3-footed turned stool

 

It feels like a long time since I’ve written about furniture-making. Shop-building & spoon carving have taken up a lot of space here. This week, I’m building a stool that reaches back to the beginnings of this blog in 2008. Here’s one I made many years ago for the museum where I used to work.  These things don’t exist in the wild – not 17th century ones anyway. Chairs built along these lines are common in England and elsewhere. Not New England. These stools are found frequently in Dutch paintings. Note that the three stretchers are at different heights. The seat rails are all at the same height. More on this below.

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I am a joiner who does some turning, not a turner by any means. Especially these days. My lathe had been packed away in storage for 18 months. That’s a long hiatus between turnings! This is almost where the lathe will be in the shop, I plan on moving it further back into the corner when the real setup happens. The pole is up in the peak, about 14′ above my head.

turning

These turnings are pretty basic, just a large gouge & a couple of skew chisels. Wood is straight-grained ash. Riven & hewn before mounting on the lathe.

gouge

skew

one main feature of these stools, and the related chairs, is the joinery at the seat level. All the seat rails are at the same height, so the joints intersect. A large rectangular tenon gets pierced by a smaller turned tenon. Like this:

joint-detail

Here I am scribing a centerline on the end grain of the seat rail. This is the basis for the layout of the tenon.

centerline

Sawing the shoulders.

sawing

Splitting the cheeks.

splitting

Paring to the finished dimension.

paring

The seat rails get a groove plowed in them to receive the beveled panel that is the seat. Here’s how I held it to the bench for cutting with the plow plane. The rectangular tenon is pressed into the teeth of the bench hook, and a notched stock pressed against the round tenon. Holdfast keeps that stick in place. I eyeball that the rectangular tenon is parallel to the benchtop, then the groove goes in the resulting top center of the rail’s surface.

setup for plowing

groove

boring and chopping joinery next time.

here is the same information, in one of my first posts  https://pfollansbee.wordpress.com/2008/07/05/three-footed-chair/

https://pfollansbee.wordpress.com/2008/09/03/board-seated-turned-chair/

 

Another trip I’d like to make some day

27-IMG_0113_photoTamasGyenes

Just a pointer to go read about Terence McSweeney’s visit to Tamás Gyenes’ house in Hungary. Terence & I met last year when he came to a box-making class I taught in Somerset, England. I was thrilled to hear he made it over to Hungary. What an experience that must have been! I swiped his photo above…but for the real thing, just go see his write up. It says part 1, which implies there’ll be a part 2…thanks, Terence & Tamas. 

https://thrownandriven.wordpress.com/2016/07/12/hungary-part-1/

 

 

what to do with all this inspiration?

After Plymouth CRAFT’s Greenwood Fest 2016, the biggest problem I have is what to do with all that inspiration. I remember the first evening all the instructors were on-site- it struck me that we had a great lineup assembled, and that I wouldn’t be able to see much of it/them. It’s the nature of working an event like this, rather than attending it. But it was so exciting seeing everyone, and comparing ideas, thoughts, plans – and then the snippets I did see really got the juices flowing.

Dave Jogge & JoJo

We had Beth Moen and Dave Fisher carving bowls with axe and adze, contrasted with Derek (non-stop) Sanderson and Jarrod Stone Dahl turning them on Jarrod’s pole lathe. The spoon contrast was between the Woodland Pixie and the Viking – JoJo Wood and Jögge Sundqvist. Two very different approaches, but both so engrossing that I wished I had eight arms, so I could carve more spoons every day. I showed JoJo a large crook I was going to make a spoon from. “What would you do?” I asked. “Throw that out and carve some straight-grained spoons” came the reply. And yet I hear Jögge talking about “form follows fibers” – there ain’t no one way, I guess.

dave w students

turned bowls

After the event, a bunch of us were talking about what worked, and what could stand some tweaking. April Stone Dahl said earlier she wondered why she was included, not being a spoon carver. Nonsense, says me. I wanted basketry to be a big part of the Greenwood theme, and April’s are some of the nicest baskets I know, without being precious and dainty.

april

Tim Manney’s approach to both spoon carving and chair making are so different from my own, but he has a tremendous grasp of both crafts. I really like Tim’s work, and his teaching style is very engrossing. He always had a crowd around his bench.

Pret Woodburn and Rick McKee are not as well-known to the web-based woodworking community as our other instructors. But if you’ve been around a Plymouth CRAFT event, then you got to know them. Together they have hewn more wood & talked to more people than anyone except maybe me (well, Roy Underhill too…but you get the point) and they taught these skills for years beyond count. It was a great thrill for me to combine them with these far-flung friends. I knew the fit would be perfect, and it was.

pret hewing

When we decided to call our festival “greenwood” something seemed familiar…and that’s how I thought of having Scott Landis come give us a glimpse into the organization known as Greenwood, and the wonderful work they do, making the world a better place through woodworking and green wood. http://www.greenwoodglobal.org/

The classes afterwards were an added bonus, Tim, Dave and I hung around, while JoJo and Jögge had to work. So we got to rubberneck in their classes, and keep on exploring what to do with sharp edges and lignin fibers.

