looking back at some joined chests

Sorting through some photos today, and found this chest. Photographed in spring 2005. Not sure when I built it, my guess is i was new when I shot it. It’s at the museum, I think in their education sites. Probably a lot darker than this now. I might have put it on the blog before, but if so, I forget it.


It was one of a few I did with 2 panels, usually with wide central muntins. I plan on doing one again sometime.

Here’s two more in a similar vein. The first one is my favorite in this series:

white oak chest 2009

three-quarter view

I made a quick trip out West

Well, west for someone from eastern Massachusetts. Delivered this chest with drawers to the Windsor Historical Society, Windsor, Connecticut. http://www.windsorhistoricalsociety.org/  I stained it red with iron oxide mixed in linseed oil. Added drying medium from artist’s supply store, and some raw umber, which also speeds up drying. If I had been ahead of the deadline, things might have been different.

chest w drawers

Here’s a view inside the upper drawer, with its dividing slats. Not sure what these little cubbies would be used for…It was based on notches cut in the drawer on the original that is the source for this repro. but the dividers are gone on the old one.

one drawer w dividers

I also got to install one of Mark Atchison’s locks on this chest, because curator Christina Vida wanted everything just exactly perfect for the Strong Howard house opening. http://www.windsorhistoricalsociety.org/strong_house.html

Here I’m cutting away the top rail inside the chest for the lock recess.

lock excavation 2

And the finished excavation, just needs some chisel work for the keyhole. This one gets no escutcheon.

almost cut

Mark’s lock & key:

mark's lock

Mark’s mark, MMA, on the inside face of the lock:

mark's mark

This chest was the model for the class we did at Bob Van Dyke’s Connecticut Valley School of Woodworking. If you want to see the chest, and the other pieces made by the school’s instructors and students, go to the open house at the school this Saturday. I can’t make it, but a gang of folks will be there, with bells on.

here’s the blurb Bob sent out the other day:

Don’t miss it!
Saturday, September 12, 9:00am – 4:00pm
Connecticut Valley School of Woodworking 15th Annual Open House

 Come celebrate CVSW as we enter our 15th year of great hands-on furniture making, woodturning, cabinetmaking, blacksmithing and more!

Furniture Exhibit- See Some of the Spectacular work from Students, including furniture made for the Windsor Historical Society Strong Howard House/ CVSW collaboration

Get in on the fun. We will be demonstrating furniture making, woodturning, blacksmithing, inlay, sharpening, guitar building and more, all day.

More than 22 tables of Antique Tools for Sale!!!

6 different antique Tool dealers

The whole idea of the event is to get a bunch of people who are interested in woodworking together and have a good time!

A partial list of demonstrators/ exhibitors is below:

CVSW Gallery of Student work

Central Ct Woodturners

Mystic Woodcarvers
Tico Vogt- Shooting boards

Mike South, Windjammer Instruments
Matt Cianci- “the Saw Wright”
Isaac Smith- Blackburn Tools
Mike Mascelli- Traditional Upholstering

Bill Rittner- Handmade replacement knobs & Totes for handplanes

Greg Massicotte- Behlen Finishing Products

Catharine Kennedy- engraved handplanes

Walt Scadden – Blacksmithing

Windsor Historical Society

Cape forge carving knives

Ben Barrett- Berkshire Veneers

Mike Pekovich from Fine Woodworking Magazine

CVSW Instructors:

Bob Van Dyke, Will Neptune, Mickey Callahan, Walt Scadden & more



a few leftover bits & a question

Here’s a few things I’ve been meaning to put in a blog post, but with one thing or another I haven’t.

copying pencil

Pencils – I hate them for furniture work, although I have softened and let students use them in laying out carvings. I usually use chalk, easier to remove. But for spoons and hewn bowls, I like to draw the shapes I’m after. These drawings get continually cut away and redrawn, as the design is refined during the process. But regular pencils mostly don’t work well on green wood. Alexander to the rescue once again. For years, Jennie Alexander used to use the Eberhard Faber NOBLOT Bottle of Ink in a Pencil, #705, (or is it #740?) It worked wonders writing on green wood. Just don’t ever forget it in your pocket during the laundry. When it hits the green wood, the line turns a strong blue that you can see easily. But the pencil is no longer made…and while researching this post, I saw one offered on the French Ebay site for $25. Pretty stupid, and there’s no way I’m going to get in competition with pencil collectors. There’s a whole pencil culture out there.  They treat the NOBLOT like it’s a Nic Westermann hook knife or something. Maybe they look at us & think, “there’s a whole wood culture out there…”

