I’ve been re-adjusting to life in the Northern Hemisphere after my trip to Australia. When I was in the airports and planes (almost 30 hours of “dead time” each way) – I had some good reading, including a draft of Jennie Alexander’s Make a Chair from a Tree, version 3. This book will be published next year by Lost Art Press.
When I got back up & running in the shop here at home, I assembled one of my JA chairs as my warm-up. After having read so much MACFAT it seemed the thing to do. Now I plan to get back into a rhythm and work on one of these each weekend; either seating, shaving & bending posts or assembly. Next weekend, it’s slats in this new frame.
The first ones I made this year sold, and now I’ve got 5 more underway.
I’m going to begin taking orders for them now, and will begin shipping/delivering starting in late January. If you’d like to order one, I’m offering them for $1,200 each. I’ll take orders up to 10 chairs, beyond that I’ll start a waiting list. I’ll collect a deposit of $200 for each of the first 10 chairs. They are made of either oak (usually red, some white oak rungs or slats) and ash. It all depends on what’s on hand. Right now, it’s red oak and ash. Seating materials will vary between hickory bark (as long as I can get it), and natural rush seats. Optional seating is woven tape seats like Shaker tape. There’s a hemp version of a tape seat that JA really liked, I have yet to use it.
The chair is about 34” high, 18” wide (across the front) and 14” deep. Seat height is 18”.
On the Jennie Alexander chairmaking front – I worked with Alexander for years and years – and we made many of these chairs together. In the early 1990s we worked on a second edition of the book Make a Chair from a Tree and it included an afterword that described and illustrated the then-current updates to the chairmaking process from the original 1978 edition. Around that time, we shot a full-length video of the process, but JA was not satisfied with it, and scrapped the whole thing. Then later, while I was off in joinery-land, JA and Anatol Polillo produced an excellent video that shows the most current version of how to build this chair.
You probably already saw this news – but Lost Art Press announced yesterday that it’s got the video ready for streaming. Here’s the link:
My one comment – Chris doesn’t know what it’s called. It’s not a “Jennie” chair, it’s a JA chair. Always was.
Get it while you wait for the next (and best) edition of the book.
On the same subject, next year, I’m planning two classes on making these chairs. When I have the particulars sorted out, I’ll announce them here & elsewhere. I’ve made four of these chairs lately, and they’ve all sold – soon I’ll be taking orders for a small batch of my versions of these as well. Lots more about these chairs in upcoming posts.
First – some business announcements – I planned on assembling one of my JA-ladderback chairs today. I only got half of it done, but had a good excuse. Pret, Paula & I spent the morning exploring details about Greenwood Fest 2019 – yup, you heard me right – it’s official, mostly. There will be GWF19. We pretty much knew there would be, but we actually all said it out loud today.
Some workshop offerings – then the woodworking part. There’s one or two openings in the spoon carving class coming up Saturday & Sunday Aug 11/12 with Plymouth CRAFT. A semi-new venue for us in Plymouth, the Wildlands Trust building on Long Pond Rd. https://www.plymouthcraft.org/spoon-carving
Same venue in September 14-16 for Jarrod Dahl’s Birch Bark Cannister class. That’s going to be a great class. I have had a 15-minute lesson from Jarrod on them once, so I’m looking forward to learning more about this material, and these ingenious containers.
Now – on to chairmaking. It’s been about 25 years since I made these chairs with any regularity. In that time, I have changed the way I make most any piece of furniture; and coming back to these chairs is funny. Things I used to sweat over are nothing to me now, and the parts I struggle with today I used to apparently do with some proficiency.
Slat mortising – chopping the narrow mortises in the rear posts for the bent slats. I remember first learning how to chop these from the book (MACFAT for short) back in 1978. Sitting on a low bench, the posts pinned between 3 pegs and a wedge, and driving the mortise chisel mostly with shoulder pressure. More like digging a mortise than chopping it.
Since then, I’ve chopped so many mortises in joined furniture that I can’t see the point of not using a mallet and banging away at it. One of the last emails I got from Alexander asked “how do you hold the posts when slat-mortising?” The answer, never given, is I now hold the chair post on the workbench, either with holdfasts or clamps. And chop the mortise while standing, using a mallet. JA got up off the low bench at some point too, I know in the DVD the post is clamped on the workbench.
