more inspiration from the Season of Fests

more-inspiration

Recently I wrote about inspiration in the form of a slew of new books. There was more inspiration stemming from the Season of the Fest – Greenwood Fest, Spoonfest, Täljfest and beyond. Here’s a few items I gathered; some gifts, most purchased, from some of the people I worked alongside.

Many of the spoons came from Spoonfest. First (for no reason other than I photographed it first) is a large serving spoon by Jan Harm ter Brugge. http://www.houtvanbomen.com/HoutvanBomen/houtvanbomen-_English_summary.html

jan-harm-ter-brugge
Jan harm ter Brugge

A nice beech plate from Owen Thomas, nice person, nice plate. https://www.instagram.com/owenthomaswoodcraft/

owen-thomas
Owen Thomas

Eating spoons – one from Simon Hill. Part of the “internet came alive” phenomenon for me, was seeing Simon’s work. https://simonhillgreenwoodwork.wordpress.com/gallery/

simon-hill
Simon Hill
simon-hill-profile
Simon Hill

Another eater. Magnus Sundelin made it. Forgot he sold it to me, & panicked, thinking it was lost when he went to show it to his students! https://www.instagram.com/sloydmagnus/

magnus-sundelin
Magnus Sundelin
magnus-profile
Magnus Sundelin

Another British wonder – Adam Hawker. https://www.facebook.com/profile.php?id=100005448825480  great stuff.

adam-hawker
Adam Hawker

2 by Beth Moen, https://www.instagram.com/bethsusana/ bookended my Season of Fests w Beth at Greenwood Fest in June & Täljfest in August.

beth-profile
Beth Moen
beth-moen
Beth Moen

A wooden spoon finished with urushi lacquer by Madoka, Masashi Kutsuwa’s wife. Wow. Here’s Masashi’s page, I can’t find anything by Madoka… https://www.instagram.com/masashi_kutsuwa/ and https://www.facebook.com/masashi.kutsuwa

madoka-spoon
Madoka
maduka-detail
Madoka

Dave Fisher’s duck bowl. You’ve seen his work by now, right? https://davidffisherblog.wordpress.com/

dave-fisher-duck-bowl
Dave Fisher
dave-fisher
Dave Fisher

Jarrod Stone Dahl’s birch work. My 2nd one of his, this one is a birch sleeve, slipped off the log intact. That forms the inside, then it’s wrapped with a sheet of bark that is joined together with the decorative interlocking tabs. https://www.instagram.com/jarrodstonedahl/

jarrod-closed
Jarrod Stone Dahl
jarrod-open
Jarrod Stone Dahl

A small eating spoon by Derek Sanderson – in cherry. Derek can stop himself.. https://www.instagram.com/dcsandersoninc/

derek-sanderson
Derek Sanderson

While looking a few things up for this post, I found this video from Taljfest, by Niklas Karlsson – here’s his Instagram page https://www.instagram.com/_ahardslojdlife/

Thanks for posting it Niklas, I got to see stuff I missed!

some progress on the shop

I have another post to do about my trip, but today shot a few lousy photos while I was working inside the shop.

work-site

You can see, it’s still very much a construction site, but some of the time I’m working on furniture in it, other times, working on it. today, on it.

a new cabinet that will hold hatchets, right above the chopping block. A dovetailed case, with board doors & wooden hinges. recycled paneling for the doors. You can also see the first few windows that went in, complete with leftover carvings trimming the framing around them. Next will be a shallow shelf under these windows. 
windows-cabinet

Here’s the cabinet – 24″ x 36″ – about 4″ deep. Right now it has no fittings inside, I won’t put the hatchets in until all the windows are in. It hasn’t rained here in southern New England all summer, but I don’t want to push my luck…

cabinet

Just above the tie beam there is a poster & certificate from my trip to Saterglantan. Jarrod Stone Dahl & I were the 3rd & 4th recipients of the Wille Sundqvist & Bill Coperthwaite Slojd Fellowship awards. Quite an honor…here’s some text from a note Peter Lamb sent out in the spring, giving an idea of the fellowship:

“The Wille Sundqvist and Bill Coperthwaite Slöjd  Fellowship is awarded to craftspeople to further deepen the meaning, skills, and connections among those passionate about simple living and handmade objects. The Fellowship provides financial support to green woodworkers and other craftspeople to travel from their home country and share their thinking about handcraft, showcase their skills and design work, further their own research, and extend the international community of interest.”

