Greenwood Fest June 5-10, 2018

photo Marie Pelletier

People’s lives get busier every year. Ours too. Good thing we have all these time-saving devices…

today’s post is just a “save the date” sort of thing. Plymouth CRAFT’s Greenwood Fest will be early June again, same venue = Pinewoods Dance Camp, Plymouth, Massachusetts, USA.

Festival June 8-10; pre-Fest courses June 5-7. TICKETS GO ON SALE FEBRUARY 2, 2018. We will let you know details as we get it together – this is just so you can get the time off of work, quit your job, cancel graduation/wedding, etc and tell your family you’ll be in the woods.

2017 group photo, Marie Pelletier

Here’s the beginnings of the website. https://www.greenwoodfest.org/

Dave Fisher, photo Marie Pelletier

See you there, OK?

chip carved box for bowl gouges

I spent some time yesterday hewing and carving out a bowl from a too-large-for-a-spoon crook. Cherry. It was great fun, so now it will dry and perhaps I’ll even finish this one. I dug out another that is now dried, and worked that along a bit too. I have collected a range of bowl-carving gouges, and recently I re-purposed an unfinished box with a drawer to house them.

The box is from a few years ago, and involves much conjecture. Not my favorite way to build furniture. Tulip poplar (Liriodendron tulipifera). It’s about 8″ high, 10″ wide and 15″ long.

Here is the sliding lid slud back a bit…

 

Inside this section is a cross-piece with slots to fit individual gouges. this piece is just friction-fit into the box right now.

 

Here you see there are two end boards nearest the camera – the carved one slides upward to access the drawer below the box compartment. It has a tongue/rabbet at its back face – riding in a slot cut on the inside faces of the box sides. A little hollow gouged out gives a place to grab it to lift it up. 

 

here is that piece removed, showing the bottom of the box compartment, and the drawer below.


 

Now a view showing the gouges in the box and those underneath in the drawer. No divider in the drawer. (yet, or maybe never)

 

requisite drawer detail.

Unfinished chip carving. it’s all over the box…some finished, some not.

someone will have fun when I’m long gone trying to figure out what happened here. Why was this box not finished, but it looks like it was used…

If I get to make another of these sort of boxes, I’d like to see an original first. One thing I’d change is I’d plane the stock just a bit thinner. This is 3/4″ standard issue boards – I’d aim for 5/8″ thick. this seems clunky. Part of why I gave up on it. But it makes a nice place to keep the bowl gouges…

Moe Follansbee knew what’s what

Over two months ago, I lost my everyday knife. I looked everywhere and came up empty. I decided it either broke off the strap, and fell, or got dropped into a bag of shavings & went the way of all things. I have lots of slojd knives – so I could keep carving spoons without any discomfort. But usually I like wearing one for everyday use. I finally gave up looking, and ordered some new blades.   I tried to be positive about it, thinking maybe someone found what would become a really good knife for them.

everyday sloyd
before it was lost

I had the blade since about 1992, it was on its 2nd handle. (I split the first one using the knife like a little froe). When I replaced the handle, I made the sheath. That was about 12 years ago. A friend at the museum made the leather work. Once the new blades arrived, I made a new knife and sheath. It was OK, but not the same.  This one, I tried my hand at the leather, but for one thing my model was gone! Here I am boring out the blank for the handle, to fit the knife’s tang.

Paring the new handle.

here is the end result, works fine. But doesn’t feel right one way or another. The leather I used was too thick for one thing, so it didn’t conform quite as well as I wished. Handle is the only piece of boxwood I had. Why did I try that?

Here’s the knife out of the sheath. It works, I was carving spoons yesterday with it. Clicks into the sheath like it’s supposed to do. I was thinking I’d do it over at some point, but things are getting busy around here right about now. 

