“Advanced” spoon carving, one-day class w Plymouth CRAFT

I’m working out my teaching schedule for 2018, and will post it soon. But the first class is coming right up. We’re trying something new with Plymouth CRAFT – on Monday January 15, 2018 we’re offering a one-day “advanced” spoon carving class. All that advanced means in this case is you’ve carved spoons before, know some of the grips and the ways around the tools. We’ll look at crooks in particular; working with them to concentrate on the shape of the spoon.

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It’s going to be a small class, but there’s room still. We’ll have chopping blocks, a pile of crooks, a box of tools and a fire in the stove. This is a chance to delve into some of the details that often elude us in the usual class that features a lot of beginners. I’ll have a pile of spoons by carvers far & wide as reference materials, and the usual array of books, articles, photos – lots of inspiration.

The class is tacked onto a full weekend of offerings – Tim Manney’s now-sold-out sharpening class, Chinese dumplings, https://www.plymouthcraft.org/chinese-dumplings and Embroidery with Elizabeth Creeden https://www.plymouthcraft.org/introduction-to-surface-embroidery   Lunch by Paula Marcoux is included. Come and join us –

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Greenwood Fest instructor Curtis Buchanan

The other day I wrote about Robin Wood coming to teach at Plymouth CRAFT’s Greenwood Fest  – the other “new” instructor is Curtis Buchanan. It’s yet another great pleasure for me to have Curtis come and join us. I met Curtis in 1987 when I was a student in his first class in making Windsor chairs, at Country Workshops.

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If you aren’t up-to-speed on who’s who in American Windsor chairmaking, the best Windsors in modern-day America begin with Dave Sawyer of Vermont. It was Dave who taught Curtis back in the early 1980s; and Curtis took what Dave taught him and ran with it. He’s been making chairs now for 35 years or so…and making just the most beautiful chairs you can imagine. He’s taught all over creation; but rarely if ever goes out on the road anymore to work…so it’s an extra treat to get him up to New England.

Part of what Curtis will be doing at the Fest is demonstrating all the steps in making a basic version of one of his fanback chairs. He calls it a “democratic” chair – in that the tool kit is small, and the operations are simple to learn. But don’t think crude – his chairs are graceful and comfortable beyond expectations. I think he said riving tools, drawknife, brace & bit, and a scorp for the seat. Must be a saw in there somewhere…but not much else. I can’t wait to see it happen. He’ll also teach a short session on his 2nd-favorite tool – using the froe. (the drawknife is his first, but we have Pete Galbert repeating some of what he did this year…)

As he’s working, I betcha Curtis will tell some stories too…

Curtis’ website has some video well worth watching http://www.curtisbuchananchairmaker.com/

And this from Jon Binzen of Fine Woodworking – “Anyone who has met Curtis will know that it’s as much fun to listen to him as it is to watch him work.” See the audio slideshow they put together during one of the sessions FWW did with Curtis. I had posted this before and described him as the happiest woodworker I know. And I still feel that he’s wrong in this audio, where he’s says “I’m not the best…” – Nonsense, he’s the best.  – http://www.finewoodworking.com/2014/10/08/curtis-buchanan-windsor-master 

Greenwood Fest will be held in Plymouth Massachusetts – pre-fest courses June 5-7 and the Fest from June 7-10. https://www.greenwoodfest.org/ It will be announced, here and elsewhere – sign up for Plymouth CRAFT’s newsletter to keep up-to-date on Greenwood Fest and our other programming – https://www.plymouthcraft.org/contact 

 

 

Greenwood Fest 2018 Instructor Robin Wood

Back in 2008 I started this blog; being inspired by a blog I read regularly then – that of Robin Wood. Sometime in the early/mid 1990s, my friend Ned Cooke sent me this postcard, showing Robin Wood turning a huge nest of bowls in beech on his pole lathe. I tacked it up in my workshop and it’s been there ever since. Even made the move to my new shop…

I had heard about Robin’s work and somewhere along the line Jennie Alexander traded letters back & forth with him back then. For a while there was a very active forum on the web called the Bodgers’ Ask and Answer forum. (it’s still there, going back quite a ways with lots of information. Some of it is quite good. https://www.bodgers.org.uk/BB/ ) Robin was a regular contributor there, and that’s where he & I started talking directly to each other. I can’t remember if I found his blog through the forum or vice-versa. Doesn’t matter now.

What matters to me is that Robin is perhaps THE person responsible for reviving the craft of turning wooden bowls on a pole lathe, using hook tools. Right now there are lots of people taking up this work – and I hope they recognize Robin’s contribution to its revival. (Somewhere in those years, I first met Roger Abrahamson http://www.rogerabrahamson.com/index.html when he appeared at my shop & introduced himself. His work parallels some of Robin’s very well. Roger is another story someday.)