I am very grateful to Jogge Sundqvist and Peter Lamb for all their work making this award a reality, and to Norman Stevens for his contribution as well. (JoJo Wood & Beth Moen were the first two, at Greenwood Fest this spring) –

wall-art

Outside, I started putting battens on, got most of the south side done. One more narrow window to be framed on our left here, then I can finish the battens.

south-side-view

Our neighbor Dave made the bird house on the right, and a downy woodpecker has been enlarging Dave’s holes…
downy-wp

He was at it quite a while.

downy-wp-detail

2 years ago, when I left my job & old shop behind, I put a bunch of stuff into storage. Now I’m beginning to get it back. Here’s part of the wood supply, tucked up in the rafters. And our snowshoes, which got zero use in 2016.

wood-strorage-loft

Back outside, I couldn’t resist, especially after seeing Sweden. If I had been there first, this would be a different building.

couldnt-resist

Lunch time for Ardea herodias. 

heron-w-fish

 

Summer/fall reading; new pile of books

books-2

It’s been a summer of inspiration for me in many ways. One way is books. So much book inspiration that I’m building a new bookcase. Just have to see where I can fit it. Here’s a few titles I’m rummaging around in these days.

First up, a gift. Thanks, Jögge.

jogge

jogge-spread

It’s  Jögge Sundqvist’s book Slöjda I Trä  (something like “Handicrafts made in wood”) – the publisher is Natur & Kultur, Stockholm. It’s a revised edition of an earlier book of the same title. More projects, more text. Nice clear drawings and diagrams, great photos and COLOR! As you expect from Jögge… it’s in Swedish. http://www.bokus.com/bok/9789127148833/slojda-i-tra/

Another revised edition that just arrived here this week is Victor Chinnery’s Oak Furniture: The British Tradition.

chinnery
bigger & better

chinnery-boxes

One of the great thrills of my joinery career was getting to know Vic. His book originally came out in 1979, and stayed in print for eons. But since Vic’s death, his wife Jan has been working on revising it for a new edition, and they’ve taken a great book and made it better. When Jan wrote to me asking for help contacting American museums for photos, I thought it was mostly to just add more color. But the new edition is way more than that, there’s better photos all around, lots of color added, it’s true. But many new figures. The old photo numbering system is still there. Each photo is numbered according to the chapter it’s in, thus fig. 3:210. When Jan and the editors have added new items, they get a small letter after the figure number, thus there is a fig. 3:210a, where there wasn’t before.

Most of the pictures are bigger, thank-you very much. The book is bigger, which helps. In an age where it seems like everyone but me is running around looking at things on small screens, it’s nice to have some images get bigger rather than smaller. If you are serious about oak furniture, then you’ll want to get this new edition. I’m glad I did…it’s well worth it. (and yes, the cover of Oak Furniture is still a walnut chair. Nice one, Vic). http://www.antiquecollectorsclub.com/uk/store/productdatasheet/9781851497157

I had mentioned some time ago about Lost Art Press’ new edition of Ants Viires’ Woodworking in Estonia. (I just now realized that’s 3 revised books in a row…weird) 

estonia

estonia-spread

I wrote a short intro to it, just some notes about my exposure to the original English edition. Now we get better, clearer illustrations, and a text that is related to what the author wrote. And you can buy it easily, whereas the 1969 edition was like hen’s teeth. Suzanne Ellison wrote a nice history of the book, and how it got to be translated and published by the US government back in the 1960s. If you’re not familiar with the book, the author travelled his native countryside in the 1950s and 60s, recording in photographs, drawings and notes the woodworking practices in the countryside, which he reckoned were soon to disappear. Much of the work presented relates to agricultural work; but lots of it is things for the home – cooperage, boxes, some spoons, some furniture. What always strikes me is the familiarity with the material these craftsmen had. A must-have for green woodworkers… https://lostartpress.com/collections/books/products/woodworking-in-estonia

