some years ago, I had two projects making copies of wainscot chairs. Both were projects based on chairs from Hingham, Massachusetts. First, a copy of a wainscot chair at the Brooklyn Museum, here’s the original:
I can’t find my shot of the finished repro right now, but here’s an in-progress shot:
I called this chair the Edvard Munch chair, because these designs on the vertical panels reminded me of “The Scream.”
That led to making a chair for the town of Hingham. This one stood for much of the twentieth century in the Old Ship Church. Last I knew it was on loan to the Museum of Fine Arts, Boston
Here’s my copy, which I think is on display in the town library in Hingham:
Now comes another project, copying the well-known King Philip chair, or the Cole family chair, depending on what legend you believe. Maybe it’s southeastern Massachusetts, maybe it’s Providence, Rhode Island. I’ve known of the chair for many years, but had never seen it in person. It was published in Robert Blair St George’s book The Wrought Covenant in 1979, and Trent discussed it in the 1999 edition of American Furniture. I went yesterday to the Martin House Farm in Swansea, Massachusetts http://nscdama.org/martin-house-farm/ to see the chair and take notes & measurements. here’s some shots of it.
Front view, feet chopped/worn down. The bottom-most turned bits added at front.
Rear panel carving. Eight divisions on this one, the crest rail is divided into 7s.
How’s this for brackets? Amazing they have survived.
Molding detail, front apron
I find the back of this chair more interesting than the front. “Tabled” panel, sort of a variation on a raised panel. The field is then run with a molding around its perimeter. Molded edges to the framing as well…
A detail, including an early repair, iron braces nailed on.