We’re up above the water here at the Jones River. Here’s the 2nd day’s high tide, a few feet less than the day before. The only other time it got this high was early January this year. That conifer in the foreground is on the river bank…
We did get a picnic table and Adirondack chair float in during the flood tide on the first day…so if you’re down river from us and lost them, come get ’em. I hate Adirondack chairs…and picnic tables for that matter.
Back to working oak. I carved the panel for a wainscot chair today. This is a copy of a New Haven chair I saw at Sotheby’s this winter. A couple of noteworthy things about this panel. I carved the forward half entirely before going across the centerline –
That’s because this panel, like the original, is glued-up from two boards. Totals 14 3/8″ x 17 3/4″. I dislike working glued-up stock. The backs of these two boards are not even, thus the panel doesn’t sit perfectly flat. So I clamped it to the bench, instead of pounding a holdfast down onto it; and carved it in halves. There’s very little layout. A centerline and margins as usual. Then large half-arcs at each end. And a small full circle inside those arcs. That’s it. I chalked a sketch of what I was carving. Again, a bit cautious – this is the only white oak I have to do this chair panel, so I wanted to be sure there were no mishaps.
Using a #5 Swiss-made gouge to remove the background. This is my standard tool for this work. It and the V-tool are the only tools I used for 99% of this carving.
The V-tool cutting in the veins in this leafy shape.
Another view of the background removal, now on the 2nd half.
Two gouges to cut 4 leaf-highlights – this is the only use of anything other than the V-tool and the shallow gouge for background. So 4 strikes from 2 tools…to do a tiny fraction of this panel.
It’s very shallow carving. Now to build a chair around it.
Here’s some Ipad video of the carving – until Paula Marcoux called about Greenwood Fest. Inverted by some Ipad/youtube business. I’m video-challenged.