December spoons; two boxes

Last spring Jogge Sundqvist & I were talking about Amy Umbel’s painted spoons & bowls. https://www.fiddleheadwoodworking.com/gallery We both enjoyed how she “found” the styles/patterns that suited her. Amy’s work was the inspiration for me to branch out and impose my furniture carvings on the handles of my spoons. Once I started this, I haven’t chip-carved one since. And I keep searching through boxes of tools for smaller carving gouges!

I’ve been busy with furniture work lately, I have had these spoons for a couple of weeks, then my kids relentlessly reminded me that Christmas is soon (10 days Daniel tells me). So here are the last few spoons I have for right now. If you would like to order one, leave a comment. Paypal is usually easiest. If you want to send a check that’s fine too – but it will slow things down for delivery. Prices include shipping in the US. Thanks as always.

 

Nov spoon 06 –

Almost a pie-serving shape. American sycamore crook. Very flat “bowl” to this one…
L: 9 3/4″  W: 1 1/2″
$75

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Dec spoon 01 – cherry crook. Small serving spoon, mostly right-handed.

L:  9 3/8″  W:  2 1/8″
$85

 

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Dec spoon 02; larger cherry crook. SOLD

L:  10 5/8″  W: 2 3/8″
$90

———————

Dec spoon 03;  SOLD

Cherry crook, serving spoon. A very dark heartwood to this cherry tree.

L: 9 5/8″   W:  2 1/4″
$90

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Dec spoon 04; Cherry serving spoon, decidedly lefty.

L:  13 1/2″ W: 2 3/4″
$100

——————-

Dec spoon 05;  SOLD

A small cherry spoon this time. That same dark heartwood as one above.

L: 7 1/8″  W: 1 7/8″
$75

———————

Dec spoon 06. Cherry, crook. This is the spoon I like to make the most of all. The best of this batch, and of the past few months. a curved crook, this spoon has shapes and angles in several directions. This one still works, I’m known for carving some “challenging” shaped-spoons.

L:  7 1/2″  W:  2″
$125

 

 

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Nov spoon 07; cherry, large serving spoon. The last of a batch of oversized serving spoons in cherry. Too late for Thanksgiving…
L:13 7/8″   W”  3 1/2″
$150

——————-

Carved & painted box.  SOLD

I made this box a while ago, and was keeping it to photograph for my upcoming book with Lost Art Press on joined furniture. Oak with pine lid & bottom. Paint is iron oxide, lampblack and chalk. Red wash (iron oxide thinned in linseed oil) overall. Iron hinges.

My photos are done, so the box is now available.
H: 6 1/2″  W: 15 1/2″  D: 12″
$600.

——————

Desk box. I made two of these; starting on Roy Underhill’s show, then a Lie-Nielsen DVD. Finally, an article for Popular Woodworking coming soon. One sold, one is left.

red & white oak, white pine bottom. 4 drawers inside, 2 tills, with a narrow tray area behind. Handmade “dovetail” hinges. Based on an original from Massachusetts, c. 1670-1700.

H: 11 1/2 ” W: 24 1/4″ D: 15 3/4″

$2.000 plus shipping.

desk box

front view desk box

side view desk box

2 tills 4 drawers

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Winter light

I have 14 windows down in this small workshop, and here in New England as winter solstice is approaching, I can’t see well enough to do any significant work by 4:30 in the afternoon. By 4pm it’s getting dim, but I can sweep, sort stuff – can’t cut joinery or do carving. I  think about the joiners of the 17th century with the small (& few) windows in their buildings, how did they do any work in this light? Maybe they didn’t work much in the winter?

A notion that shows up in several 20th-century writings about 17th-century joiners is that they concentrated their joinery work in the winter; being too occupied with crops and livestock the rest of the year. That’s a quaint notion, and might even have some merit. One way to see if this is valid is to see tradesmen’s probate inventories to see if there’s work underway. There’s lots of reasons stuff might be un-finished…but it’s a start.