In some ways, this next book is similar, in that it’s about knowing the properties of trees.

wiggle-tree-book

wiggle-tree-spread-2

This one, however, is new, and written by woodworkers, it is the Swedish book Slöjden börjar i skogen – The title roughly translates to “Craft begins in the Woods.” How to use what sort of tree where, what sort of growth – straight, crooked, hard wood vs soft. I bought mine at Sätergläntan’s great craft store, an amazingly inspiring place. I have just started to work out some of the text via Google translate. It’s enough to get the gist of it. (here’s the link to Sätergläntan’s store; it’s available elsewhere, but I know nothing about who ships where… http://www.saterglantan.com/butik/butiken/litteratur-sv/slojden-borjar-i-skogen/ )

At the same time, I bought a book about turned vessels in Sweden Vackert svarvat-skönt målat. Folkkonst ur skålaknallens fässing under tre sekler.

bowls-book

bowl

I had seen this one on Jarrod Stone Dahl’s blog, after one of his earlier trips to Sweden. I haven’t turned a bowl in 2 years, but hope to get to it again before too long. This book was one of those things where I thought, I’m not going to see this again, so better get it now. Might need it later.

Continuing the Swedish theme, when I got home, I was searching used books for one on Swedish vernacular furniture. I didn’t find one yet, but I did find Swedish Folk Art: All Tradition is Change.

swedish-folk-art

folk-art-spread

(edited by Barbara Klein and Mats Widbom, published by Harry Abrams, 1994) It’s an exhibition catalog of sorts. Lots of great painted interiors for one thing, and there is a good deal of furniture and other decorative arts in it. It’s a very nice book. Makes me want to decorate everything in sight.

I also got the Lost Art Press edition of Charles Hayward’s articles titled The Woodworker: the Charles Hayward Years. I got both volumes, seems silly to scrimp on this sort of reference material. Lots of depth to the ideas, there’s both fundamental and advanced information in there. With this much content, every woodworker is going to come across stuff they don’t agree with, but there’s still many good concepts. (For instance, I hate the way 20th-century woodworkers scribble all over their stock with pencils – all those stupid wiggly lines. Ugh.) All in all well worth having, it gets the usual Lost Art Press treatment, nice production.  

hayward-spread

https://lostartpress.com/collections/books/products/the-woodworker-the-charles-hayward-years

One last woodworking book, a gift from our friend Masashi Kutsuwa.

van-gogh-chair

It’s about a chair he’s been studying in Japan, based on a Vincent Van Gogh painting; https://www.nationalgallery.org.uk/paintings/vincent-van-gogh-van-goghs-chair hence the nickname “Van Gogh chair”. Masashi’s facebook page has some details about the project, starting with Tatsuaki Kuroda’s 1967 trip to Spain to see these chairs being made…this link includes a short film of one of the Spanish chairmakers.

https://www.facebook.com/masashi.kutsuwa/posts/1180509185326625

The book traces the introduction of this chair, via imports, into Japan; all the way to Masashi and students making them now in Japan.

And while I was in Sweden, I got 2 books on birds there – I used this one a lot; and I didn’t see the woodpeckers shown below, but I was ready for them…it’s a very good bird book. One thing, the maps are large enough to see…

bird-book

wps

 

The next one was pure indulgence. I have a couple other Lars Jonsson books; they’re bird books and art books. I like both.

lars-jonsson

robin

the rest of my teaching schedule for 2016

An update about classes remaining for 2016, and slightly beyond.

spoons & bowl

First up is spoon-carving at Lie-Nielsen, on Sept 24 & 25 https://www.lie-nielsen.com/workshop/USA/126

hatchet

I have lots of new tricks I learned at Spoonfest and Täljfest, so come to Maine & we’ll explore all kinds of ideas. I also have some new spoons by outstanding makers to study, as well as a couple old ones.