About two years ago, I found some online from a boatshop in the Northwestern US. These were Brevillier Urban copying pencils #1925. Made in Austria. They work great, and I’m down to my last few…if you’ve been in one of my spoon or bowl classes, you know I guard them carefully…

So I thought I’d order another dozen tonight while I wrote this post. Ha. Not so easy. I can’t remember the name of the shop where I bought them, and found nothing much on the web about them. Did find some Russian site that has them…at least I think it was Russian. I opted instead, after much fumbling around to try a new one, from http://www.pencilthings.com/category-s/25.htm


Chairmaker's Notebook

Pete Galbert’s book, Chairmaker’s Notebook. Since I got it, I’ve been proclaiming my hatred for Pete Galbert. His book is so damn good that it makes it harder for those of us who have woodworking books in the works. I really mean it when I say this book is unbelievably good. Everything about it is just exactly perfect. Even if you’re not going to build a Windsor chair, if you work green wood, or want to, buy this book. It’s worth it for the chapter on splitting & riving if nothing else. Pete’s drawings and text are thorough and clear and keep you turning the pages to get more details and information. It makes me want to make a chair…but I’m behind enough as it is. Maybe 2016…congratulations to Pete and all the others at Lost Art Press on this one. http://lostartpress.com/collections/books/products/chairmakers-notebook  (Oh, and for all that disclosure crap – yes, I’ve written a book for LAP, and am working on another. I know the principals involved, we’re all in the same circus…so what? Get the book, and tell me I’m wrong, that it’s no good. You’d be in a tiny minority.)

hurdle maker

Next month, Rick McKee & I are repeating our riving class with Plymouth CRAFT, October 10th & 11th.  http://plymouthcraft.org/?tribe_events=riving-now-two-days

Only this time the students will apply their learning to make a section of portable fencing often called “hurdles” – I have threatened to make one for to photograph, so we could show you what the heck we’re dealing with…but as indicated already twice recently in print, I’m behind on other stuff. And a week away from another trip to Maine. So I borrowed a photo from J. Geraint Jenkins’ Traditional Country Craftsmen, a book on English crafts…

They come in all sorts of configurations, some more folksy than others. we’ll have fun with them, as students get to tackle riving, shaving at a shaving horse, hatchet work, mortising, and more…..tweed jackets & ties are optional.

Back on the subject of books, one of the students in my class in Somerset brought a small book to class, all about English boxes. A Discourse on Boxes of the 16th, 17th and 18th Centuries, by Anthony Conybeare. 

box book page

I knew I had seen it before, but had never bought my own copy. As we browsed it, I thought, I really should get this book. The text is just what it is, I won’t go into any details, which would be nitpicking. The photos are excellent, and in many cases, very detailed. Once I got home, I forgot about it, then I was looking through my bookshelf near my workbench, and lo & behold – there’s Conybeare’s book. But for the life of me, I couldn’t remember buying it. But I thought I remembered an email about it, and sure enough, Kent Ryan, a reader of the blog, sent me a copy back in late 2013. If you’re still there, thanks, Kent.

NOW, a real can of worms. I’ve never yet made it to Spoonfest over in the UK. Came close this year, but maybe another time. If Plymouth CRAFT were to sponsor/host a spoon & related festival type thing in the Northeast, what would folks like to see & do there? We’re looking at a great site in southeastern Massachusetts, ponds, woods, cabins – meals included…and room for 100 or more attendees. Roofed pavilions, so out of any nasty weather. Looking at 2 1/2 – 3 days, like Woodstock. Without the brown acid & mud. This time of year. No promises, but just wondering if we were to go ahead, would spoons alone make it fly? We’d have no real facility for bench woodworking, but the portable bits like spoons have great appeal. So what do you think? Seems like the eastern US could support it, the closest thing I know of is the Spoon Gathering in Milan, MN. A longgg ways from here. Leave comments if you have any. we’ll keep you posted.

way behind & in between

In between two trips to Maine. Trying to finish up some things. So busy, I’m mostly not even writing sentences…here’s some photos.

the first two were when sun came out up at Lie-Nielsen:

bowls & light

bowls & spoons

I took a morning’s walk at Owl’s Head

owls head 1

saw waxwings hawking insects

waxwing 2

The students took to the bowl carving like crazy. Same thing happened at Roy’s place earlier in the season.


very concentrated, very percussive.