One bit of evidence in favor of this argument is the inventory of Edward Brown of Ipswich, Massachusetts, his inventory is from February 1659/60:

3 wheeles, finished lennen 13s6d, wheeles woolen & linnen not finisht £1-16  work done toward chaires 3s  &  15—ills 6s9d  shope tooles £3-6

John Symonds of Salem, Massachusetts also had unfinished work when he died. His inventory was presented in court 19:7:1671 – so September according to the old calendar.

will: “…to my son James Symonds…I do assigne my servant John Pease to him dureing the term of time expressed in the Indenture… Further I give all my workinge tooles belonginge to my trade to my son James Symonds…”

inv:  Joyners Tools benches and lare £5-5-6  2 Bedsteds almost finished £3  3 stools and one half of a Box 12s6d  1/2 Grindstone & windlass & a Small grindstone 5s  Timber planke & board £5-12

part of a Chest… 3 Chests 3 Boxes and a wooden Tunnil 14s  2 Tables a forum & Chayres 16s  a Vice and an old Hatchet 10s  nayles 10d  an Ax 6s10d   …a p of Jemmils…5 wedges…one half of a Crosscut Saw…  Timber in the Woods £1-2  an apprentice of 17 years old who hath 3 year and 9 moneths and 2 weekes to serve

George Cole died in 1675. His inventory is dated 30:9:1675, back when the 9th month was November…his work is not called “unfinished” but he had “work done in his shop…”

will:  “…I give to my master John Davis all my timber…”

3 saues 8s,  2 goynters & foreplaine 6s, 3 smothing plains & a draing knife 3s6d, 2 plans & 2 revolvong plains 10s,  4 round plains 5s, 3 rabet plains 4s,  3 holou plains 3s6d,  9 Cresing plains 10s6d,  6 torning tools 9s,  3 plaine irons & 3 bits 1s6d,  1 brase stok, 2 squares & gorges 1s6d,  1 brod ax & 1 fro 2s, holdfast 1s6d,  hamer 1s6d,  6 gouges 2s,  9 Chisels 5s,  2 ogers & 1 draing knife 3s,  1 bench hooks, 2 yoyet irons 1s,  a gluepot 1s6d,  for what work he has done in his shop £1-10

My notes include a date of “1676/7” for  Matthew Macomber  of Taunton, in Plymouth Colony. The double-dating falls between January and mid-March, so this is another one for the “winter” crowd.

a parsell of cooper’s tooles 9s  (illegible) hoopes not finished 10d  five hundred of cedar bolts att the swamp £1-10  hewen timber in the woods 8s9d  200 of cooper stuff in the woods 5s  more in tooles and arms £2-10

Another vote for winter is William Savell, of Braintree, Massachusetts. He died February 1, 1699/1700. Included in his inventory are:

a green carpitt & covers for chairs  01-08-00

a douzen painted chairs & a sealskin trunk  01-18-00

a wainscott chest and a box  01-01-00

a square table a wainscott chest and a bedstead  02-12-00

tooles  02-10-00

timber and weare begun  03-00-00

Well, here’s one more – what I always call “When Things Go Wrong”  – court cases sometimes shed light on period practice. John Davis was asked to make 4 chests, did so, and had them delivered. But it all ended up in court. All I can see is that Davis was both pissed and pissed off in May of 1681, and things got messy…but these depositions tell us exactly nothing about what time of year John Davis made these chests:

Writ: John Davis v. John Tolly; debt; for four wainscot chests made by his order and delivered to him in his house, dated June 23, 1681; signed by John Fuller, for the court and town of Lyn; and served by Richard Prytherch, constable of Salem, by attachment of the bed of the defendant, the summons being left with Mrs. Tauly.

Nathaniall Kirtland, aged about thirty-four years, deposed that he brought from John Davis’ shop at Lyn four chests and delivered them to John Tauly at his house in Salem. Davis told the deponent that Tauly had them to carry to Newfoundland. Sworn in court.

Bill of cost 3£

Eleaser Lenesey, aged about thirty-five years, deposed that Davis looked at a chest in Tawleay’s house and the latter told him to make two or three as good as that for 25s. each. Sworn in court before William Browne, assistant, and owned in court.

Richard Croade, aged about fifty-two years, testified that, on May 7, 1681, he heard Mr John Tally read from his book his account with John Davis, and the latter did not disown it. Sworn, May 11, 1681, before William Browne, assistant.

Samll Blyghe, aged about twenty-two years, deposed that, being in the house of Mr Wing of Boston in company with John Tawly of Salem and Joseph Cawly, he heard Tawly ask John Davis, joiner, of Lynn, to make the chests, saying he would rather Davis have his money than any one else, at the same time giving him 5s. Sworn, June 23, 1681, before William Browne, assistant.