We finally met in 2014, when I was a student in his first course at North House Folk School. (met Jarrod & JoJo there at the same time – 3 birds, one stone).  With Barn the Spoon, Robin started another inspiration of ours – Spoonfest https://spoonfest.co.uk/ and that’s where he & I next met up. He’d invited me a couple of times and I begged off due to scheduling problems. Then in 2016 I decided I’d better go before the invites dried up.  

I’m thrilled that Robin is coming to Greenwood Fest. He’ll be teaching a 2-day class in bowl turning on a pole lathe, with hook tools. Then during the fest, we’ll have him in various capacities; these days much of his time is spent making tools for spoon carving. We’re still working out the details of some aspects of the schedule. One piece we have planned with him is a slide talk/presentation about his various green woodworking exploits over the years. Worth seeing.

Robin Wood’s bowl

One of the hardest parts of Greenwood Fest planning for us is the instructor roster. Because our venue has a limit on the number of people allowed, the size of the Fest will not grow. And because we love all our instructors equally – it becomes difficult to work in new ones. To make space for Robin, Jarrod Dahl has kindly agreed to shift from Greenwood Fest this year to a course with Plymouth CRAFT later in the season – early to mid-September. BUT Jarrod & Jazmin plan on attending the Fest, so if you see Jarrod there, take it easy on him with the questions, it’s his vacation!

Greenwood Fest will be held in Plymouth Massachusetts June 5-10, 2018. Those dates include the pre-fest courses. Tickets on sale starting February 2, 2018  https://www.greenwoodfest.org/

 

December spoons; two boxes

Last spring Jogge Sundqvist & I were talking about Amy Umbel’s painted spoons & bowls. https://www.fiddleheadwoodworking.com/gallery We both enjoyed how she “found” the styles/patterns that suited her. Amy’s work was the inspiration for me to branch out and impose my furniture carvings on the handles of my spoons. Once I started this, I haven’t chip-carved one since. And I keep searching through boxes of tools for smaller carving gouges!

I’ve been busy with furniture work lately, I have had these spoons for a couple of weeks, then my kids relentlessly reminded me that Christmas is soon (10 days Daniel tells me). So here are the last few spoons I have for right now. If you would like to order one, leave a comment. Paypal is usually easiest. If you want to send a check that’s fine too – but it will slow things down for delivery. Prices include shipping in the US. Thanks as always.

 

Nov spoon 06 –

Almost a pie-serving shape. American sycamore crook. Very flat “bowl” to this one…
L: 9 3/4″  W: 1 1/2″
$75

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Dec spoon 01 – cherry crook. Small serving spoon, mostly right-handed.

L:  9 3/8″  W:  2 1/8″
$85

 

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Dec spoon 02; larger cherry crook. SOLD

L:  10 5/8″  W: 2 3/8″
$90

———————

Dec spoon 03;  SOLD

Cherry crook, serving spoon. A very dark heartwood to this cherry tree.

L: 9 5/8″   W:  2 1/4″
$90

—————

Dec spoon 04; Cherry serving spoon, decidedly lefty.

L:  13 1/2″ W: 2 3/4″
$100

——————-

Dec spoon 05;  SOLD

A small cherry spoon this time. That same dark heartwood as one above.

L: 7 1/8″  W: 1 7/8″
$75

———————

Dec spoon 06. Cherry, crook. This is the spoon I like to make the most of all. The best of this batch, and of the past few months. a curved crook, this spoon has shapes and angles in several directions. This one still works, I’m known for carving some “challenging” shaped-spoons.

L:  7 1/2″  W:  2″
$125

 

 

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Nov spoon 07; cherry, large serving spoon. The last of a batch of oversized serving spoons in cherry. Too late for Thanksgiving…
L:13 7/8″   W”  3 1/2″
$150

——————-

Carved & painted box.  SOLD

I made this box a while ago, and was keeping it to photograph for my upcoming book with Lost Art Press on joined furniture. Oak with pine lid & bottom. Paint is iron oxide, lampblack and chalk. Red wash (iron oxide thinned in linseed oil) overall. Iron hinges.

My photos are done, so the box is now available.
H: 6 1/2″  W: 15 1/2″  D: 12″
$600.

——————

Desk box. I made two of these; starting on Roy Underhill’s show, then a Lie-Nielsen DVD. Finally, an article for Popular Woodworking coming soon. One sold, one is left.

red & white oak, white pine bottom. 4 drawers inside, 2 tills, with a narrow tray area behind. Handmade “dovetail” hinges. Based on an original from Massachusetts, c. 1670-1700.

