A while back I was up in Maine to take part in a program at Bowdoin College Museum of Art. Huh? I hear you ask – why is Follansbee at Bowdoin? Because their collection is mecca to the study of Thomas Dennis’ carved oak furniture.
They have not one, not two, not three – but four pieces of oak furniture THAT DESCENDED FROM THOMAS DENNIS’ FAMILY.
This time, my focus was on the box with drawer in the collection. I had seen it published many times – but the text was always about the family history of the box, never about its construction. I had never seen good enough views of it opened to understand the format.
Here’s Bowdoin’s excellent photo of the box:
Bowdoin’s credit line runs thus:
William Searle (School of Thomas Dennis); Carved Box with Drawer, 1665-1700
oak; 14 3/16 in. x 25 9/16 in. (36 cm. x 65 cm.)
Bowdoin College Museum of Art, bequest of H. Ray Dennis; 1989.42
(the box is currently on view in their galleries in the exhibition “The Object Show: Discoveries in Bowdoin Collections,” through June 1, 2014.)
First thing I wanted to see is the drawer construction. The drawer sides are fitted to the inside of the drawer front with a sliding dovetail. The drawer front then overhangs the carcass of the box. There are no drawer pulls set into the drawer front, but two “glyphs” glued onto the end grain of the drawer front that act as pulls. Why these are still intact is beyond me.
The drawer bottom is made up of two riven oak boards running side-to-side.
Here is the detail that shows the sliding dovetail, the overhang and the glyph on the end grain.
As you see in the overall photo, the box sits on turned feet. These are tenoned into oak slats that run front-to-back and are nailed to the box’s bottom. I made a couple of rough sketches/notes = the piece is on display in the gallery; and time was short. I had a mini-lecture to give & cheese & crackers to eat! I hope to get back there to see the box in detail some time this year.
One great surprise is that the box lid is made not of oak but of the wood we Americans call sycamore. This one: http://en.wikipedia.org/wiki/Platanus_occidentalis
I had this photo from Rob Tarule & Ted Curtin years ago, but never really looked at the lid’s species – until I saw it in the flesh. Sycamore’s radial flecking is more pronounced than oak’s…it’s really amazing. Click the photo & see for yourself.
The box mixes riven oak with flatsawn oak (on the sides in the view above) and the millsawn sycamore as well. The box sides are glued-up of two boards, with an applied molding covering the seam. There’s an abandoned carving pattern scribed & partially cut on the inside face of the box front. I love that stuff. I can still mess them up myself, so I’m glad to see it’s not just me.
In the meantime, once I get set up & working oak again, the first box I make is going to have a drawer and turned tootsies.
Thanks to all the staff at Bowdoin who were so accommodating to me during my too-brief visit. Here’s a link to a blog post they did about the evening’s program – sorry I’m so late in getting this up here. If you’re in the area, the museum is well worth a visit. http://research.bowdoin.edu/a-world-of-objects/remembering-almost-forgotten-crafts/
The William Searle/Thomas Dennis story is terribly long. Here’s a partial bibliography that discusses their works:
Jonathan L. Fairbanks and Robert F. Trent, eds., New England Begins: The Seventeenth-Century 3 vols. (Boston: Museum of Fine Arts, 1982)
Brock Jobe and Myrna Kaye, New England Furniture: the Colonial Era (Boston: Houghton Mifflin Co., 1984)
Irving P. Lyon, series of six articles, “The Oak Furniture of Ipswich, Massachusetts” that originally appeared in Antiques in 1937-38. These are all collected in Robert F. Trent, ed., Pilgrim Century Furniture: An Historical Survey (New York: Main Street/Universe Books, 1976) pp. 55-78.
Robert Tarule, The Artisan of Ipswich: Craftsmanship and Community in Colonial New England (Baltimore: The Johns Hopkins University Press, 2004)
Discovering Dennis: The Search for Thomas Dennis among the Artisans of Exeter, Paul Fitzsimmons, Robert Tarule, and Donald P. White III; review by Peter Follansbee in American Furniture, ed. Luke Beckerdite, (Hanover, NH: University Press of New England, 2010)