teaching schedule for 2018

I’ve been meaning to get my teaching schedule posted here; but have been too busy getting stuff together…Next week I’ll be part of Colonial Williamsburg’s Working Wood Conference. I haven’t been there since 2007, here’s a shot from then, with Jennie Alexander pontificating while I get set to turn something.

JA & PF at Colonial Williamsburg 2007

It’s sold out, so if you got a ticket, I’ll see you there. https://www.colonialwilliamsburg.com/learn/conferences/working-wood

Next month, I’ll be back at Bob Van Dyke’s Connecticut Valley School of Woodworking for a 2-day class in carving oak; February 17 & 18.  https://www.schoolofwoodworking.com/woodworking-classes.html#Speciality_Weekend_Classes The exercises we’ll carve are all based on ones I learned from studying period furniture; chests, boxes, cupboards, church furniture in England and more. Here’s a snippet of what to expect.

In April I’ll be down to Roy Underhill’s Woodwright’s School for 3 days of spoon carving. It’s full, but I think you can get on a waiting list. More fun than a barrel of monkeys. http://www.woodwrightschool.com/classes/spoon-carving-plus-with-peter-follansbee

spoon rack
I’m not touching those spoons

Later in April (20-22nd) ’ll be part of Fine Woodworking Live in Southbridge Massachusetts; including a one-day intro to spoon carving. With Dave Fisher as assistant!! I’m just going to step back & watch Dave… http://www.finewoodworkinglive.com/about-fww-live/

I think I’m doing furniture-related stuff too, maybe a talk as well. I’d look into it, but I still have next week’s thing to prep!

May – getting ready for June.

June 5-10; Greenwood Fest 2018. Plymouth CRAFT’s 3rd time around with Greenwood Fest. Held at Pinewoods Dance Camp in Plymouth Massachusetts. 2-day workshops beforehand and a 3-day festival. Demonstrations, hands-on sessions, big pile of spoon wood (or bowls if you’re inclined); lodging & meals all part of the scene. Tickets go on sale February 2nd, 10am eastern time. https://www.greenwoodfest.org/ How fast will it sell out? I predict less than a day…so don’t hesitate.

here’s last year’s group shot:

July – Can’t forget Lie-Nielsen. Spoon carving, July 21 & 22. https://www.lie-nielsen.com/workshop/USA/191

dave & the crook

That’s all I have for certain right now. We’re planning a long session for making a joint stool at Connecticut Valley School of Woodworking. Like the chest project we did there twice, this would be one-weekend-per month for a few months. Maybe 4. So 8 days of classes. Unlike the chest, this project would require little or no homework. Split the log, make the boards, cut joinery, do turning! And make the stool. Haven’t figure the time frame yet. I might have a trip overseas in November, so I’m waiting to get that sorted first.

I also offer one-on-one classes here at my shop in Kingston Massachusetts.

Spoon carving, the oak furniture carvings I do, or various projects – like a carved box. Rate is $500 a day. I have all the tools necessary, wood and reference materials. We have lunch together, lodging and other meals on your own; but Plymouth is 10 minutes away with all its options for both. Expensive, yes. But one-on-one instruction can cover a lot of ground. I have time available in March, then again starting in September. July and August are too hot to share a small space!

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We’ll see Summer come again…

the title is for Michael Rogen, just to let him know I’m thinking of him. I like that summer’s gone. Fall is a beautiful time of year here. I am especially enjoying seeing how the light in the shop changes now. Today the light caught my eye a number of times. If I’m not careful, I’ll take as many photos as Rick McKee https://www.instagram.com/medullary_rick/ 

I used some auger bits this past weekend, and again today. I had the box of them out on the bench…

I’ve started the next project recently, and two carvings for it were standing up out of the way…

Today I got to work some in the shop, after teaching for 7 days straight (a student here for a week, and Plymouth CRAFT for the weekend). Time to finish off some stuff, first up is the wainscot chair. For this seat, I do use a template, in this case to map out the square mortises chopped in the seat board so it slips over the stiles. Here’s the seat board with its template off to the left. Complete with dust in the sunlight..

I’ve done lots of these, but it’s always worth it to go slowly – you have to get the holes just right, or they have gaps, or worse, the seat splits at the very narrow area beside the stile. Once I’m satisfied with the template’s fit, I scribe the locations of the mortises on the seat. That short grain right between the upper right hand corner of this mortise and the end grain is the fragile part. I’ve split them there, and seen them split on old ones.

Then I bore around the perimeter of the mortise with an auger bit.

