Some photos from my trip down to the Woodwright’s School & Woodwright’s shop, aka Roy Underhill’s place. Always a highlight of the year. we had a 2-day spoon carving class during which I apparently took zero pictures. so just imagine that class…otherwise, just photos & captions.
After rehearsal, we stopped by the school & crashed Tom Calisto’s saw-making class.
At the mill, we had 2 days of spoons, then set up for hewing & carving bowls.
I have been slow to post my schedule for 2016, and now I see that it’s almost upon us. So here are some dates for classes and presentations that I have nailed down thus far. this list is through July, then there will be more later. I have classes at the Connecticut Valley School of Woodworking, Lie-Nielsen and Roy Underhill’s The Woodwright’s School. Also a couple of weekend classes are on the books with Plymouth CRAFT. Links will take you to the details, if there are any.
FEBRUARY 13 & 14, 2016. At Bob Van Dyke’s Connecticut Valley School of Woodworking, I’ll start off with a furniture-carving class,
“Carving in the 17th century style with Peter Follansbee”
This class runs through several exercises, learning about layout, tool selection and use. Over the course of 2 days, we’ll carve a wide range of 17th-century style patterns in oak. Some of the text from Bob Van Dyke’s website:
“In this two-day course, students will learn the steps and processes used to recreate carving patterns from seventeenth- century furniture of England and New England. Starting with a single gouge and mallet, we will focus on technique and posture. Also considered are proportions, spacing and the relationship between background and foreground in establishing the pattern/design. Each successive practice pattern builds upon the previous example, adding more tools and concepts. We will incorporate hand-pressure, mallet work, and the use of the V-tool in outlining designs. A compass, awl and marking gauge are used to layout the geometric basis for each pattern, but freehand work is included in each as well.”
FEBRUARY 20/21 – Plymouth CRAFT has had quite a first year! And we’ll just keep rolling into year 2. I’ll start with – what else? Spoon carving! We just confirmed the booking, so not on the website yet – http://plymouthcraft.org/?post_type=tribe_events – but it’s 2 full days of hewing, knife work and spoon design. At Overbrook House, Bourne Massachusetts. Legendary lunch included.
I’ll spend the weekend presenting some green woodworking (spoons, bowls & what else?) at the Lie-Nielsen Hand Tool Event at Goosebay Sawmill, Chichester, NH. I did this show last winter, what a great venue. All those Lie-Nielsen tools, and a sawmill with timbers galore.
APRIL 1-3, 2016, back at CVSWW. a 3-day class in making (and carving) a frame & panel. Think of this as a crash course in joiner’s work, using oak, mortise & tenon, and frame & panel construction. Come help freak Bob Van Dyke out with the carvings –
“Build- and Carve- this Frame & Panel with Peter Follansbee”
In this three day class with joiner & carver Peter Follansbee, students will explore the fundamental aspects of 17th-century joiner’s work. This frame-and-panel project has all the elements of a larger joined chest, but in a scale that fits the time frame. We’ll use oak we rive and plane for the framing parts; and quartersawn stock for the wider panels. Drawbored mortise and tenon joinery and carved decoration will be the a major focal point. A true crash course in joiner’s work. Now, where’d I put that axe?”
[much later in the year, September – Bob & I are planning to repeat out “one-weekend-per-month for X months” joined chest class. The full project, log to chest. Homework, travel, a museum field trip to study originals, this is the whole show. We did it last year with about 9 people whose scars have mostly healed. Dates to be announced as soon as we figure it out. I’d like it to be 5 weekends, but we’ll see. No drawer this time, so fewer pieces to rive & plane.]
“Your instructor, Peter Follansbee, (free range at last!) gnaws woodworking down to the marrow! Celebrate the liberation of our foremost man of organic woodworking with three days of Scandinavian, “upside-down” bowl carving. Starting with a walk in the woods you’ll learn shaping and carving technique from bole to bowl!”
[there is a spoon-carving class before it, but I guess it’s filled. there’s other spoon classes – (Plymouth CRAFT & Lie-Nielsen) or get on the waiting list.]
APRIL 30/MAY 1, 2016 : Plymouth CRAFT again, this time ash basketry.
We did this class this fall, and I was astounded at the students. They whomped on some ash logs and everyone wove a couple of baskets. The baskets are perfect to keep your spoon-carving tools in.
May means Maine – up at Lie-Nielsen we’ll be carving spoons. I’ll be watching birds in the earliest hours, but class doesn’t start til 9. I think I spent 5 weeks in Maine this year, can you tell I like it at Lie-Nielsen?
JUN 10-12, 2016 GREENWOOD FEST – http://plymouthcraft.org/?tribe_events=greenwood-fest-2016 well, this one’s sold out – but there’s a waiting list. A 2 1/2 day lovefest with green woodworking in the pinewoods of Plymouth MA. I’ll be presenting my oak furniture game, but there will be heaps of stuff to do. 8 out of 9 of the instructors carve spoons furiously…
The folks at the spoon-carving & green woodworking group on facebook alerted me to the online link of Roy Underhill’s show when I visited & we were hewing bowls. Shot in early summer. Link below. Just spoke to Roy the other day, more bowls & spoons next season at his school. And who-knows-what on the TV next time.
