It was going to be bowl week. But I think it turned into box week. I don’t know what happened. Some of it stems from the great, not-quite-finished loft cleaning of spring 2019.
When I make a carved oak box they can go one of two ways. Some are reproductions/copies of existing boxes, as close as I can get them. This desk box is an example of that work. The measurements, decoration, construction are all based on an examination of a late 17th-century example.
This is one of the projects in the new book Joiner’s Work https://lostartpress.com/collections/books/products/joiners-work
Here’s a look inside, showing one of two lidded tills, in front of a long tray at the back of the box. There’s four of those small drawers above.
When I’m just making boxes without any specific model, then I do things just a little differently. All the carvings are still derived from period work, as are the construction techniques. For instance, most New England boxes (& English ones) are joined with rabbets at the corners, not dovetails.
Unless I’m making a strict reproduction though, I tend to use glue and wooden pins to secure the rabbet, instead of the more common nailed rabbets. Just saves some handmade nails. There are some period boxes that are glued and pegged, but they are the exception rather than the rule. Here I’m driving the wooden pins into the box front-to-side joints.
In this next photo you see the square oak pegs, and then the finishing touches of gouged decoration along the ends of the box front. I saw this on a few boxes, but I usually put it on all of mine.
In these two new boxes you can see the extended pintle at the top rear corner. This becomes part of a wooden hinge. Again, I’ve seen this on period boxes, but it’s pretty rare, compared to iron hinges.
Here’s the cleat, attached to the underside of the lid, engaging that pintle. If you’re looking at details, you’ll see this box is sawn stock, not riven.
I’m teaching the carved box class a couple more times this year, the first Lost Art Press box class (late July) just sold out last week. After that is a week long class at Connecticut Valley School of Woodworking – October 12-16 https://www.schoolofwoodworking.com/class-schedule/29-speciality-weekend-classes/635-make-a-carved-oak-box-with-peter-follansbee.html
Then the finale for the year back at Lost Art Press’ storefront in December – https://www.eventbrite.com/e/make-a-carved-oak-box-with-peter-follansbee-december-2019-tickets-54260677146
The class features lots of carving; a full day of practice, followed by a day carving the front and sides for the box. Here’s 7 of the 9 boxes the Australians carved last fall when I was there in the spring:
(The desk box shown above is also covered in the video I shot a few years ago with Lie-Nielsen about making boxes) https://www.lie-nielsen.com/product/home-education-videos/carved-oak-boxes-with-peter-follansbee?node=4243