Then chop with the chisel to bring the mortise to the proper shape. I scored the lines with a knife and/or awl. Very careful work with the chisel.

Once I have the mortise squared off, I bevel underneath, paring the walls of the mortise so it’s undercut. I only want the mortise tight on the stiles right at the top where it shows. I’ve never checked the underside of this joint on a period chair – but I like the idea of under-cutting it & beveling it. It relieves any un-necessary pressure there.

Then slip the seat down to test it.

Then I do the molding around the front and sides. Sides (end grain) first. A rabbet plane followed by a smooth plane. In this case, a moving filletster and the LN low angle jack plane.

I scored the line ahead of the filletster so I got a clean shoulder to this rabbet. The nicker on that plane is defunct. Then I used this Lie-Nielsen plane to round over the corner of the rabbet to create the thumbnail molding.

I work the front edge after the two ends, to clean up any tear-out. This seat is a nice clear radially-riven oak, two boards edge-glued together. Works great.

Then for good measure, I threw the arms in place, so I could test it out. The seat will be pegged into the three rails; square pegs in round holes.

These chairs are smaller than they look. They’re so imposing because of all the decoration, the bulk of the parts – but they’re really pretty snug chairs.

Here’s the important view – looks pretty tight around the stiles. Whew.

If you made it this far, thanks. 15 pictures – for me that’s over 2 weeks of Instagram. I like IG, but the blog is my favorite way to show what I’m up to…more detail, more depth. More work – but it’s fun. thanks for keeping up with me…

After an interlude, it’s back to business as usual

Today, birds and birds. This first one in American sycamore (Platanus occidentalis) – is going to get painted on the outside, then carved through the paint.

This tiny one, split out with the guidance of Dave Fisher, is birch – I forget which one. No paint, just carved today. Some spoons getting finished up in preparation for this weekend’s Lie-Nielsen workshop – full this time. More spoon carving classes to be announced through Plymouth CRAFT soon.

Then, some photos plucked off the card. Down river:


 

Red-winged blackbird (Agelaius phoeniceus ) I assume juvenile male turning to adult. The female doesn’t usually show the red, I believe.

yellow warbler. (Setophaga petechia) they are quieter now than in the spring, so I just happened to notice this one skulking around.

carving some oak

I have several days, even weeks maybe, to work on oak furniture now. Some carving yesterday & this morning. here’s a quick photo tour of cutting one lozenge/diamond shape, with tulips in it.

After laying out a diamond shape on horizontal & vertical centerlines, I strike an inner diamond with a small gouge, approximately a #7 sweep. Maybe it’s a 1/4″ wide. Just connect the dots, hitting the vertical & horizontal centerlines with the corners of the gouge.

Then I use the same gouge to “echo” this making an outline around it, these do not connect.

A more deeply curved gouge now comes off these outlines, beginning to form the undersides of the flowers.

Then the same gouge reverses, making an “S”-curve going out to the border. Or just about out to the border…

When you repeat this step on all four quadrants, your negative shape becomes quite prominent – it reminds me of those Goldfish snacks small children eat –

 

Now a larger gouge, approximately a #8 – reverses again, forming the tops of the lower flower petals.

 

Then a #7 about 3/4″ wide does more connect-the-dots – reaching from where I left off to the borders. that’s the whole outline. This one is quite small, the piece of wood is 6″ wide, and there’s a 3/4″ margin on both edges. You can use the same pattern on a panel, then some of this outline is cut with a v-tool instead of struck with the gouges.

 

Then I cut out the background. In this case, it was tight quarters in there, so I used a couple different tools, depending on where I had to get..

The end result. about 15 minutes of carving for the lozenge/diamond. This is going to be one of three muntins for the footboard of a bedstead I’m making.

Here’s the top rail I started back at the Lie-Nielsen Open House…they always show up better once they’re oiled.

another view.

Yesterday I started painting a desk box I have underway; but found out I was out of red pigment (iron oxide) – ordered some, and did the black for starters.

Carving today before I carve this weekend

I am working on another desk box; an oak box with a slanted lid. Mainly I need this for the photos, for an article in the works. The annoying part is that the photos I needed to shoot were the slots/dadoes/what-have-yous on the inside faces of the box’s end boards. But…I don’t like to do the carving after cutting voids into the board. So first, I had to carve them.

This time, I made up the design, drawing from my research (and others’) into the varied carvings coming out of Devon, England. The same style appeared in Ipswich, Massachusetts during the last 3rd of the 17th century. I carve this stuff more than any other grouping, mostly because of its variety. Once you learn the “vocabulary” it’s easy to make up designs willy-nilly.