Back home, I’m working on oak furniture, spoon and bowl carving, a bench in catalpa and white oak, and Pret & I are about to resume some carpentry on the workshop. And I’m eyeing some half-finished baskets, too. If I could only skip sleeping….then I could utilize all this inspiration.

Here’s two views – first, the video our friend Harry Kavouksorian put together for us. Thanks, Harry.

Greenwood Fest 2016 from Harry Kavouksorian on Vimeo.

And the second, a very nice article with slides & video, from Frank Mand. Nice work, Frank. I appreciate it.

http://www.wickedlocal.com/news/20160615/national-audience-in-plymouth-for-worlds-best-woodworking-artists 

I heard we might just be dumb enough to do it again. Stay tuned. Meanwhile, go carve something!

Huck Finn is just ignorant, that’s all

ladderback chair
kid’s ladderback chair

Back when I started green woodworking, chairs were my thing. I learned them first from John (Jennie) Alexander’s book Make a Chair from a Tree, then slightly later from Alexander first-hand. In that book is the incredibly amazing technique of stripping hickory saplings for the inner bark, to be used as a seat-weaving material. To me, the best seating material going – looks and feels better the more you use it. (the notion for this photo came from one Tim Manney did a few weeks ago – thanks, Tim)

 

bark seat

Like pounding ash splints for basket-making, peeling hickory for the inner bark is a concept that amazes me every time I do it. I rarely get to harvest any hickory bark these days, but keep a stash of strips for basket work. I was lashing the rims onto some baskets the other day, and although I have some very fine smooth ash splints that are ideal for this work, I also have some leftover hickory bark. Unbeatable.

lashing

Working with it reminded me of two references to it in Mark Twain’s work – the first one I remembered is from the Autobiography, (the modern vol 1; for that matter the old volume 1 too) When describing his uncle’s farm in Missouri, he mentioned:

“Down the forest slopes to the left were the swings. They were made of bark stripped from hickory saplings. When they became dry they were dangerous. They usually broke when a child was forty feet in the air, and this was why so many bones had to be mended every year.”

In the Adventures of Huckleberry Finn, Tom Sawyer is advising Huck Finn to get a sheet with which Jim will make a rope ladder in planning his escape. Huck has other ideas:

“Why, Tom Sawyer, how you talk,” I says; “Jim ain’t got no use for a rope ladder.”

“He has got use for it.  How you talk, you better say; you don’t know nothing about it.  He’s got to have a rope ladder; they all do.”

“What in the nation can he do with it?”

Do with it?  He can hide it in his bed, can’t he?”  That’s what they all do; and he’s got to, too.  Huck, you don’t ever seem to want to do anything that’s regular; you want to be starting something fresh all the time. S’pose he don’t do nothing with it? ain’t it there in his bed, for a clew, after he’s gone? and don’t you reckon they’ll want clews?  Of course they will.  And you wouldn’t leave them any?  That would be a pretty howdy-do, wouldn’tit!  I never heard of such a thing.”

“Well,” I says, “if it’s in the regulations, and he’s got to have it, all right, let him have it; because I don’t wish to go back on no regulations; but there’s one thing, Tom Sawyer—if we go to tearing up our sheets to make Jim a rope ladder, we’re going to get into trouble with Aunt Sally, just as sure as you’re born.  Now, the way I look at it, a hickry-bark ladder don’t cost nothing, and don’t waste nothing, and is just as good to load up a pie with, and hide in a straw tick, as any rag ladder you can start; and as for Jim, he ain’t had no experience, and so he don’t care what kind of a—”

“Oh, shucks, Huck Finn, if I was as ignorant as you I’d keep still—that’s what I’d do.  Who ever heard of a state prisoner escaping by a hickry-bark ladder?  Why, it’s perfectly ridiculous.”

————-

It’s November here now, no time for harvesting any bark. But come spring, I’m going to keep my eyes out for a good hickory sapling. My stash is getting low.

stash

bowls & spoons at Roy Underhill’s

the week that was – two 3-day classes of spoons & hewn bowls at Roy Underhill’s Woodwright’s School. No daytime temps under 90 degrees F., mostly higher. The students hewed like demons, but were glad to stop at the end of the day… thanks to all the students & friends who came out & did such great work. Pictures with captions now:

fresh stcamore
sycamore spoon blanks
layout
layout
whyaknife
Whyaduck? Whyaknife?
tc
trying out the twca cam
tulipifera
tulip poplar bowl stuff
splitting bowl stock
the hardcore used black walnut for bowls
working hard
you can’t tell how hot it was from this picture

 

AC inside HOT outside
in here, was AC. I sometimes watched from there. they were doing fine
so humid you could see the air
so humid you could see the air
gone to town
emerging bowls
face
a face for Bob Van Dyke
spoon rack
unusual spoon rack
shop
the shop
bowl
put down the bowl pick up the spoon
gouge
the gouge work

 

