I have a student here this week, we’re studying period carving while making an oak box. Scattered all over this blog (10 years’ worth, over 1,000 posts) are photos of period work. Carving, turning, moldings, mess-ups, etc. But I never knew when I started what a potential resource this could be. And now I’m too busy to organize it. But if you want to see some oak carvings…they’re in here! I’ll stick a few here, some of what Nathan & I are using for reference this week.
This one from a private collection; lots of gloppy finish on it, making it hard to see exact details. But one of my favorites over the years. My notes said that Bob Trent & I examined this back in 1998.
Related to the above is this one, another I’ve copied many times over. Carved by the eldest son of William Savell above, John Savell, 1642-1687 or so.
This lunette, (this one’s on the top rail of a chest) is also by John Savell. To carve these, you need to practice your V-tool work. Lots of concentric arcs.
One of my boxes, “made up” in the sense that it’s not copied from a period piece. But the box front is a direct copy of a drawer front by the Savells. As is the construction – pegged & glued rabbets instead of the typical nailed rabbets for joining the box parts.
Here’s one of the chests with two drawers. This one was from an auction website. I’ve lost track of where it went. Although I’ve made chests with two drawers, I never made one in this style…maybe 2018.
The elder William Savell came to Braintree, Massachusetts by the late 1630s. He was first in Cambridge, working on the “college” that became Harvard. In his will dated 1669, he leaves to his wife a “chest with drawers” – with, not of, and drawers plural. There are at least three we’ve seen with 2 drawers. Most have just one. Only a couple were chests – no drawers.
I discovered this one in research done for a 1996 article about these objects. All I had to go by was this 1930s photograph and the owner’s name & hometown. Lots of dead ends, but I found it in the long run.
The article from 1996, but if you track down the volume itself, you get all the pictures
Earlier looks at this work from the blog:
4 thoughts on “17th-century carved oak from Braintree, Massachusetts”
Peter. Do you have an available copy of the William Savell mural cupboard where the carving of the side panels appears to be resting on an incised background? Instead, it was the background that was lowered after the carving.
It’s not the years…it’s the mileage…
Looking for the family of Morton Savell.
Jenny – ‘fraid I can’t help you there. All I know about the family is rooted in the period from about 1630s-1700…