I get regular updates from some auction and antique sites, and this one is one I always look it. http://www.marhamchurchantiques.com/current-stock/all/
Paul Fitzsimmons specializes in oak 17th-century furniture… if you like oak stuff, don’t miss his website.
You might recognize some of my carvings being based on patterns I have seen on his website. Here’s a joined & carved chest he had the other day. Looks great, right?
Well, let’s look around the corner before we jump to conclusions…
Note the wriggled shape of the rear stile! How’s this for green woodworking? Or as a testament to the power of drawbored mortise & tenon joinery? Imagine, they pinned those joints, then the thing took off…but didn’t bust the joints.Imagine working stock of this quality…it’s enough of a challenge when I use good timber…
Here’s a panel’s carving:
I have seen some related pieces in the flesh, and noted they were made of poor quality flatsawn wood. This one has oak and elm in it. Elm is notorious for not staying flat. Yet they have held up & held together. A rather extreme example, but worth seeing because the lesson is, if you don’t have perfect, rive-able green oak – don’t hold back. Dive in, no glue, no clamps. Mortise & tenon, and drawboring. It will make a believer of you. Have no fear….