Chairs

cod 2003

At my house, the carved joined stuff is in every room. I have tried many times, and always failed, to count the pieces of furniture in this 4 1/2 room house. You’d be amazed at how much stuff you can cram in here. (I’m in the kitchen right now – 9 pieces of free-standing furniture, 3 hanging on the wall, and all the built-in cupboards above the counters)

 plain chair

This week, I have been making this little, big rush-seated chair. Little because it’s a low seat, generally small-size chair. Big because it’s not subtle – the posts are almost 2” square, the rungs fit in holes that are 15/16” in diameter. So little big chair. It’s based on 17th-century chairs that we mostly know from Dutch artwork, more-so than from surviving examples. (next up for it is trimming the posts here & there, weaving the seat…) These are ancestors of the ladderback chairs that I first learned back in the late 1970s/80s. Here’s one that I did about 1984 or so. A more recent kid’s version too.

ladderback

kids

 

I began as a chairmaker. Made ladderbacks, rockers, Windsors – then got into the 17th century & made wainscot chairs, 3-legged & 4-legged. Turned chairs ditto. Leather chairs. Chairs w boxes in the seat. Kid’s chairs, high chairs. My semi-latest chair was the walnut brettstuhl.

But at our kitchen table, the chairs we use at every meal and then some are Windsor chairs I made 20-25 years ago.

c a chair

At my desk too. I once had one of those stupid office chairs, then I came to my senses & remembered that I am a chairmaker. Windsors are lightweight, comfortable, attractive. Sturdy. Fun and challenging to build; carving, turning, shaved work, sculpted seats. good all around projects. And so much variety.

Two things happened this week to remind me of how much I like good Windsor chairs. Lost Art Press announced the release of Pete Galbert’s long-awaited book on Windsor chairs. You already know about that…

One of the days that the mail got through here, I received Curtis Buchanan’s next installment in his printed plans for his chairs, this one a fanback side chair, one of my favorites.

Curtis Buchanan fanback side chair

c b plans

I learned Windsors from Curtis, starting in 1987. I really like his approach, both to his chairs and to his life. If you’ve seen his youtube series on making a Windsor chair – then you’ve seen Curtis’ style, very human, simple, direct – and he makes especially beautiful chairs. This set of plans is 4 pages; some 1/2 scale, some full scale. Two different turning patterns, bending forms, seat profile & plan. Boring angles – a course in Windsor chair making in 4 pages. I’m ordering Pete’s book, but I’m keeping Curtis’ plans too – you never know when I might reach into my past & make some more chairs. We must be able to squeeze one or two more in here…

links:

Curtis’ plans & videos http://www.curtisbuchananchairmaker.com/store/c1/Featured_Products.html

Pete’s book: http://lostartpress.com/collections/books/products/chairmakers-notebook

my wainscot chair video  https://pfollansbee.wordpress.com/book-dvds/

 

 

 

 

a plain chair

There’s a bunch of stuff going on around here. I shot photos of the carved box with drawer project for a couple of days; then had to set that down for the back half of this week, so I could build one of these “plain” chairs. I built this one here at home, so there’s no photos of this work. Maple legs, ash rails, oak slats. If I backed up any further to take this photo, I’d be tumbling into a pile of who-knows-what…

 

rush chair sans rush

Time to trim the legs’ tops; then add a rush seat. I was trying to think how many tools it was – splitting tools; hatchet, drawknife, spokeshave, brace & bit, crosscut saw, mortise chisel – I used an awl and knife also. Maybe that’s it. If pressed, you could drop a couple of those tools…but I guess I should add the shaving horse, and a low bench for boring & assembly. 

This one is based mostly on Dutch paintings of the 17th-century; this style of chair was the first project I ever made when I was at Plimoth Plantation. Indeed, this one’s for them, too. Here’s one that has been in use there for many years:

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I came to calling them plain chairs because of a reference in the Turners Company of London, about pricing for chairs, “plain matted” and “turned matted” – so if the difference is the turning, then here’s what an un-turned chair might look like. There’s a few surviving oldies around, but they are hard to date; and most did not survive. I have seen a few die out at Plimoth after 15-25 years. You can patch ’em back together some, but sooner or later, it’s just easiest to chuck ’em and make a new one. 

Typically I make them with low seats, best for working in, rather than sitting at a table. Like this photo Gavin Ashworth took when Trent, Alexander & I co-authored an article about such chairs in American Furniture. I think it was 2008. 

110 West 80 St-4R, NY, NY 10024 212 874 3879

 

Other stuff in the works – finishing up a bunch of baskets I started this summer, (there;’s some in the background of the top photo) finishing some hewn bowls also. Spoons as usual; and I just started cutting out stock for a chair different from anything I’ve done in nearly 30 years.  Next week I’m going to finish assembling the carved box with drawer -just received some quartersawn sycamore (plane tree for you overseas readers) for the lid. Wow. 

This weekend is time to photograph stuff for sale; mine & Maureen’s. She has added some new felted autumn stuff,  if you’re inclined, have a look. More soon both here & there. 

https://www.etsy.com/shop/MaureensFiberArts