H: 11 1/2 ” W: 24 1/4″ D: 15 3/4″

$2.000 plus shipping.

desk box

front view desk box

side view desk box

2 tills 4 drawers

Winter light

I have 14 windows down in this small workshop, and here in New England as winter solstice is approaching, I can’t see well enough to do any significant work by 4:30 in the afternoon. By 4pm it’s getting dim, but I can sweep, sort stuff – can’t cut joinery or do carving. I  think about the joiners of the 17th century with the small (& few) windows in their buildings, how did they do any work in this light? Maybe they didn’t work much in the winter?

A notion that shows up in several 20th-century writings about 17th-century joiners is that they concentrated their joinery work in the winter; being too occupied with crops and livestock the rest of the year. That’s a quaint notion, and might even have some merit. One way to see if this is valid is to see tradesmen’s probate inventories to see if there’s work underway. There’s lots of reasons stuff might be un-finished…but it’s a start.

One bit of evidence in favor of this argument is the inventory of Edward Brown of Ipswich, Massachusetts, his inventory is from February 1659/60:

3 wheeles, finished lennen 13s6d, wheeles woolen & linnen not finisht £1-16  work done toward chaires 3s  &  15—ills 6s9d  shope tooles £3-6

John Symonds of Salem, Massachusetts also had unfinished work when he died. His inventory was presented in court 19:7:1671 – so September according to the old calendar.

will: “…to my son James Symonds…I do assigne my servant John Pease to him dureing the term of time expressed in the Indenture… Further I give all my workinge tooles belonginge to my trade to my son James Symonds…”

inv:  Joyners Tools benches and lare £5-5-6  2 Bedsteds almost finished £3  3 stools and one half of a Box 12s6d  1/2 Grindstone & windlass & a Small grindstone 5s  Timber planke & board £5-12

part of a Chest… 3 Chests 3 Boxes and a wooden Tunnil 14s  2 Tables a forum & Chayres 16s  a Vice and an old Hatchet 10s  nayles 10d  an Ax 6s10d   …a p of Jemmils…5 wedges…one half of a Crosscut Saw…  Timber in the Woods £1-2  an apprentice of 17 years old who hath 3 year and 9 moneths and 2 weekes to serve

George Cole died in 1675. His inventory is dated 30:9:1675, back when the 9th month was November…his work is not called “unfinished” but he had “work done in his shop…”

will:  “…I give to my master John Davis all my timber…”

3 saues 8s,  2 goynters & foreplaine 6s, 3 smothing plains & a draing knife 3s6d, 2 plans & 2 revolvong plains 10s,  4 round plains 5s, 3 rabet plains 4s,  3 holou plains 3s6d,  9 Cresing plains 10s6d,  6 torning tools 9s,  3 plaine irons & 3 bits 1s6d,  1 brase stok, 2 squares & gorges 1s6d,  1 brod ax & 1 fro 2s, holdfast 1s6d,  hamer 1s6d,  6 gouges 2s,  9 Chisels 5s,  2 ogers & 1 draing knife 3s,  1 bench hooks, 2 yoyet irons 1s,  a gluepot 1s6d,  for what work he has done in his shop £1-10

My notes include a date of “1676/7” for  Matthew Macomber  of Taunton, in Plymouth Colony. The double-dating falls between January and mid-March, so this is another one for the “winter” crowd.

a parsell of cooper’s tooles 9s  (illegible) hoopes not finished 10d  five hundred of cedar bolts att the swamp £1-10  hewen timber in the woods 8s9d  200 of cooper stuff in the woods 5s  more in tooles and arms £2-10

Another vote for winter is William Savell, of Braintree, Massachusetts. He died February 1, 1699/1700. Included in his inventory are:

a green carpitt & covers for chairs  01-08-00

a douzen painted chairs & a sealskin trunk  01-18-00

a wainscott chest and a box  01-01-00

a square table a wainscott chest and a bedstead  02-12-00

tooles  02-10-00

timber and weare begun  03-00-00

Well, here’s one more – what I always call “When Things Go Wrong”  – court cases sometimes shed light on period practice. John Davis was asked to make 4 chests, did so, and had them delivered. But it all ended up in court. All I can see is that Davis was both pissed and pissed off in May of 1681, and things got messy…but these depositions tell us exactly nothing about what time of year John Davis made these chests:

Writ: John Davis v. John Tolly; debt; for four wainscot chests made by his order and delivered to him in his house, dated June 23, 1681; signed by John Fuller, for the court and town of Lyn; and served by Richard Prytherch, constable of Salem, by attachment of the bed of the defendant, the summons being left with Mrs. Tauly.