Nic Westermann’s tools were a huge help.


What’s that spot on the inside of Deneb’s bowl?


Back at Plymouth Beach with the kids – can I get an ID please?

what is this one called

Harvard Square, yesterday. Trying out my new hand-me-down Nikon D300. Thanks, Heather. http://heatherneill.com/studio-blog/


Daniel pointing at something down by the river here at home.


Splint basket, made in southeastern Massachusetts. On display at the Peabody Museum of Archaeology and Ethnography.

local basket

I forget what Nation this basket comes from, but the weaving blows my mind.

what a weave

These next two reminded me of my Alaska trip. Nice seal-hat carving.

carved seal hat helmet

detail of model kayaking

An adze, I think part of the Haida or Tlingit culture…I took no notes, was chasing the children around while trying to shoot photos through the glass.


Finishing up the chest with drawers in the next few days. Photos to follow.


hawk & crab

I’ll have some woodworking stuff here next week. Back to that chest with drawers, some carving and hewn bowls. Meanwhile, here’s the hawk again. He successfully got a rabbit, but didn’t really do much with it. So I chucked it over the bushes, and he was back later in the same spot. Was he looking for his leftovers?

w prey

Well, it’s stupid to assign these human attributes to these guys…but we got great views of him in the afternoon. He was back the next day as well.

where's that rabbit

did you take it


On the beach, we saw this live crab re-digging itself into the sand.


Almost hidden all the way now…we got out of the way before the gulls got to it.

almost buried

Half-signed copies of Make a Joint Stool from a Tree – sold out


UPDATE – 3pm Eastern time, Tuesday Aug 18

This batch of books is sold out.  There are 3 orders that are international, so I have to get quotes for shipping there. Thus, those books might fall back into circulation. But as of right now, if you want to order this book, go to Lost Art Press (some of its retailers also carry the book). Then just find me somewhere &  I’ll sign it. If the international orders fall through, I’ll re-post them. Thanks, everyone. I appreciate it. I’ll get these in the mail this week.

Here’s the Lost Art Press link, and its international ordering page too:



I’m so far behind I’m doing spring cleaning. And, a box full of the joint stool book came to light…

joint stool book

There’s a continuing stream of new readers to the blog (thanks & welcome folks) and I thought I’d remind people of this book. For many years, Jennie Alexander & I were immersed in studying the background and techniques of 17th century joined furniture. We hit upon the joined stool as a means for students to learn the ins & outs of this craft without getting too crazed, like you do with a joined chest or cupboard, or chair for that matter. We worked on the book off & on for many years, then it languished a while after that. Then someone told me I should meet Chris Schwarz…and things unfolded from there.  

We were thrilled when the book was published by Lost Art Press a few years ago. I’m pleased as can be with the result, and have a second book on joinery underway. I just had a look through this book now, and I like it a lot. It’s a how-to book with lots of the research behind how we arrived at our techniques. So you see how we do things this way, and why.

I don’t usually sell the book, but as I said, these just poked their heads up. If  you’d like them signed, say so & I’ll scribble in it. Then it’s up to you to catch up to Alexander. So from here, they’d be half-signed.


Peter Follansbee

3 Landing Rd

Kingston MA 02364


You can read more about through these links:




juvenile red tailed hawk

No woodworking photos lately, too busy. I lost a bunch of time to car-shopping, I finally gave up on my 1999 edition and got a new used car. But as we have been working around the house this summer, we’ve been treated to seeing the red tailed hawks that nest somewhere near here. I have never found the nest, but every year, we meet a new hawk or two. They are particularly visible once they are out on their own, screeching & yelling as if to say “why aren’t you feeding me?” One of the juvies showed up tonight as we sat outside eating our dinner.



RT hawk Aug

RT Hawk Aug 2

I’m off to Maine on Sunday, teaching a class in bowl carving Aug 29 +30. (video work the week before) Come make bowls that weekend. It’ll be fun. https://www.lie-nielsen.com/workshop/USA/71

I’ll bring my binoculars. Who knows what’s around…