Today I was sorting & cleaning inside & out. In the shop, it came time to climb up & hang this year’s Greenwood Fest poster. I’m not a huge poster fan, but Greenwood Fest is a pretty special affair for me, so up it went. Right above last year’s version. While I was there, I grabbed that basket for the tools & materials in it. I made some basket rims & handles from the hickory I wrote about last time, and this week I’ll install them. Needed the clips and other bits in there.

 

And don’t you know – in the basket was my old knife. Made a good day a great one.

It’s always the last place you look, my father used to say.

Hickory Bark

Post-Greenwood Fest – finally getting going. I have a few spoons, some copies of the Joint Stool book and a few DVDs left for sale. Here’s the link – https://pfollansbee.wordpress.com/june-2017-spoons-book-videos-for-sale/

There’s Paypal buttons for the books & DVDs, if you want a spoon, leave me a comment.

———————-

Meanwhile – Hickory Bark. No waiting when there’s a hickory sapling cut in the spring. You gotta get right to them. So two of these were first priority once I unpacked.

This work takes me way back. Way, way, way, way back as Van Morrison would say. I grabbed the leftover hickory saplings after Tim Manney’s demo at Greenwood Fest (one got stripped before I got to saving it – Tim? Pete?) to harvest the bark. I’ve only have a few chances to strip hickory bark in the past many years. Not making chairs or baskets with any regularity meant I didn’t need to pursue it. But, these were right there, and I have some ladderbacks underway, as well as some baskets that need rims & handles.

First off, I shave the outer bark off with the drawknife. This is thick, hard crusty bark.


Here is a detail, showing as I shave off the outer bark, the inner bark we’re after is exposed. In this photo, the first strip is removed. That way, I can see the thickness of the inner bark (or “bast”) – this becomes important.

so next is the task of thinning the inner bark to the appropriate thickness. This is a finesse move. Below the drawknife here (bottom left of the photo) the bark is just about the right thickness – above the knife you can see the yellow/orange striations – I use those as a visual guideline – shave them away & you’re there. Just about.

Then I score through the inner bark down to the wood with the tip of my knife. I make the strip about 3/4″ – 1″ wide.

It can wiggle with the grain of the tree…try to keep it pretty straight. But they are wider than I’ll use them, so I can trim them some when I get to weaving with them.

Then peel the strip up. Never ceases to amaze me.

 

I keep close watch for stray fibers that might stick to the tree. Usually means the scoring wasn’t deep enough. You can slip your knife under there & re-establish the peeling. 

Some strips are too thick when you take ’em off the tree. You can sometimes split them apart. I scored across the bark to form a tab, then pulled them apart. This is slow, careful work – you have to watch to see if it’s going evenly. Any thick side, pull towards it. Just like riving. I hold the strip between my knees, then use my thumbs & forefingers to peel them. My other fingers help keep things peeling evenly.

If a strip is too thick, but not thick enough to split, I put it on the shaving horse, and shave it with a spokeshave. I put a support stick under it. You can shave this later, once you’re using the material – but I find it best to do it right off the bat.

Coil ’em & store to dry in an airy place.

The first log was clear enough for some long riving & bending wood. I made some basket rims, then shaved two of these bows for firewood carriers. This one is shaved to shape, steamed & bent onto this form. I took no pictures of any of that. I shoot my own photos, and steam-bending requires complete attention. This firewood carrier is detailed in Drew Langsner’s Green Woodworking – as is peeling hickory bark.

The base will be an open framework,  this board is just the drying form for the bend.

Greenwood Fest 2017

Plymouth CRAFT’s Greenwood Fest 2017 is now a  thing of the past. I vividly remember the feeling last year after the fest, I was so overwhelmed I just floundered around for a couple of days, not being able to concentrate on anything.

This time, it still is overwhelming, but in a good way. I want to thank everyone who helped make it happen – Plymouth CRAFT’s board & volunteers, the crew at Pinewoods, all the instructors and most of all, the folks who travelled from Australia, Turkey and places in between to come join us in the woods for carving and camaraderie. Astoundingly great time, thanks all.