John Longley, aged about forty-two years, testified that on May 6, 1681, he heard Davis at Taulely’s house call the latter a cheating knave, with many other absurd expressions, challenging him out of his own house to fight, threatening him. He also took hold of a wainscot chest in the room, threw it up and down the room, breaking several pieces of the front of the chest, etc. Davis was very much in drink. Elizabeth Tawley testified to the same. Sworn, June 28, 1681 before Bartho Gedney, assistant.

Joseph Calley, aged about thirty-seven years, deposed. Sworn, June 7, 1681, before John Richards, assistant.

Eleazer Lenesey, aged about thirty-five years, testified that, being in John Davis’ house at Line, after he had brought home the cloth, a whole piece of kersey, he said he had bought it of John Tawleay of Salem. Sworn before William Browne, assistant.

Mary Ivory, aged about forty-two years, deposed that she was at Taulie’s house when he received the chests. Sworn in court.

Samuell Ingols, aged about twenty-seven years, and Nathanil Willson, aged about nineteen years, deposed that the chests were worth 30s. each. Sworn in court.

John Longley, aged about forty-two years, and Thomas Eleat, aged about twent-six years, deposed concerning the assault and that neither Tawley nor his wife could have any peace while Davis was in the house. Sworn. May 9, 1681, before Bartho Gedney, assistant.”

 

Thank-full

red oak

Here in America, we just celebrated a holiday called Thanksgiving. It used to be about over-eating, now it’s mostly about shopping for mass-produced stuff. I try to stay out of it. The other day I was reading the blog from Mortise & Tenon magazine, in which they asked the rhetorical question “Why would you labor at something you don’t love?” – I realize there are many of us who do just that, for various reasons….I’ve done it myself. Making a living sometimes requires that we spend time doing things we’d rather not do…

shop doors

 

above the bench

I am especially aware how lucky I am to work the way I do & make my living that way. I have great friends who have helped me along the way, a wife who doesn’t need all the latest gadgets and baubles (my kids would like them, though!), readers of this blog & IG, clients, and students in my classes who all help support my work. I appreciate it all, and am eternally thankful. I am unbelievably lucky to spend my days the way I do. Thanks, all.

I went out this morning, lit the fire, filled the bird feeders and took some photos. Now for breakfast, then I get to go to work.

“WS”chest frame test fitted

 

“WS” chest frame, mitered M&T
shop from the riverbank

 

down river

 

from the riverbank
light frost

 

The Slöjd Tradition with Jögge Sundqvist 

Well, this has nothing to do with me, other than I was there to watch it happen. Now I get to see it again, from the comfort of my own home.

Here’s the blurb:

The Slöjd Tradition

with Jögge Sundqvist 

Learn some of the methods and techniques behind Slöjd, the self sufficient tradition from Sweden that emphasizes hand work and handicraft. Jögge Sundqvist walks you through the process of making a spatula and a cheese board from green wood. He also demonstrates different types of letter carving and decorative carving.

Jögge Sundqvist is a Swedish woodworker and carver who started learning knife and axe work at the age of four, at the side of his father, Wille Sundqvist. Jögge works in the Slöjd fine craft tradition making stools, chairs, knives, spoons, and sculptures painted with artists’ oil color. Jögge is also a teacher, writer, and gives lectures about Slöjd tradition and techniques.

And the preview:

https://www.lie-nielsen.com/product/whats-new/slojd-tradition-streaming?node=4128

 

Plymouth CRAFT – spoon carving in December and Sharpening in January

The closer you get to the end of the year, the faster time goes by. Maybe the older you get the faster it goes too. Paula, Pret and I have started sorting out stuff for Greenwood Fest, who’s doing what, etc. But in the meantime, we have a few courses closer to the horizon. There’s a spoon carving class coming up in early December at Overbrook in Buzzard’s Bay.