Nathaniall Kirtland, aged about thirty-four years, deposed that he brought from John Davis’ shop at Lyn four chests and delivered them to John Tauly at his house in Salem. Davis told the deponent that Tauly had them to carry to Newfoundland. Sworn in court.

Bill of cost 3£

Eleaser Lenesey, aged about thirty-five years, deposed that Davis looked at a chest in Tawleay’s house and the latter told him to make two or three as good as that for 25s. each. Sworn in court before William Browne, assistant, and owned in court.

Richard Croade, aged about fifty-two years, testified that, on May 7, 1681, he heard Mr John Tally read from his book his account with John Davis, and the latter did not disown it. Sworn, May 11, 1681, before William Browne, assistant.

Samll Blyghe, aged about twenty-two years, deposed that, being in the house of Mr Wing of Boston in company with John Tawly of Salem and Joseph Cawly, he heard Tawly ask John Davis, joiner, of Lynn, to make the chests, saying he would rather Davis have his money than any one else, at the same time giving him 5s. Sworn, June 23, 1681, before William Browne, assistant.

John Longley, aged about forty-two years, testified that on May 6, 1681, he heard Davis at Taulely’s house call the latter a cheating knave, with many other absurd expressions, challenging him out of his own house to fight, threatening him. He also took hold of a wainscot chest in the room, threw it up and down the room, breaking several pieces of the front of the chest, etc. Davis was very much in drink. Elizabeth Tawley testified to the same. Sworn, June 28, 1681 before Bartho Gedney, assistant.

Joseph Calley, aged about thirty-seven years, deposed. Sworn, June 7, 1681, before John Richards, assistant.

Eleazer Lenesey, aged about thirty-five years, testified that, being in John Davis’ house at Line, after he had brought home the cloth, a whole piece of kersey, he said he had bought it of John Tawleay of Salem. Sworn before William Browne, assistant.

Mary Ivory, aged about forty-two years, deposed that she was at Taulie’s house when he received the chests. Sworn in court.

Samuell Ingols, aged about twenty-seven years, and Nathanil Willson, aged about nineteen years, deposed that the chests were worth 30s. each. Sworn in court.

John Longley, aged about forty-two years, and Thomas Eleat, aged about twent-six years, deposed concerning the assault and that neither Tawley nor his wife could have any peace while Davis was in the house. Sworn. May 9, 1681, before Bartho Gedney, assistant.”

 

Thank-full

red oak

Here in America, we just celebrated a holiday called Thanksgiving. It used to be about over-eating, now it’s mostly about shopping for mass-produced stuff. I try to stay out of it. The other day I was reading the blog from Mortise & Tenon magazine, in which they asked the rhetorical question “Why would you labor at something you don’t love?” – I realize there are many of us who do just that, for various reasons….I’ve done it myself. Making a living sometimes requires that we spend time doing things we’d rather not do…

shop doors

 

above the bench

I am especially aware how lucky I am to work the way I do & make my living that way. I have great friends who have helped me along the way, a wife who doesn’t need all the latest gadgets and baubles (my kids would like them, though!), readers of this blog & IG, clients, and students in my classes who all help support my work. I appreciate it all, and am eternally thankful. I am unbelievably lucky to spend my days the way I do. Thanks, all.

I went out this morning, lit the fire, filled the bird feeders and took some photos. Now for breakfast, then I get to go to work.

“WS”chest frame test fitted

 

“WS” chest frame, mitered M&T
shop from the riverbank

 

down river

 

from the riverbank
light frost

 

The Slöjd Tradition with Jögge Sundqvist 

Well, this has nothing to do with me, other than I was there to watch it happen. Now I get to see it again, from the comfort of my own home.

Here’s the blurb:

The Slöjd Tradition

with Jögge Sundqvist 

Learn some of the methods and techniques behind Slöjd, the self sufficient tradition from Sweden that emphasizes hand work and handicraft. Jögge Sundqvist walks you through the process of making a spatula and a cheese board from green wood. He also demonstrates different types of letter carving and decorative carving.

Jögge Sundqvist is a Swedish woodworker and carver who started learning knife and axe work at the age of four, at the side of his father, Wille Sundqvist. Jögge works in the Slöjd fine craft tradition making stools, chairs, knives, spoons, and sculptures painted with artists’ oil color. Jögge is also a teacher, writer, and gives lectures about Slöjd tradition and techniques.

And the preview:

https://www.lie-nielsen.com/product/whats-new/slojd-tradition-streaming?node=4128