So I won’t go over the whole thing here. I usually mount these now in the box’s back before assembly, but I just got these from Mark Atchison yesterday…I bored the hole down at an angle into the box. Drove them in so the eye is flush with the top edge of the box. Sometimes you gotta knock it down some. I did for this one.
Then bend them over & clinch them inside. I used a steel bench dog for backing up the hinge’s eye.
Then do just about the same on the lid.
Oak & pine box – H: 7 1/4″ W: 21 3/4″ D: 14″
when it’s new, the color difference is quite stark. I’ve used a few coats of boiled linseed oil/turpentine mixture.
But they don’t stay looking like that. On the left, today’s oak & pine box. On the right is a box I made about 10 or so years ago. Same woods exactly; red oak box and white pine top & bottom. Same finish, followed by some heavy use and occasional dusting/polishing. What a great look they get…
Here’s a detail showing the patina on the older box. Patience is all it takes.
I just got a shipment from Warren, Maine – 2 boxes of new DVDs from Lie-Nielsen. We’ve had these in the works for a while, but better late than never. The first is Carving Oak Boxes.
This makes the 3rd oak project video; after the wainscot chest & the wainscot chair. I think this one is my favorite – it covers making 2 different boxes – one typical flat-lidded box, with wooden hinges and a till inside. The other is the slant-lidded “desk” box. This has 2 tills, a tray and 4 small drawers inside. The video also covers carving the designs on the desk box – patterns that I have done from the very beginning of my carving career, and have never put in the previous videos on carving.
Here’s the desk box –
The 2nd video is Hewing Wooden Bowls
Like spoon carving, a whole sub-culture of bowl-carving is gathering quite a bit of momentum. Who can blame them? Axes, adzes and gouges – what could be more fun? I was on a spree of hewing bowls a couple summers ago, and had done an episode of Roy Underhill’s show about this work. Then I went up to Maine to shoot this video shortly after that. Things got in the way, and my bowl-work got shelved for a while, but just lately I have started picking up my bowl-carving tools again. I think of this video as an introduction to this work; showing how I split, hew and plan out the shape. Then follow that work with gouges and other shaping. The whole reason I make them is to decorate them, and that is covered too.
(I hope this works – I’m a bit clunky with the retail end of blogging. With my spoons, I usually send out an invoice – but there’s usually only a dozen of those at a time. I tried to set this up so it will take you right to payment – so I don’t have to send out invoices. If there’s a wrinkle, bear with me, and we’ll get it sorted. Fingers crossed.)
In addition, I hope to offer one-on-one instruction here at my new shop. I still have a few bits to finish off first, but just wanted to let people know. there’s 2 benches, and lots of tools. As I think about format, it could be pretty flexible. Students could come for technique-based sessions, like the spoon carving or furniture carving I do. Or we could focus on a project, like the carved boxes. If anyone is interested, email me to discuss your ideas. Peter.Follansbee@verizon.net I’ll post more about these when I am closer to being ready. Hopefully within 2 months.
Meanwhile, here’s the classes & more at the usual schools…
Teaching Schedule for 2017
The beginning of this year got away from me, so I am just now posting my teaching schedule for 2017. In addition to these classes, exhibition, and other presentations, I hope to offer one-on-one sessions here at my new shop. I have a little fine tuning to finish up, then I can sort that out. I picture these being either techniques, like spoon carving or carving 17th century patterns; but maybe these could be project oriented too. If anyone is interested, they can email me ( Peter.Follansbee@verizon.net ) & we can tailor something to suit, and go over specifics.
Here’s the schedule as is stands now – there will likely be things added here & there. Right now, there’s nothing with Plymouth CRAFT other than the Greenwood Fest, and I know that we’ll do a few classes during the year. So, more to come.