——————–

October begins with the opening of the full-tilt chest class at Bob Van Dyke’s Connecticut Valley School of Woodworking. http://www.schoolofwoodworking.com/class-schedule/29-speciality-weekend-classes/534-build-a-17th-century-joined-chest-with-peter-follansbee.html    We did this last year, one-weekend-a-month, for five months. One by one, students from last year have finished their chests, here’s one from Dwight Beebe:

This class is the best way to learn all the steps in making a joined chest with drawer.

This year, we’ll include a trip down to the Yale University Furniture Study, to examine the chest we’ll base ours on. Riving, hewing, planing, joinery, carving – the whole thing. One weekend at a time. First class is coming up, Oct 1 & 2.

—–

Later in October, we’ll do the riving class with Plymouth CRAFT – right now we don’t have it listed yet, but a weekend in October, I think the 15/16 . (I’ll post it here, and Plymouth CRAFT will send out its email as well, if you’re not on their list, you want to be, even if it’s just for Greenwood Fest next year! http://www.plymouthcraft.org/  )

UPDATE: Here is hurdlemaking: http://www.plymouthcraft.org/?tribe_events=riving-now-two-days
We are excited to be returning to the wonderful venue we used for Dave Fisher’s bowl carving class in July. That massive marsh should be gorgeous in the autumn light.

shaving

In this class, we split apart an oak log, learning how to “read” the log for best results. Then using a froe, we further break the stock down, and make garden hurdles. So, riving, hewing, shaving at a shaving horse, mortising – a busy weekend full of old techniques still applicable today.

test fit

THEN – Paula Marcoux reminded me about the spoon carving at Plymouth CRAFT on Dec 10 & 11,  at Overbrook house in Buzzard’s Bay, Massachusetts.

stay tuned to Plymouth CRAFT for details… http://www.plymouthcraft.org/

UPDATE: And here is spoon carving: http://www.plymouthcraft.org/?tribe_events=spoon-carving-with-peter-follansbee
For this one we’ll be back at our beloved winter home, Overbrook House. Always cozy; always fun.

Öland

Next stop on the Swedish trip was Öland, an island off the southeast coast. We were there because Jögge was teaching at Capellagården, the school begun by Carl Malmsten in the late 1950s. http://www.capellagarden.se/



capellagarden
here’s a view of some of the gardens

 

gardens at capellagarden

What a place, Öland. We only saw bits & pieces of the southern half of the island, but that was enough to be really captivating. I went with Masashi, Madoka and Fuku to see some of the island while Jögge was teaching. One stop was Gråborg, remnants of a ring-fort that might date from the 6th century. It was rebuilt in its present form in the middle ages. http://www.spottinghistory.com/view/783/graborg-castle/

Gråborg

Gråborg 2

 

There is also a fragment of an early church on site.

church ruins at Gråborg

Next stop was to Himmelsberga, a great museum about life on Öland. (a quick detour to see the sea first, while we waited for the museum to open).

OLYMPUS DIGITAL CAMERA

 

swans

Fabulous buildings and furnishings. The best open-air museum of the trip. http://www.olandsmuseum.se/

Our hosts for some of our time on Öland were Carl-Magnus Persson and his wife. Carl-Magnus taught furniture work at Capellagården for I think 40 years! He trucked me around the island and showed me more sights than I can keep track of! A quick stop to see one of the many standing stones on the island – I forget the story of this one, other than some knucklehead-Viking types brought this stone to the island to mark the grave of someone – probably Odin, it’s almost always Odin. The whole place is made of stone! 

