this idea. This work has long been very popular in the Old World, yet to my knowledge, never caught on here in the New World.
Starting in 1989, Alexander and I explored another furniture craft, seemingly more complex, until we got through with it & stripped it down – joiner’s work of the 17th century. It had riven stock, high moisture content – but some of it was not “country” in its format – some were very elaborate forms; with lots of decoration. This work has been my main focus since then. It does not fit the eco-groovy definition at all. I call it “Imperialist Swine” woodworking – you need a whole new forest to sustain it. The oak trees I want take 200 years to grow to size. And I will only use a small percentage of the tree. The rest goes in the fire.
In the end, I decided I don’t think of myself as a “green woodworker” although probably three-quarters of my stock is riven from green logs, and primarily worked up while it has a high moisture content. Trees are wood, I’m a woodworker. Sometimes I use stock fresh from the log, other times I need stuff that’s air-dried. I work the wood at various stages between wet & dry. Most of my furniture is a combination of the two. I think that’s a traditional approach….