JA’s slats are incredibly thin, about 1/8” mortises. She was always pushing to get the chair parts reduced as much as possible. I know those are plenty strong enough, but I like the slats a little more stout. To me, the thin ones feel a little uncomfortable in handling. My chisel, which is English, is 3 1/2-sixteenths. Must be some metric dimension…so I’m making a chair that I know JA would call “wooden.” It’s not a compliment!
After mortising, I shave the parts round-ish from the octagons that I had in the bending form and mortising steps. Spokeshave work, at the shaving horse. This work requires a lot of “feel” – knocking off corners of corners, etc.
I use a JA-designed rack to test the rear posts’ positions in the finished chair. This helps to see where to bore the mortises.
Alexander’s chair is built out of order – the sides are assembled first, then the rear and front section are bored and fitted to do the final assembly. Most post-and-rung chairs were/are build front and back first, then tied together by the side assemblies. My large turned chair I have underway will be done this way, so you’ll see that sequence in contrast to this JA method.
The reasoning for making the sides first is that is the direction of the most stress the chair experiences. So the front and rear rungs will just slightly intersect these side rungs, pinning them in place. A double-dose of “belt & suspenders” construction, on top of the wet/dry joint that holds it all together to begin with. After using the rack to “see” the orientation, then I propped the posts in the vise for boring. A long bit extender helps to see the angle I’m boring at, and a level taped to it helps keep things aligned as well.
I have a bit-depth guide clamped onto the bit extender too. Stanley #47 bit depth stop. It goes “twangggg” when it hits the right depth.
Once two posts were bored, I shaved the tenons on 3 rungs and knocked that section together. Then repeat. Then quit. Tomorrow is another day.
I’m really enjoying these ladderbacks, it’s so much fun to explore what for me was my beginnings as a woodworker 40 years ago. I had been planning to delve in this work this year, and talked with Jennie Alexander about it a lot. Then her death a few weeks ago really spurred me on. The ones I’m making now are already sold, but later this month I’m planning on taking orders for them if anyone’s interested. I’ll write details about that later in August, after a trip to begin sorting out JA’s shop.
On that subject, we posted a notice on Jennie’s site that we’ll keep everyone updated when we know more about the upcoming edition of the chair book, as well as ordering information for the DVD. Once we know what’s what, you will too. I’ll post it on JA’s site as well as here and everywhere else we can think of. http://www.greenwoodworking.com/
My travel schedule is a bit back-and-forth right now. But I was home all week, and spent much of it working on a few custom furniture projects, mostly turning chair parts for a copy of a 17th-century turned chair with a board seat. I’ll write more about that very soon…
But today was ladderback chair work. I have parts for a few of them underway, but started the day by shaving more; a set of rungs (a dozen-plus) and a set of red oak posts. I try to squeeze these parts out of oak that is nice and straight, but somehow or other just a step down from something ideal for joinery work. There was only 2” wide clear stock (on the radial plane – it came from a narrow log) so all it could be in joined work was joined stools’ parts, or stretchers for wainscot chairs. I have a lot of stools to make, but decided I could spare a few pieces for the chair. In these photos, I have Alexander’s chair beside me – I needed to photograph it last week, and it’s sat in the shop since then.
Shaving this green wood is a breeze. The chair needs its parts to be straight, but this straight is checked by eye, not by a straight-edge, winding sticks and jointer planes. “The eye is very forgiving” said Alexander many times.
Make it square, taper the bit above the seat, shave the corners to an octagon,
then cut the relief above the seat on the front of the rear post for bending.
Here’s a shot from last time of the bending; just tying the cords around the ends. These posts sat in the form for 2 weeks and were in perfect shape when I took them out.
I had to make a 2nd bending form, because when I went to set up to bend this oak set of posts, I found a set of ash posts I made a week or two ago. Had forgotten about them. I can shave the pair of posts faster than I can make and screw together a bending form!
I cut a short section of ash for the rungs; this billet gave me 7 rungs. There were 3 rungs above the froe in this photo, and 4 below it. Splitting odd numbers like that only works for me in dead-straight stock, that’s pretty short. These rungs are only about 15″ long. I had a few scraps around that made up the remainder. I used to be able to shave a rung in a minute, today one took me almost two. Must be getting old.
In these chairs, the rungs are shaving oversize while green, then dried and shaved again to bring the tenons down to their final size. The notion is that the “super-dry” rung will a.) not shrink any, and b.) in fact absorb moisture from the slightly wetter posts and swell. This has come to be called “wet/dry” joinery. But – you gotta get the rungs all the way dry. Most chairmakers use a kiln…but I don’t have one. I used to put them in the oven, but our oven won’t go down low enough – under 140 F. Higher than that, you run the risk of making charcoal.