Here’s pictures. there’s more. later. 

the group shot:

Surolle was here: 

Jarrod Dahl turning what can’t be turned

JoJo Wood was back with her big knives:

The one-armed veteran of the Battle of Shiloh with his sawing machine

Tim Manney & the sharpeners

Me & him

Barn’s spoons

The Greenwood shop, just prior to opening:

Barn the Spoon & his new sheath for the big hook knife:

Jane Mickelborough helping hinge a folding spoon:

 

Dave Fisher working on his bowls:

Darrick Sanderson never stopped

Jogge & I with our special guests, Drew & Louise Langsner

line ’em up

The dust is starting to settle. I’ll get to the whole thing, but in the meantime, here’s the group of instructors from Greenwood Fest.

Back row, left to right – Jögge Sundqvist, Jarrod Dahl, Pete Galbert, Peter Follansbee, Jane Mickelborough, Barn the Spoon, Louise Langsner, Drew Langsner

Front row, left to right –  Dave Fisher, Tim Manney, Darrick Sanderson, Paula Marcoux, JoJo Wood, Roy Underhill

hewing a spoon crook

Getting some spoon work in, prepping for Greenwood Fest coming up in early June. Cherry crooks are the greatest…so photos with captions.

This is the crook I chose this afternoon – split off 2 chunks above the pith. So the bottom third of this is trash, but the other two will be fine spoons.

Here’s the top one, near the bark. It just about makes itself into a spoon.

After hewing off the bark so I can see the shape better, I hewed a bunch off what will be the top or rim of the spoon bowl.

Slicing across the grain to bring it down to the shape I want.

Starting to define the neck between the bowl and the handle.

This is the one I always call the first chance to completely ruin the spoon. Thankfully it’s only a few minutes into the work. So if it fails now, not much is lost.

Then hewing away some excess off the back of the handle.

With a hard wood like cherry (Prunus serotina) I often mount the hewn shape in the vise, and work with a bent gouge & mallet to rough out the bowl. Working directly across the grain.

here’s the gouge – might be about 1″-1 1/4″ wide, the “sweep” or curve is the #8 in the Swiss marking system.

It’s still very blocky, so the next step will be to hew off the back corners.

I start this cut up in the bowl, and it carries all the way down to the top end of the handle.

It’s hard to read in this photo, but I’ve begun to form a rounded under the bowl.

Then it was time for dinner.

Pre-Fest spaces for Greenwood Fest – “One man gathers what another man spills”

Pret & I are building lathes for the bowl turners, our friend Chris is cutting more wood than you can shake a stick at, Paula Marcoux is making schedules, writing emails & answering questions morning noon & night – Greenwood Fest begins in just over 3 weeks.

There’s been a small flurry of last-minute cancellations from the Pre-Fest courses. I wrote a post the other day about a couple, and described how this is really like a mini-Fest on its own. 7 courses running side-by-side. “Down” time, meals, evenings, etc will be a woodsy-free-for-all.  https://pfollansbee.wordpress.com/2017/05/07/still-some-room-in-pre-fest-courses-at-greenwood-fest/ 

In addition to one spot in Jogge Sundqvist’s knife-handle/sheath class, space in Tim Manney’s sharpening and Jane Mickelborough’s Hinged spoon, there’s one spot with Dave Fisher making hewn bowls, and one spot with Barn Carder making eating spoons.

I’m sorry for those who had to ditch out at this, nearly the last minute. One man gathers what another man spills, though.

Dates are Tues June 6-Thursday June 8.. .Price is $500 – Includes 2 full days of instruction; (Tues afternoon/Wed all day/Thurs morning) all materials; 2 nights lodging & 7 meals, plus admission to Fuller Craft Museum for the Thursday evening presentation of Jogge’s Rhythm & Slojd.

course description  https://www.greenwoodfest.org/course-details 

registration: https://www.plymouthcraft.org/greenwood-fest-courses