I’ll take part in Wood Week at the North House Folk School in Grand Marais, MN. It will be my first time teaching there, I was a student a few years ago, and found the school and the people to be great. I’ll be working on carving 17th-century style designs for furniture decoration and also giving a talk.. http://www.northhouse.org/programs/events/woodcarverweek.htm
March 18-June 25, exhibition at Fuller Craft Museum
April 21-23, Fine Woodworking Live, Southbridge MA
I’ll be part of the group at Fine Woodworking Live in Southbridge, Massachusetts. http://www.finewoodworkinglive.com/ I’ll be doing presentations about oak joinery, including the carving. It’s quite a line-up, my first time with Fine Woodworking…
May 20 & 21, 17th-c style carving , CVSWW
I’ll be back at Connecticut Valley School of Woodworking to do a 2-day class in 17th-century style carving. This one is always fun, because we carve patterns that give Bob the creeps…he sees faces in every design. Very unsettling.
June 6-11, Plymouth CRAFT’s Greenwood Fest.
It was such a big hit last year, we were dumb enough to do it again. Still some spaces in some pre-fest classes, and a waiting list for the festival. many got in from the waiting list last year. https://www.greenwoodfest.org/
We haven’t set the dates yet, but this will probably be a four-day class, around a weekend in September. We’ll carve and assemble a box typical of the 17th-century work I have specialized in for all these years. My only box class this year…details soon.
Oct 6-8Spoon Carving, Woodwright’s School.
I’ll be teaching spoon carving down at Roy Underhill’s Woodwright’s School. Fun happens there.
Unloaded some photos off my camera today. Now I see where I’ve been.
After Greenwood Fest, I scooted up for a quick trip to Lie-Nielsen to teach a 2-day class in 17th-century carving. The project is/was a carved box. Most of the emphasis is on the carving.
They’ve moved the classroom there, now using benches back-to-back. Seems like a nice arrangement.
Dwight got the “coolest shirt” recognition.
Bill brought an old brace for show & tell. I have no way to know its age. 17th/18th century? who knows…it’s really well done, no matter when.
I dragged JoJo Wood along. Decorative carving is not her bag, but she took to it like gangbusters.
She told me Edale is as far from the sea as you can get in England, so after all that time in the car, we had to see some Maine coast. Here’s Owl’s Head
Back home I have several things underway. I know this is stupid, but I assembled my workbench inside the unfinished shop. It’s stored here, was going to sit under a tarp, so why not have it assembled? we’ve never really looked at how it’s built – so here is the white pine top, approx. 4″x 17″ x 8′. On an oak frame. Wedged through tenons on the long rails. The frame runs 24″ deep. I have an oak shelf/plank that fills in the space to make up the rest of the bench top.
The front leg at my right hand-end. Holes for holdfast in the leg. A blind tenon at the top of the leg into a mortise in the underside of the bench. It just goes “thunk” and is done. Just 2 mortises in the bench top. It rests on the top edge of the side aprons behind the front legs.
Before I positioned the back shelf/plank. I have no recollection of why I framed the rear legs the way I did. But the loose block that rests between the back leg and the rear edge of the workbench top is a spacer to support the shelf. Weird, but it works. Once the shelf is in place, I never think about it again.
shelf is pegged down to the two spacers, and has one registration peg between it & the bench top.
The bench in situ. A sliding deadman occasionally gets some use. Chopping block moves to the left hand end of this view. Now to finish the shop around the bench & lathe.
My late friend Victor Chinnery once quoted a phrase he read somewhere – “think much, say little, write nothing.” This, 20 years after his book Oak Furniture: the British Tradition. I’ve been thinking of that quote this week.
That video shows a different sequence from what I did with Roy…and right after shooting that work, I left for a short class in Minnesota with Robin Wood. I got a ride up Highway 61 with Jarrod Stone Dahl, Robin and JoJo Wood. One evening JoJo showed me how she hews the spoon blank from a straight-grained blank, and once again, my techniques adapted. The gist of it is that we all keep learning as we go. Hopefully it never stops.
Now you can see one of my favorite spoon carvers, Jarrod Stone Dahl, show you step-by-step his methods in carving spoons with an axe, knife & hook knife.
I have been slow to post my schedule for 2016, and now I see that it’s almost upon us. So here are some dates for classes and presentations that I have nailed down thus far. this list is through July, then there will be more later. I have classes at the Connecticut Valley School of Woodworking, Lie-Nielsen and Roy Underhill’s The Woodwright’s School. Also a couple of weekend classes are on the books with Plymouth CRAFT. Links will take you to the details, if there are any.