In the winter, I kept rungs in a batch stored near the furnace. I would take them out and weigh them periodically, and chart the weight. When they stop losing weight they’re dry.
In the meantime, I’ve kept this batch of rungs near the hot-water heater. Today, I weighed them (2 lbs 2.6 oz.) and then put them on the dashboard of my car while it was parked out front, where it gets lots of afternoon sun. Windows up. At the end of the afternoon – 2 lbs, 2.2 oz. I’ll put them back there each sunny afternoon this week. Hope to assemble a chair next week with ash posts and these oak rungs.
These are shaved ladderback chairs, based on the project in Jennie Alexander’s book (and video) called Make a Chair from a Tree: An Introduction to Working Green Wood.
This past weekend I was one of the demonstrators at Lie-Nielsen’s Open House in Warren, Maine. This event is a yearly thing and quite popular, for good reason.
There, I planned on giving a short talk for a small audience on my 40 years’ worth of green woodworking. Then Jennie Alexander died the night before I left for Maine. And my small audience turned into the entire crowd, a couple hundred people maybe. I intended to carve a spoon while I told stories of my introduction to this niche field. What I found out is that many people can’t see the details of me carving a spoon. So I sorta swung a hatchet around some while jabbering away.
But I did bring a ladderback chair with me, sans seat, for show & tell. And my talk’s recurring theme was Jennie Alexander and her impact on my life.
In our heyday, JA & I used to spend a minimum of 2 hours on the phone every Sunday morning – books, photos, notes – all spread out on the tables in Hingham Massachusetts and Baltimore Maryland as we pored over our resources, then after we hung up, off to the shops we’d go – to test our theories. This went on for about 3 or 4 years – with short breaks here & there. Then I got a job and things changed some. Recently the Winterthur Museum Library/Archives went to Baltimore and collected 5 boxed of notes from JA, some early-years’ stuff about chairmaking, and the later stuff our joinery notes.
Now, back in the shop, I’m trying to begin a new routine – I’m going to try to set Sunday aside for working on these chairs. I have two I assembled in the past few months, now putting slats in them, as I shave and bend some new posts for the next chairs. 1978 to 2018 is 40 years, and I had been motivated by that anniversary to begin re-learning these chairs. Now with Alexander’s passing, I’m doubly inspired. We’ll see how it goes, I’ll keep you posted.
Here’s a shot showing the froe as I rive some ash for posts. Never a favorite wood of Alexander; I asked why. “It’s not white oak.”
Shaving posts on the shaving horse designed by Jennie Alexander, modified by me.
A drawknife peeling nice even shavings.
This steambox should be replaced. But it keeps working, so I never bother. But if I want to steam more than one set of posts…maybe the time will come. No door on the left end, just a plastic bag wrapped over it. Actually the same at the other end, that one’s just duct-taped in place.
Limber ’em up first. Then back in the steam for a minute.
Then jam them into the form and pull the ends together.
Wrap a couple loops of seating scraps and bind the posts in place.
While I had the steambox out, I shaved & bent one of the slats for this chair I assembled earlier this year. Then ran outta time…so the top slat another day.
Lately I’ve been thinking a lot about my start in woodworking. Forty years ago I made my first “real” pieces of furniture; ladderback chairs from John (Jennie) Alexander’s Make a Chair from a Tree. The book came out in 1978, I remember when I first opened that package. The chairs I made then, from that book, would really make me cringe now – but that’s not the point. (thankfully, I have no idea where those chairs are, but I have this drawing of one saved in an old sketchbook. That chair was made before I met Alexander and Drew Langsner in 1980.)
For years, I made these chairs, and then Windsors – before I made any oak furniture. Then once I started on the oak joined furniture, those chairs sort of fell by the wayside. I made a couple kid-sized JA-style chairs when my children were small, but that was it.
Otherwise, large oak carved chairs or turned (also large) chairs – all that 17th-century stuff. We saw one of my wainscot chairs displayed in the Hingham Massachusetts Public Library the other day. I made it based on an original made in Hingham in the 17th century.
But I’ve been planning for a while to “re-learn” how to make JA ladderbacks. These chairs are more demanding than my wainscot chairs – the tolerances are much tighter, less forgiving. I made a couple attempts recently that I wasn’t happy enough with to finish – so today I took the day off from joinery and worked on one of these chairs. First thing I did was to review Jennie’s DVD about making the chair. If you are interested in these chairs, I highly recommend that video. http://www.greenwoodworking.com/MACFATVideo
(yes, Jennie & Lost Art Press are working towards a new edition of the book – but get the video in the meantime. It covers every detail of making this chair.)
