Recently Pete Galbert wrote about the coming 3rd edition of MACFAT “It’s no exaggeration to say that this book changed my life…” – I too have used that expression in talking about that book. As I’ve been thinking about it lately, one person whose life changed immensely because of the book was Alexander. John, Jennie, JA, Alexander – I feel like Billy Pilgrim, unstuck in time. So some of what I think about involves John Alexander, some Jennie. Before anyone gets in a snit over it – I mean no disrespect. I was as close to JA as you can get.
Lately, I’ve been working on the beginnings of a book that I hope will come to pass. It involves some threads and stories of how the people who taught me woodworking learned themselves, how they intersected – and one of the central players is Alexander. To that end, I’ve been reading about 700-900 pages of what could be a couple thousand pages (I haven’t seen all the notebooks yet, the pandemic put a halt to that research for 1 1/2 years) of notes and letters in Alexander’s papers. It tells quite a story.
I wrote a short intro to the new edition, noting that in the first edition JA wrote: “I’ve made more friends in the past year than I had in the previous five years.” – and that was before Alexander went to Drew Langsner’s & began teaching chairmaking. From that point (1979) on, things really took off.
In one letter, JA wrote “I am an attorney by profession, that is my cash crop so to speak. However I am equally concerned with my craft.” Well, that’s not strictly true. I never saw JA take time from woodworking to do legal work, but the reverse was often the case. He’d write letters and notes while waiting for his case to be called in court. Lots and lots of them. Always woodworking was churning around in his head; even when his professional life kept him busy and out of the shop.
I never have known anyone who read as much as JA did, nor I guess have I known anyone who wrote as much as she did. But one thing is very clear, the woodworking and the relationships developed through it were the most important and significant part of JA’s life outside of the family.
All those phone calls in Jennie’s last years were about excruciating minutiae about making the chair. Always questioning, always pushing to make it easier, better, more accurate. It really did give her something to live for, long after shop work was out of the question, the chair kept JA alive. She knew she’d not see the book. It didn’t matter, for her – it wasn’t the end, it was the journey. She knew we’d take care of the rest.
And now 42/43 years later, MACFAT & Drew Langsner’s Country Woodcraft are back to life and better than before, thanks to Chris and the rest of the Lost Art Press gang. Boy, do I feel old. And grateful.