I didn’t mean to do this…

desk

I didn’t set out to make this at all. I only saw the original once, back in the early 1990s when I was researching the furniture made in 17th century Braintree, Massachusetts, by William Savell and his sons John & William.  But then recently I was given (thanks Michael) some really wide red oak bolts…so  I rived & planed up stuff & decided to tackle this form. (10″ high, 22″ wide, and about 16″ deep) I had built one once but I think it had no insides, I forget.

In the photo above, I have test-fitted the fixed top board, it will be trimmed after attaching it with wooden pins. It won’t get installed until the hinges are attached to it. First things first.

Many English boxes are just plain inside, but New England ones often (usually) have a till inside. The Savell shop had tills and drawers inside theirs, even their flat-top boxes like this one, I forget right now if there were drawers under the till nearest the camera:

Braintree box interior
Braintree box interior

It’s a particularly stupid arrangement – if you stuff things in the box, then you can’t pull the drawers out. But it has an obsessive compulsive appeal.

A desk/slant-lid box almost always is divided up inside. This one features two tills, a long open tray in the rear, and four drawers up above. One of the tills, closed – English oak for the till lid:

till closed

 

Same till, open:

till open

The original is missing its drawers, maybe they were cubbies w/o drawers –

savell-desk-box

but mine will have small oak drawers. I just ordered the dovetail hinges for it, and some curtain rings for the drawer pulls. When I get this far on a new project, I always wish I could make the 2nd one first – just made some trial & error sort of mistakes. Nothing major, but next time….

Now while I wait for the hardware from the blacksmith, I’ll plane up the board for the hinged lid, then I can go back to the joined chests I was making.

Spoons & more for sale here: https://pfollansbee.wordpress.com/spoons-baskets-bowls-for-sale-march-2015/

March – time to get going

March. Hmm… it means two things to me right now. One is turn the page on the Yurt Foundation calendar, the other is to march, get going, quit fooling around. This is the month that my schedule picks up. So rather than just picking up whatever project happens to catch my fancy at any given moment, it’s time to knuckle down and get some stuff done.

Oak:

oak lunette

spoons:

spoons

 

oak:

partly done 2

spoons:

ignore these spoons

I keep shifting back & forth. I have to ignore these spoons in the daylight right now, and get to work on my desk box, and the 2 chests with drawers I have underway. At least by having these spoons roughed out, I can carve them at night.

Spoons and baskets for sale today – here: https://pfollansbee.wordpress.com/spoons-baskets-bowls-for-sale-march-2015/

Daylight is for heavier bench work…so the goal for this week is to get the desk box all cut and ready to assemble, then work on cutting joinery and laying out carving for the chest with drawer that’s the focus of my class beginning later this month.

desk box parts

Enough. Here’s details on the 2 classes coming up this month. The first is a 2-day class in spoon carving at Plymouth CRAFT – 2 spaces left they tell me. The class is March 14 & 15 – details here. http://plymouthcraft.org/?tribe_events=carving-wooden-spoons-with-peter-follansbee  There’s knitting, cooking & egg decorating classes at the same time – http://plymouthcraft.org/?post_type=tribe_events


The other class is the first entry in the 5-month “build a chest with drawer” class at Connecticut Valley School of Woodworking. We can squeeze another joiner or two in…If all goes well, I’ll be showing you some of oak for that class tomorrow. http://www.schoolofwoodworking.com/woodworking-classes/29-speciality-weekend-classes/534-build-a-17th-century-joined-chest-with-peter-follansbee.html

and the rest of the schedule is here: https://pfollansbee.wordpress.com/2015-teaching-schedule/ including two weeks teaching in Olde England – I’ll write about that next week. 