me & stone

The island is home to the Stora Alvaret, a huge limestone plain – we walked some in there – May is the time to see it, I’m told. Then it’s hoppin’ with nesting birds, and blooming with flowers.    https://en.wikipedia.org/wiki/Stora_Alvaret

stora alvaret

Then we went all the way down to the southern tip, where no matter how hard Jögge protested, I got to do some birding. Back when we left Sätergläntan, we stopped at Vesa Jussila’s and he lent me a scope & tripod. Second bird I saw on this outing was a northern Lapwing – a bird I had never seen. I was so excited, but Jögge and his wife Nina were un-moved. Lapwings nest near them, they’re very common. The next day I saw a flock of about 50…

lapwing
lapwing Juvenile
falcon
Falcon, looks like peregrine, but I remember it being kinda small

We made the climb up Långe Jan, the lighthouse near the southern tip of the island. https://en.wikipedia.org/wiki/L%C3%A5nge_Jan  Astounding birding here. Here’s part of the view:

view Långe Jan

I wanted to stay on Öland for the rest of my life, but my family was back in Massachusetts. Next stop was Stockholm for a couple of days, then home. Stockholm pictures next time.

We stayed at http://www.gammalsbygarden.se/ It couldn’t have been better. Some views from an early morning walk:

be careful
glad I wasn’t driving

early morning walk

Birds as far as I could see in both directions, with a scope – so there were a lot of birds.

all birds as far as I could see

 

Sweden trip, part 2

Sweden.

fuku

Too much happened there for me to write the whole thing down. After Täljfest,  Jögge Sundqvist led a few of us on a mini-tour of parts of Sweden. We were me, Jogge, Del & Mary Stubbs and Masashi Kutsuwa and his wife Madoka and their daughter Fuku. Jogge kept things beyond interesting.

First stop – I have no pictures I can share with the blog – a storehouse for the Nodiska Museet (Nordic Museum for some of  us) – absolutely mind-boggling array of wooden objects. I don’t remember seeing anything that was un-decorated. (the website for the museum down in Stockholm, which can’t possibly compare to its storage collections http://www.nordiskamuseet.se/en  – better to work through this site, which can be sorted by object, collection & more http://digitaltmuseum.se/  )

An evening with Anja Sundberg and her family, her work is amazingly personal, and lively. She almost couldn’t be harder to find on the internet, Robin Wood wrote about her work some time ago. http://www.robin-wood.co.uk/wood-craft-blog/2013/10/26/anja-sundberg/#lightbox/9/

Next morning, a stop for breakfast with Nicke Helldorff, among other things, a carver of birds. http://handochtanke.se/ommig.aspx

nikki & magpie
Nicke Helldorff
nikki's grebes
grebes

Then, Hans Karlsson’s shop, http://www.klensmide.se/?pid=47e92d9a963a9&lang_id=sv   where we all had fun (& Hans’ cherry pie) watching Del go out of his mind comparing notes and techniques with Hans, Mats, Johan, Andreas and Ludwig.

Del Stubbs & Hans Karlsson
Del Stubbs & Hans Karlsson
hooks
people are waiting for these…

When we arrived, there were three flags outside the shop – US, Sweden & Japan. They had to make the Japanese flag, couldn’t find one to buy!

H Karlsson klensmide

That night, we stayed with Ramon & Marie Persson. http://www.ramonpersson.se/  He was patient enough to show us his birch cannister work, while several of us clicked away with cameras.

ramon birch cannisters

cutting tabs

folding in

A really nice old shaving horse at Ramon’s shop:

old shaving horse

shaving horse detail

The next morning, as we were trying to leave, out came the box of antique spoons!

old spoons
old spoons
ramon's spoons
Ramon’s spoons

Then on to a house museum with the most astounding collection of carved work. Sophia Isberg carved vessels to hold cigars, of all things. But the carvings she did rendered them into a sphere all their own. http://www.motalamuseum.com/utstallningar/index.html 

jogge mary & del w carvings
Jogge, Mary & Del looking at some of Sophia Isberg’s carvings
carving detail
detail of one base

carving detail 3

A stone overmantel dated 1662, for the 17th-century enthusiasts :

stone mantle carving

stone mantle pt 2 1662

After that, to Öland. Another post for that leg of the trip.