I’m back from teaching two classes with the New English Workshop. It was my first trip to England to do woodworking, my previous visits had been for furniture study. It’s an amazing place, a rural little island filled with hobbits and badgers and twitchers and train spotters.
The classes were held at two colleges, my first at Warwick College in Royal Leamington Spa, Warwickshire. Jamie Ward of the College was very helpful and the students there were quite flexible as we worked out the kinks. The first of which was some oak logs that looked like bad firewood. Poor Paul Mayon – he picked me up the first morning, brought me to the school, and we’d known each other for all of 20 minutes when I was telling him that the oak bolts they had were next to useless. Undaunted, Paul trucked off in his typically British tiny car and bought a new section of giant oak (2 really, the 2nd arrived the next day.) installed into Paul’s car with a forklift, I wasn’t sure it would ever come out. Paul’s car was riding low, for a 2-plus hour drive. Meanwhile the students dove in & split what we had so we could get started at least. They were great.
Our class was at one end of the room, while Tom Fidgen’s was at the other end. It was diffuse porous vs ring porous (cherry v oak) all week. You could hear our shavings hit the floor, while theirs floated down to the bottom.
Lots of camaraderie in the evenings, we even had a token American who had been traded to the RAF…
Boxes got made, carving patterns all over the place. Tricia was adamant that she would finish her box, I think her first woodworking project.
The English oak,which by habit I kept calling white oak, was different than our white oak. I know it’s sacrilege to say it, but it felt lighter weight, a bit softer, and certainly easier to split. Even the better logs had knots in them and we were able to split right through them like I never can in American white oak (Quercia alba)
On the weekend, I met up w Mr & Mrs Underhill of Graham, NC, who were there for Roy to teach week 2 in Leamington. We had dinner one night, then the old switcheroo was scheduled for that Saturday – Paul was bringing Chris Schwarz who had been teaching down in Somerset up to Leamington, then turning around to take me down to Zummerzet so I could do week 2 there at Bridgwater College. A too-short round-table lunch was had by all before we headed south…the only other times Roy, Chris & I had all been together had been WIA events, in which case we never saw each other. Hand tool freaks unite!
Bridgwater also boasted a great & helpful staff…and a group of students who were serious about carved oak. Ringers Jon Bayes http://www.riversjoinery.co.uk/ and Richard Francis http://www.flyingshavings.co.uk/ represented England well… I barely had to teach this crew any English terms at all. Like rabbet/”re-bate” or clamp/cramp. The first group insisted that some are clamps, and I insisted that you’re British dammit, call it a cramp.
One thing I was missing was old oak carvings, and the students took care of that. Joel, hewer extroidinaire, scouted out several churches and even arranged for us to get in them after 5 pm…130-odd steps up a circular staircase afforded us a heck of a view of somerset. One pulpit wasn’t oak, I said I wanted my money back. we saw three churches, carved pulpits, bench ends, a chest, and who knows what else. This pulpit is oak:
Tim came down from County Durham, and lent me binocs and a good bird book…I had a simple little bird guide book with me…I saw some nice birds, some well, some fleeting. This’ll be the only time you’ll hear the word tit on this blog. As in blue tit, long tailed tit, willow tit, etc. I didn’t see a great tit. Then of course the day we drove over/down to Heathrow we saw several kites, much larger than I thought…musta seen 6 of them. No pictures, highway driving…
I was invited by Robin Wood to be part of Spoonfest, but that would have meant another week & 1/2 away from home. So, another time. Thanks to all who made my trip a success, especially the ones who waited at home. Why did it take me so long to get hip to Skype?
the week that was – two 3-day classes of spoons & hewn bowls at Roy Underhill’s Woodwright’s School. No daytime temps under 90 degrees F., mostly higher. The students hewed like demons, but were glad to stop at the end of the day… thanks to all the students & friends who came out & did such great work. Pictures with captions now:
It’s coming up on a year since I left my job as the joiner at Plimoth Plantation. While I was there, I often taught workshops during my vacations and other time off. Lie-Nielsen, Roy Underhill’s place, CVSWW, Country Workshops – but in that format, I only had a few weeks (or weekends) each year available to travel & teach.
When I announced I was leaving the museum, I got offers to come teach in various places, in addition to the usual outfits. When I arranged my schedule last winter, I had no idea how it would work – on paper it seemed fine, once or twice a month, travel to teach. One long, maybe one short class each month. Now I’m in the midst of it, and while it’s great fun (Alaska! Are you kidding?) what I didn’t compute is the time between to unpack, decompress and then turn around & get ready for the next one.
I’m not complaining, just saying “here’s why there’s little on the blog these days…”
I was thinking, I’m home now for 3 1/2 weeks, before I head down for to Roy’s. Except this coming weekend I’m at Connecticut Valley School of Woodworking, then next weekend I have a one-day presentation with the Plymouth CRAFT group, then the weekend after that, I’m back at my 2nd home this summer – Lie-Nielsen for making a carved box. THEN, I have to hit the road & go to North Carolina!
The plan is to do some woodworking tomorrow & shoot some pictures. I’ll let you know what happens.
How am I supposed to get some birding in? I haven’t even had time to ID this warbler from Maine…