 

 

 

Lie Nielsen event at Goosebay Sawmill & Lumber

I’ve spent a chunk of today unpacking from the Lie-Nielsen Hand Tool Event I did at Goosebay Lumber & Sawmill, in Chichester, NH this weekend. It was a small show by some standards, but very nice venue. here’s some photos I got.

goosebay sign

Both days were bright & sunny. Didn’t snow. Goosebay is a very nice place. Lots of sawn lumber, both local and otherwise. http://goosebaylumber.net/index.php

I saw many logs there, red oak, ash, maple, pine and more.  Both Carl and young Carl assured my that if you are looking to buy a green log for riving, they can help you. You just need to give them some advance warning.

logs

 

Sawn stuff too.

stickeed

 

Here’s the Lie-Nielsen crates – these things have a lot of miles on them…

crates

crates going in

 

When you go to the upper level to look for wood, you can view down where the action was/is. I was carving spoons off to the right in the 2nd photo. But not while I was shooting these…

 

aeriel view

aeriel view 2

 

spoons & stuff

 

Thanks to Carl, Carl, Ted, Kirsten & Danielle – and to the folks who came out to see us. Next time, the rest of you can come too! We had a great time.

I almost forgot – this one’s for Chris, made by “Down to Earth” = I forget the whole story… I’ve made several, but never a paneled one. Ahh, another project. picture it carved.

down to earth

Tomorrow some spoons, baskets and hewn bowls for sale. About 10AM my time, east coast US.

swing handle

 

no eagles…

Back in the good ‘ol days, I was on the payroll, but no one knew what my job was. So I could spend 4 or 5 hours at a time, watching for bald eagles in the winter… Now that I’m on my own, time’s a bit tighter. I gambled a couple hours today, came up empty for eagles, but got some shots of a red tail hawk shrugging off some crows.

crow & hawk

rt hawk

hawk & crow

hawk & crow behind

When the hawk is  over-exposed, the crow comes out with some detail.

good crow shot

This one’s got a nice diagonal symmetry to it.

neutral corners

While waiting for the eagles that didn’t show up, this great blue heron flew in front of the sun…bg heron

a challenge for Jennie Alexander re “green woodworking”

devon chest front view

devon chest w distorted stile

Devil’s Advocate time for me.

Jennie Alexander wrote today commenting about the recent post “what is green woodworking” – https://pfollansbee.wordpress.com/2015/02/18/what-is-green-woodworking-2/

Here is her comment:

“I am fascinated by the continuing dialogue about green woodworking crafts. They are crafts where wood of substantial moisture content is initially processed by riving, not sawing, in the direction of its long fibers. Glossary, Make a Chair from a Tree, Third Edition, Lost Art Press…..when it gets published. So there. Jennie”

JA – by your definition today, the chest above is not green woodworking. i.e. it’s sawn stock. Not riven.

just to keep things lively…on a cold winter day.

By the way, I can’t remember the last time I mentioned it, but if readers want to see lots of oak furniture of this period, do sign up for Marhamchurch Antiques emails. I always stop and look at what Paul Fitzsimmons has churned up over there. Great stuff. I swiped these photos from him. Thanks, Paul.

http://www.marhamchurchantiques.com/

 

They weren’t kidding when they made February a short month

carving detail

I can’t believe how fast this month is going by. I guess all that playing in the snow is catching up with me. Tweaked my back a little, (I think it was a sledding incident) so for the past 2 days have had light duty… so some blog updating was due. I wrangled with the sidebar to this blog. I doubt any one actually uses it; but there is a search button down there somewhere, as well as links to order the wainscot chair DVD; Maureen’s knitting/felting site, and Plymouth CRAFT. You will also see I have, much to my own shock, joined the 21st century and added an Instagram link. There is also a Facebook something-or-other out there with my name on it – all of this is down to Robin Wood and Jarrod Stone Dahl, those cursed bowl turners. I’m astounded by these things. Robin showed me his Instagram site – and while I was creating one, people were finding it…I don’t want to know how that works!

Here’s the facebook link – https://www.facebook.com/profile.php?id=100009003798086

and the Instagram  https://instagram.com/peterfollansbee/

I’m trying both of these things. Who knows how long it will last? I still like the blog – that I know I’ll keep.

desk box side

I’ve been carving some parts for a desk box lately. I’ve only made this type of box once before. The original is from the Braintree, Massachusetts group, William Savell and his sons John and William. These are the first patterns I ever learned how to carve. Working on them now is really so much fun; makes me look back on the whole joinery trip. I shoveled out some oak the other day; so more work coming.

