a few period details in oak

I didn’t take any photos in the shop this week. So I sat down & looked at folders that I haven’t seen in ages. There must be stuff there we can look at.

Here’s a scan I made from a book that fell part – the Gate on the Stairs at Haddon Hall, Derbyshire. this picture is from Henry Tanner’s book “English Interior Woodwork of the XVI, XVII & XVIII Centuries” Batsford, London, 1903.

Here’s the actual item, I shot this at Haddon Hall over 10 years ago.

This one was maybe the same trip, a row of spindles above panelling – a church at Great Durnford, Wiltshire. The arcading carving is what I was after today; but then I noticed there’s a row of punch marks just above the spindles, between the dentil carvings. Shows how many teeth the punch had…(but I didn’t measure the impression.)

That reminded me of this detail from a New England chest, showing the punch used on the background, also used as a decorative accent on the solid. That one is about 1/4″ x 1/2″ maybe a bit fatter, 5/16″?

From a related New England chest, here it’s on its head showing the bottom boards. They fit into a groove in the front rail (top of the photo) and the side rails (on our left) and are nailed up to a higher rear rail. Riven oak, tongue & groove between the boards. Note the sawmarks where they trimmed these boards after installation. Also visible are the layout lines locating the mortises on the faces of the stock.

chest bottom 

This next one is a rear rail of a chest, missing its drawer runner, thus the empty notch. That’s a side lower rail coming down into this stile. It features a barefaced tenon – no rear shoulder. Stock needs to be accurately planed to thickness. But fun to do sometimes…

rear stile 

One more – scribed layout lines remaining on a Lake District carved panel.

 

 

3 thoughts on “a few period details in oak

  1. I always thought it started with a border but it shows they took layout into mind before cutting border. Very cool Peter didn’t see layout line at first like how decoration expands into border so much.

    • Given that a strapwork decoration is laid out from a center point, is it more likely that the expansion into the border is gouge driven versus being intentional?

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s