FEBRUARY 13 & 14, 2016. At Bob Van Dyke’s Connecticut Valley School of Woodworking, I’ll start off with a furniture-carving class,
“Carving in the 17th century style with Peter Follansbee”
This class runs through several exercises, learning about layout, tool selection and use. Over the course of 2 days, we’ll carve a wide range of 17th-century style patterns in oak. Some of the text from Bob Van Dyke’s website:
“In this two-day course, students will learn the steps and processes used to recreate carving patterns from seventeenth- century furniture of England and New England. Starting with a single gouge and mallet, we will focus on technique and posture. Also considered are proportions, spacing and the relationship between background and foreground in establishing the pattern/design. Each successive practice pattern builds upon the previous example, adding more tools and concepts. We will incorporate hand-pressure, mallet work, and the use of the V-tool in outlining designs. A compass, awl and marking gauge are used to layout the geometric basis for each pattern, but freehand work is included in each as well.”
FEBRUARY 20/21 – Plymouth CRAFT has had quite a first year! And we’ll just keep rolling into year 2. I’ll start with – what else? Spoon carving! We just confirmed the booking, so not on the website yet – http://plymouthcraft.org/?post_type=tribe_events – but it’s 2 full days of hewing, knife work and spoon design. At Overbrook House, Bourne Massachusetts. Legendary lunch included.
I’ll spend the weekend presenting some green woodworking (spoons, bowls & what else?) at the Lie-Nielsen Hand Tool Event at Goosebay Sawmill, Chichester, NH. I did this show last winter, what a great venue. All those Lie-Nielsen tools, and a sawmill with timbers galore.
APRIL 1-3, 2016, back at CVSWW. a 3-day class in making (and carving) a frame & panel. Think of this as a crash course in joiner’s work, using oak, mortise & tenon, and frame & panel construction. Come help freak Bob Van Dyke out with the carvings –
“Build- and Carve- this Frame & Panel with Peter Follansbee”
In this three day class with joiner & carver Peter Follansbee, students will explore the fundamental aspects of 17th-century joiner’s work. This frame-and-panel project has all the elements of a larger joined chest, but in a scale that fits the time frame. We’ll use oak we rive and plane for the framing parts; and quartersawn stock for the wider panels. Drawbored mortise and tenon joinery and carved decoration will be the a major focal point. A true crash course in joiner’s work. Now, where’d I put that axe?”
[much later in the year, September – Bob & I are planning to repeat out “one-weekend-per-month for X months” joined chest class. The full project, log to chest. Homework, travel, a museum field trip to study originals, this is the whole show. We did it last year with about 9 people whose scars have mostly healed. Dates to be announced as soon as we figure it out. I’d like it to be 5 weekends, but we’ll see. No drawer this time, so fewer pieces to rive & plane.]
“Your instructor, Peter Follansbee, (free range at last!) gnaws woodworking down to the marrow! Celebrate the liberation of our foremost man of organic woodworking with three days of Scandinavian, “upside-down” bowl carving. Starting with a walk in the woods you’ll learn shaping and carving technique from bole to bowl!”
[there is a spoon-carving class before it, but I guess it’s filled. there’s other spoon classes – (Plymouth CRAFT & Lie-Nielsen) or get on the waiting list.]
APRIL 30/MAY 1, 2016 : Plymouth CRAFT again, this time ash basketry.
We did this class this fall, and I was astounded at the students. They whomped on some ash logs and everyone wove a couple of baskets. The baskets are perfect to keep your spoon-carving tools in.
May means Maine – up at Lie-Nielsen we’ll be carving spoons. I’ll be watching birds in the earliest hours, but class doesn’t start til 9. I think I spent 5 weeks in Maine this year, can you tell I like it at Lie-Nielsen?
JUN 10-12, 2016 GREENWOOD FEST – http://plymouthcraft.org/?tribe_events=greenwood-fest-2016 well, this one’s sold out – but there’s a waiting list. A 2 1/2 day lovefest with green woodworking in the pinewoods of Plymouth MA. I’ll be presenting my oak furniture game, but there will be heaps of stuff to do. 8 out of 9 of the instructors carve spoons furiously…