Next Friday/Saturday, I’ll be at the Lie-Nielsen Hand Tool Event in Chichester New Hampshire. I will be carving spoons and hopefully talking to hordes of visitors. https://www.lie-nielsen.com/hand-tool-events/USA/74 

Maureen has added some stuff, and now in the depths of winter, her knitting looks spring-ish. that’ll come…

https://www.etsy.com/shop/MaureensFiberArts

what is “green woodworking”?

Some time ago, I wrote a column for Popular Woodworking and asked the question “what is green woodworking?” (December 2014, #215) I’m not going to repeat the article here, but want to look at the subject. The column stemmed from a talk I gave at Lie-Nielsen’s Open House last summer.

I used to know pretty clearly what “green woodworking” meant. But the older I get, the more I realize the less I know.

spoon 14-109 new photo side viewMaking a carved spoon is a great example of green woodworking – you can make them from dry wood, (I wouldn’t) but the best ones come from trees, and are worked while the wood still has a high moisture content. More direct, easier to cut, exploiting the fibers of the riven/split form – all of these are hallmarks of green woodworking. Hewn bowls, and many turned ones fall into a similar category. But bowls and spoons are single pieces of wood. what about furniture, when you put stuff together?

Robin Wood's bowl
Robin Wood’s bowl

When I first learned of this method of woodworking, it was Drew Langsner’s Country Woodcraft, Roy Underhill’s Woodwright’s Shop – and the book that coined the term for the modern day – Make a Chair from a Tree: An Introduction to Green Woodworking by John (now Jennie) Alexander. What puts the green in green woodworking? Is it moisture content? Is it riving the wood? Is it “country crafts” like the British books that inspired all of the authors listed above – Jenkins’ Traditional Country Craftsmen” and Edlin “Woodland Crafts in Britain”. Alexander felt left out of the “country” aspect of this traditional woodworking, living in the heart of the city. Hence her book’s subtitle has “green woodworking” – not country anything.

JA chair

The ladderback style chair Alexander learned even got a great deal of its strength from the moisture content manipulation – dry tenons in wetter mortises. the mortise shrinks, the tenon swells. Presto! You’re a chairmaker and have never been to a lumberyard. The way I remember it, in the 1980s  green woodworking was ladderback  chairs, some bowl-turning (I remember folks used to turn them green, let them dry, the re-turn them round again!) and a few other disciplines. Timber framing comes to mind.

cooperage
cooperage

I think about coopering – is that green woodworking? Usually riven stock, worked with a hatchet, drawkinives, shaving horses – but the critical parts are either executed or at least assembled when the stock is bone-dry. Or else.

c a chair

Windsor chairs? In America, these usually had, and have, softwood seats. Often white pine. That ain’t worked green. But the hardwood components are often riven from green stock. They’re selectively dried, like parts of Alexander’s ladderback chair, before assembly. Even the hardwood seats of British Windsors can’t be dead-green…

Some approach the “green” like the modern use of the term, renewable energy; careful use of resources, that sort of thing. Coppice crafts, are perfectly aligned with this idea. This work has long been very popular in the Old World, yet to my knowledge, never caught on here in the New World.

 

joined & carved chest, 2010
joined & carved chest, 2010

Starting in 1989, Alexander and I explored another furniture craft, seemingly more complex, until we got through with it & stripped it down – joiner’s work of the 17th century. It had riven stock, high moisture content – but some of it was not “country” in its format – some were very elaborate forms; with lots of decoration. This work has been my main focus since then. It does not fit the eco-groovy definition at all. I call it “Imperialist Swine” woodworking – you need a whole new forest to sustain it. The oak trees I want take 200 years to grow to size. And I will only use a small percentage of the tree. The rest goes in the fire.

In the end, I decided I don’t think of myself as a “green woodworker” although probably three-quarters of my stock is riven from green logs, and primarily worked up while it has a high moisture content. Trees are wood, I’m a woodworker. Sometimes I use stock fresh from the log, other times I need stuff that’s air-dried. I work the wood at various stages between wet & dry. Most of my furniture is a combination of the two. I think that’s a traditional approach….

Oh, no! What’s “traditional” woodworking????