Pine door

pine door w Heather’s Twain-quote panel

A week or two ago I got to a project that has lingered here for ages. The small panel in this door was made by my friend Heather Neill, way back when. The Mark Twain quote she incorporated in this panel is from the Autobiography, “My mother had a great deal of trouble with me, but I think she enjoyed it.” When Heather & I met in 1982, I had just given up the notion of being a painter, and was concentrating on learning woodworking. She took up chairmaking after I showed her some of the steps involved. She probably made more chairs than me before she gave up chairmaking to concentrate on painting! https://heatherneill.com/

Hanging in my shop is a drawing Heather made for me in 1997; showing her chairmaking space when it was active. In this detail, note the cupboard door with the pipe door handle. (my camera was tilted, Heather’s chair is not squished…)

So for a long time, I’ve been thinking of how to incorporate her Twain-quote-panel in a new door. I have two cupboards near the back of the shop – one for axes, and the other for turning tools. I made the axe one first, and it got doors.

When I made the next one across the shop, I had run out of “extra” pine boards. So left it door-less til now. But now that I was going to all the trouble of making the door – I couldn’t leave it plain. In for a penny…

I made it with flush-fitting panels – because the Twain quote had no margin to speak of. Then decorated it.

I haven’t carved pine since I carved the timber frame of the shop. I decided to use something simple & quick. This braid is featured in the book I did with Lost Art Press – this time there’s no V-tool involved, just incised marks with different-sized gouges. The layout is done w two compasses.

In this example, the large circle is 2 1/2″ wide, the smaller one 3/4″ – I used a 1″ wide #5 Swiss-made gouge, and a 3/8″ wide #7 Stubai gouge. Then a nearly-flat tool to remove some chips.

This is the dramatic view down the line.

This sort of design is common all over the place. My photos from Sweden a few years ago include a few different versions of it. Notice on this arch the way the effect changes according to the relationship between the large & small circles.

One more – again in an arch, but this time with its columns also.

But in the end, I decided to hollow the circles – the scribed design was as prominent as the carved one – and I didn’t like it. I took a large gouge and worked along each band of the circles. This gives the whole thing more shadow.

The whole interlaced panel (& 2 rails) design is loosely based on one I’ve never seen, except in a photo. This photo below was one of a batch sent to me 10 years ago by Maurice Pommier, author of Grandpa’s Workshop – who is another whole story https://blog.lostartpress.com/2019/10/18/meet-the-author-and-illustrator-maurice-pommier/

carved joined work, Brittany

My version is simpler, too much blank space between the elements. But it will do, although I can’t wait to try it again.

Oh, I forgot about the pipe – why is that there? Heather swears it was one of my father’s, that my mother & I gave to her, no doubt as painting & drawing props. I swear I don’t recognize it. But my father had lots of pipes…so I might as well believe it.

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