 

We have held classes there a lot, it’s a wonderful place. 2 days, lots of spoon wood and Paula’s lunches. December 9 & 10, 2017. https://www.plymouthcraft.org/spoon-carving – plus both afternoons there’s a German Holiday baking class going on with Kirsten Atchison – maybe if you’re good they’ll let you sample some goodies https://www.plymouthcraft.org/german-holiday-baking and https://www.plymouthcraft.org/more-german-holiday-baking

 

Then the following month, after all the hubbub dies down, is Tim Manney’s sharpening class. This class is a deceptive thing. Sharpening classes are not as glamourous as a project-based class, but the skills you develop in this class reach into every aspect of your woodworking.

knife-detail

 

diamond-paddle

 

Tim gets things fiercely sharp, and is an excellent teacher.  https://www.plymouthcraft.org/an-axe-to-grind Last year, people were scooting around asking “what else can we sharpen?” – I’m going to be around for it, and I’ve been cleaning my loft out in the shop. I plan on bringing a box of tools that will be free for the taking – but you’ve got to sharpen them!

Hope to see some of you there…or beyond.

Greenwood Fest June 5-10, 2018

photo Marie Pelletier

People’s lives get busier every year. Ours too. Good thing we have all these time-saving devices…

today’s post is just a “save the date” sort of thing. Plymouth CRAFT’s Greenwood Fest will be early June again, same venue = Pinewoods Dance Camp, Plymouth, Massachusetts, USA.

Festival June 8-10; pre-Fest courses June 5-7. TICKETS GO ON SALE FEBRUARY 2, 2018. We will let you know details as we get it together – this is just so you can get the time off of work, quit your job, cancel graduation/wedding, etc and tell your family you’ll be in the woods.

2017 group photo, Marie Pelletier

Here’s the beginnings of the website. https://www.greenwoodfest.org/

Dave Fisher, photo Marie Pelletier

See you there, OK?

We’ll see Summer come again…

the title is for Michael Rogen, just to let him know I’m thinking of him. I like that summer’s gone. Fall is a beautiful time of year here. I am especially enjoying seeing how the light in the shop changes now. Today the light caught my eye a number of times. If I’m not careful, I’ll take as many photos as Rick McKee https://www.instagram.com/medullary_rick/ 

I used some auger bits this past weekend, and again today. I had the box of them out on the bench…

I’ve started the next project recently, and two carvings for it were standing up out of the way…

Today I got to work some in the shop, after teaching for 7 days straight (a student here for a week, and Plymouth CRAFT for the weekend). Time to finish off some stuff, first up is the wainscot chair. For this seat, I do use a template, in this case to map out the square mortises chopped in the seat board so it slips over the stiles. Here’s the seat board with its template off to the left. Complete with dust in the sunlight..

I’ve done lots of these, but it’s always worth it to go slowly – you have to get the holes just right, or they have gaps, or worse, the seat splits at the very narrow area beside the stile. Once I’m satisfied with the template’s fit, I scribe the locations of the mortises on the seat. That short grain right between the upper right hand corner of this mortise and the end grain is the fragile part. I’ve split them there, and seen them split on old ones.

Then I bore around the perimeter of the mortise with an auger bit.

Then chop with the chisel to bring the mortise to the proper shape. I scored the lines with a knife and/or awl. Very careful work with the chisel.

Once I have the mortise squared off, I bevel underneath, paring the walls of the mortise so it’s undercut. I only want the mortise tight on the stiles right at the top where it shows. I’ve never checked the underside of this joint on a period chair – but I like the idea of under-cutting it & beveling it. It relieves any un-necessary pressure there.

Then slip the seat down to test it.

Then I do the molding around the front and sides. Sides (end grain) first. A rabbet plane followed by a smooth plane. In this case, a moving filletster and the LN low angle jack plane.

I scored the line ahead of the filletster so I got a clean shoulder to this rabbet. The nicker on that plane is defunct. Then I used this Lie-Nielsen plane to round over the corner of the rabbet to create the thumbnail molding.

I work the front edge after the two ends, to clean up any tear-out. This seat is a nice clear radially-riven oak, two boards edge-glued together. Works great.

Then for good measure, I threw the arms in place, so I could test it out. The seat will be pegged into the three rails; square pegs in round holes.

These chairs are smaller than they look. They’re so imposing because of all the decoration, the bulk of the parts – but they’re really pretty snug chairs.

Here’s the important view – looks pretty tight around the stiles. Whew.

If you made it this far, thanks. 15 pictures – for me that’s over 2 weeks of Instagram. I like IG, but the blog is my favorite way to show what I’m up to…more detail, more depth. More work – but it’s fun. thanks for keeping up with me…