The desk box ends are weird shapes though. Took a little sketching with some chalk, and some wiping away with a damp cloth – but I got something I like. So then the front board is simple enough – a plain ol’ rectangle. There are three boxes from Devon that seem to be the same carver, or the same general pattern anyway. One of these I photographed back when I worked at Plimoth Plantation, the other two are from a website I subscribe to, Marhamchurch Antiques – http://www.marhamchurchantiques.com/ Paul Fitzsimmons there is a magnet for this Devon/Exeter oak furniture.

I’m going to carve the box front at the Museum of Fine Arts in Boston on Sunday July 9. from noon to 3pm. I’ll be demonstrating the carving, and some joinery and other oak-y stuff.  http://www.mfa.org/programs/gallery-activities-and-tours/early-american-furniture-carving

 

Here are a few details from the Devon boxes that were the inspiration for my sketch – (the first two from Marhamchurch Antiques, thanks Paul, the 3rd is my photo).

This one had a later escutcheon on it, covering up the pattern. I took it off, so we could see the shape. At that time, I had never seen the previous two.

 

But before I go to Boston to work  on Sunday, I’m off to Maine for the Open House at Lie-Nielsen Friday & Saturday. https://www.lie-nielsen.com/hand-tool-events/USA/146

These events are legendary; the lineup this summer is killer. I try to do this show every July…it’s like old home week, seeing all my friends from the hand-tool circus. I guess I was there last summer – found my picture on their Facebook page –

Image may contain: one or more people, people standing, shoes and outdoor

This time I’ll mostly be carving oak for a bedstead I’m working on. But I have a talk on Saturday about green woodworking, so I’ll do some spoon carving too. See you there I hope.

Finished an oak & pine carved box

Then I fitted a lid onto a new box I made recently. Iron hinges – “gimmals” in the 17th century. I’ve gone over setting these before on the blog, and in the chest video with Lie-Nielsen. https://pfollansbee.wordpress.com/2011/12/14/setting-gimmals-you-might-know-them-as-snipe-bills/

So I won’t go over the whole thing here. I usually mount these now in the box’s back before assembly, but I just got these from Mark Atchison yesterday…I bored the hole down at an angle into the box. Drove them in so the eye is flush with the top edge of the box. Sometimes you gotta knock it down some. I did for this one.

Then bend them over & clinch them inside. I used a steel bench dog for backing up the hinge’s eye.

Then do just about the same on the lid.

Oak & pine box – H: 7 1/4″   W: 21 3/4″   D: 14″
when it’s new, the color difference is quite stark. I’ve used a few coats of boiled linseed oil/turpentine mixture.

But they don’t stay looking like that. On the left, today’s oak & pine box. On the right is a box I made about 10 or so years ago. Same woods exactly; red oak box and white pine top & bottom. Same finish, followed by some heavy use and occasional dusting/polishing. What a great look they get…

Here’s a detail showing the patina on the older box. Patience is all it takes.

The new box will be posted for sale soon; along with a book stand & a couple other items. If you want to make a box, I have a dozen of the DVDs left, https://pfollansbee.wordpress.com/new-dvds-carved-oak-boxes-hewing-wooden-bowls-spring-2017/  and Lie-Nielsen has a large supply. I’ll be teaching the box class for 4 days down at the Connecticut Valley School of Woodworking in November.

Details here http://www.schoolofwoodworking.com/woodworking-classes.html#Speciality_Weekend_Classes

I’m working on setting up a page about one-on-one classes here at my shop too – and the box would be a 4-day class there too. Details soon.

some leftover bird photos: gray catbird (Dumetella carolinensis) arrived today.

red-tailed hawk, (Buteo jamaicensis ) here year-round.

House finch  (Haemorhous mexicanus) here year-round, but more colorful now.

This one is hard for new birders – (Agelaius phoeniceus) the red-winged black bird. But you’ll note there’s no red anywhere, & it’s not black. It’s a female. I like them, nice markings.

Hewing Wooden Bowls

I’m getting ready to go over to Southbridge, Massachusetts for Fine Woodworking Live http://www.finewoodworkinglive.com/  but in the meantime, Lie-Nielsen just posted a preview of my new video on hewing wooden bowls. I copied it here, in case anyone would like to see what this video covers. I still have some available:  https://pfollansbee.wordpress.com/new-dvds-carved-oak-boxes-hewing-wooden-bowls-spring-2017/  and they have the rest https://www.lie-nielsen.com/nodes/4243/home-education-videos