 

Täljfest at Sätergläntan

I left Spoonfest as soon as the dust settled – off to the airport to get over to Sweden so we could start all over again. Täljfest featured a similar format; 3-day “pre-fest” courses, then an influx of more carvers and instructors for the actual festival itself. My first trip to Sweden – it was pretty exciting.

Sätergläntan http://www.saterglantan.com/ is a magical place Beautifully inspiring buildings, contents and people, nestled into the woodsy hillsides. When I left home, temperatures had been in the low 90s (around 32/33C) and in Sweden, I could have used a sweater at times. When I spoke to the kids back home, I told them it was nice October weather!

saterglantan main building
Sätergläntan

There were several courses running at once; I saw next to nothing of them, being busy with mine. JoJo Wood was doing her masterclass on eating spoons; Beth Moen worked a group through her bowl carving; I did the 17th-century carving designs, and the other class was figure carving with Joohyun Im & Hyungjun Yong of South Korea.

In the festival itself – it was, like Spoonfest, an embarrassment of riches – inspiring craftsmen & women everywhere you turned. Also like Spoonfest, I know I’ll miss some names. Magnus Sundelin again, Fritiof Runhall carving spoons, Del Stubbs http://www.pinewoodforge.com/index.html all over the place!, Jonas Als http://www.woodcraftbyjonasals.dk/ Jarrod Stone Dahl https://www.instagram.com/jarrodstonedahl/;  Barn Carder https://www.instagram.com/barnthespoon/ ; Masashi Kutsuwa https://www.instagram.com/masashi_kutsuwa/ with his green woodworking in Japan, also his wife Madoka with her Urushi lacquer work; Jane Mickelborough https://www.instagram.com/janespoons/ presented some of her research into Breton spoon history, Niklas Karlsson https://www.instagram.com/_ahardslojdlife/ on spoon carving; Vesa Jussila, carving birds, but more importantly, showing me local birds https://www.facebook.com/Vesa-Jussila-Naturdiorama ;

It was crazy – I saw very little of it. I did wander around some, seeing people carving everywhere. On the last afternoon, there was a panel discussion, led by Jögge Sundqvist, about craft in our respective countries – we had Denmark, Japan, US, UK, Sweden all represented. JoJo’s biggest challenge was to speak without profanity, and she aced it.

Lots of pictures, I’ll just add captions.

del stubbs
Del Stubbs presenting his fan bird demo
del's birds
Del’s bird – mind bogglingly good
gouge drawer
each tool has a number, and each slot a corresponding number
jojo demo
JoJo with a spoon carving demo
on my windowsill in my room
on the windowsill in my bedroom
outside the woodshop area
from the woods, looking back to the woodshop
tools
one of the tool cabinets
fritiof's class
Fritiof’s spoon class

This one gets a sentence of its own – this man is Claude Veuillet, one of the co-authors of a great study of Swiss chests &  boxes. One of my students from Spoonfest, Helen, came to Taljfest too, and spoke fluent French. So she helped Claude & I get acquainted. Thanks, Helen.

claude better

Here’s the book – and a post I wrote about it way back https://pfollansbee.wordpress.com/2014/03/09/i-havent-forgotten-about-furniture/

The dining hall is particularly inspiring.

birch w paint
birch cannister. I don’t even drink tea, but had to look at it in detail
bengt lidsttrom bowl
Bengt Lidstrom bowl
partial spread of food
the place is headquarters for woodenware

 

blue chair
nice blue chair outside the room I taught in

 

bla salen
Bla Salen, door frame also by Bengt Lidstrom, painted door by another hand

My thanks to all those who worked & attended the event. And to Jogge Sundqvist & Beth Moen for including me.

Here’s a link to some photos from Saterglantan:

http://www.saterglantan.com/samarbete/taljfest-2016-album/