The part I had to re-learn is how to orient the bent rear posts while boring the mortises. That’s what I went to the video for; the rest I still had. Included with the video are drawings for a couple helpful jigs to aid in those tricky bits. This morning I made several of those jigs – but didn’t photograph any of that. I didn’t get the camera out until I was boring mortises…
In this photo, I’m boring the mortises for the side rungs into the rear post. If you get this angle wrong, you might as well quit now. I forget now who came up with this horizontal boring method – but I learned it from Jennie & Drew Langsner. They worked together many summers teaching classes to make this chair. The photo is a bit cluttered (the bench is cluttered really) so it’s hard to see. But the bent rear post needs to be oriented carefully. But once you have it right, then it’s just a matter of keeping the bit extender level and square to the post. there’s a line level taped to the bit extender. Eyeball 90 degrees.
Alexander’s non-traditional assembly sequence is to make the side sections of the chair first. So after boring the rear & front posts for the side rungs, I shaved the tenons in the now-dried rungs. Mostly spokeshave work.
I bored several test holes with the same bit, to gauge the tenons’ size. Chamfer the end of the tenon, try to force it into the hole. Then shave it to just squeeze in there. No measurements.
Once the tenon starts in that hole, you get a burnished bit right at the end. That’s the guideline now. Shave down to it.
Yes, glue. I don’t often use it, but this is a case where I do. The chair would probably be fine without it, but it doesn’t hurt. Belt & suspenders. Knocking the side rungs into the rear post.
Make sure things line up, and the front post is not upside-down.
Then bang it together. Listen for the sound to change when the joints are all the way in.
Then time to bore the front & rear mortises. This little angle-jig has the unpleasant name of “potty seat” – I wish there was another name for it. But there’s a level down on the inside cutout – so I tilt the chair section back & forth until that reads level. Then bore it.
It’s hard to see from this angle, but that chair section is tilted away from me, creating the proper angle between the side and rear rungs.
Then re-set for the front mortises.
I was running out of daylight – and any other task, I’d just leave it til tomorrow. But with glue, and the wet/dry joints, I wanted to get this whole frame together this afternoon. Here I’m knocking the rear rungs in place. That’s a glue-spreader (oak shaving) in the front mortise.
Expect to hear a lot more from me this year about making these chairs; their relationship to historical chairs, and also about the people who taught me to make them. It’s been a heck of a trip these past 40 years.
I keep showing up on the second-hand market! I started making furniture between 1978-80. That’s closing in on 40 years…which is a lot of furniture. During the past few years, I have heard of/seen a number of chairs I made showing up in antique/collectibles shops, auctions, and even one at…well, you’ll see. Here’s a couple examples –
This continuous arm settee I made back in 1992. A friend bought it not too many years ago, along with a windsor rocking chair, in a house-moving/divorce sale (I think). I wish I had known, I’d love to have this settee – I doubt I could make it again…but I know it’s appreciated where it now resides.
This next one I did buy, and sold again. I had it in my shop for years, a fellow called me up one day asking if he could buy it & he did. Then a couple years later, another friend called me to say one of my carved chairs was in an auction in Maine. I eventually got it through the auction, and called a couple who has collected several of my carved pieces. I offered them this chair at a reduced price, and they said they’d love to, but were out of room. An hour later, they called back & said they made space.
Another wainscot had a slightly sad story to it. I made it at the museum as an award (I was the awards department for quite a while) – for our former co-worker Karin Goldstein. Sadly, Karin died quite young, from cancer. Just shy of 50 maybe. When she died, she had no local family, and some of her stuff ended up in a local shop. Another friend saw this, called to confirm it was my work, and ended up buying it for his wife, a good friend of ours, and of Karin’s. So a semi-happy ending.
This week I got a note from another friend who found a chair “made by the guy at Plimoth Plantation” – well, sort of. I was there for 20 years, but I made this chair well before that – I’d say late 1980s, maybe into 1990/91. She got it for $45. Even I could afford that!
The last one in this batch has the best story. Found at the swap shop in the Hingham, Massachusetts town dump! $5.00. A friend got it after some tussling with other dump-shoppers, and gave it to us.
I made a lot of chairs, but way more carved boxes – where are my carved boxes? Maybe they’ll be out on the 2nd-hand market in a few more years…