It quickly became apparent that we needed to hustle if we were to get anywhere in this class. Roy found a way to speed things up.
August 12, 2014
August 12, 2014
I once had a t-shirt I got at an Arlo Guthrie concert that read “we know it’s stupid, that’s why we’re here.” goodness only knows what it meant, but a similar notion must have run through the minds of these students -a very good-natured group of would-be joiners who came down to Roy Underhill’s school to attempt to make a joined chest in a week. 10 students means 10 chests. each chest with about 25 pieces of riven oak in it. Plus extras in case something goes wrong…
Roy & I dreamed up this idiotic course, “let’s make a joined chest in a week!” And we booked it & it filled up. well, it became a reality (of sorts) and on the first day, these students split, crosscut, & rived out over 200 piece of oak for said chests. That’s a lot of oak. Here’s the beginning of just one small pile of parts:
We tried to sort and count them as we went, but it was doomed.
We need over 70 panels; about 8″ wide by 12-14″ long. SEVENTY!
We scurried back to the woods to get more of this amazingly straight-grained oak. what a tree!
I don’t know who this is, but he was not alone.
Thankfully, we found that with proper supervision, it only took Kat a short while to bust out all the oak. it’s not that hard, really.
Next, they plane all the long rails, layout the joinery, chop mortises, plow grooves & cut tenons.
July 31, 2014
Reggie Shaw, a left-handed blog reader, (he doesn’t read left-handed blogs…but is left-handed…oh, forget it)
sent a note that this right-handed J R Fuchs hatchet is for auction on ebay. I already have 2, and don’t have the money to get in a bidding war…but someone will get the best hatchet going. Lose that godawful red paint, and it looks ready to go.
here’s the link. maybe one of you?
July 30, 2014
Bob Van Dyke’s Connecticut Valley School of Woodworking is a mecca for period furniture makers. http://www.schoolofwoodworking.com/ Great classes, great instructors – it really is a first-rate place to learn the ins & outs of period style furniture in depth.
But Bob himself doesn’t know which end is up – to some of my carvings, I mean. He sent me this picture, asking “where’s the top again?” He’s notoriously freaked out by the images he thinks he sees. I see a vase of flowers and leaves – he sees faces, faces & more faces. But in his twisted mind, he thinks the above photo is right-side up. What torment!
Oh, well. He doesn’t have to know how it goes – but I’ll show the students when we get together there for a 3-day class in early October to make an oak frame & panel. This course was designed to be a crash course in the basic elements of 17th-century joinery. We’ll use a combination of riven and sawn oak, plane the stock, cut the mortise and tenon joints, and carve designs on the panel (and frame perhaps, if you are inclined). Plowing grooves, beveling the panel, fitting the whole thing together with drawboring and tapered wooden pins. it’s the whole show, compressed into 5 pieces of wood.
Sign up with Bob. Tell him you’ll help him to understand. http://www.schoolofwoodworking.com/woodworking-classes.html#Speciality_Weekend_Classes
July 28, 2014
Today I posted a page with a couple of hewn bowls, and what spoons I have ready to go. I have several spoons nearly ready; but those I’ll take with me to Roy’s place, & finish them down there. So what I have now is on the blog, then there’ll be more in mid-August. As usual, leave a comment if you’d like to order something. Any questions, send an email to Peter.Follansbee@verizon.net
Meanwhile, here’s some of what I did yesterday.
A day like this:
But I persevered and roughed out one of the last bowls from the stash of birch I have around here. Most of the ones I’ve been doing are upside-down. I start like this:
hew the broad inner face of the split bolt flat. This becomes the bottom of the bowl.
Then mark out the saddle-shaped interior of the bowl. Now the bowl is held down to a low bench with three pegs and a wedge. (well, take my word for it that there’s 3. You can only see 2 in this shot) Simple, but it works pretty well. If I end up doing these bowls regularly, then it might be time to look closely at Dave Fisher’s bowl horse…
I then make a few saw kerfs to help break stuff up when the next hewing begins.
I just begin chopping into the midst of these kerfs to remove the excess material. Now it’s a double-bevel hatchet, not the joiner’s hatchet I used to flatten the bottom.
Then comes adze work. Just like the hatchet, you want to keep the tool’s edge out of your leg.
I do some standing, then some seated. All in all, about 15-20 minutes of hewing ought to get me there.
Then it’s on to gouge & mallet work, then more hewing.
then it rained.
July 27, 2014
I keep plugging away. Yesterday I got to use some planes!
What a blast – the spoons and bowls are great fun, challenging, etc…but no planes. I need to make a molding to run around my most recent frame & panel – it’s one like this, all I have left is to make the molding & cut & glue it in.
I keep a stash of riven Atlantic White Cedar, just for this purpose. First, I planed the stock to the proper thickness, in this case 1/2″
Then I dig out one of those special wheelie gauges to mark out the rabbets, a la Matt Bickford. You already know I’m a fan; his book & video show you how to tackle this work easily. http://lostartpress.com/collections/books/products/mouldings-in-practice & http://www.lie-nielsen.com/dvds/moldings-in-practice/
The gauge I got from the Alexander collection – thanks once again JA.
and bevels, then hollows and rounds.
Then it was time to pack it away & off to the Cape Cod League Baseball – we went to Wareham to see the Gatemen take on the Falmouth Commodores. We were there early, so Daniel watched batting practice – I carved spoons. Then we watched the game. Gatemen blew the lead in the ninth – took it on the chin.
One of many great things about working at home is that I get to see stuff I only used to hear about. Here’s a marble game from yesterday:
That then turned into a painting by Daniel, who was learning about shadows and light sources this week.
This one’s just thrown in there – it’s part of an ongoing series of raking light shots.
July 25, 2014
I got home from Maine trip #2 on Sunday night. Monday kinda floundered, then on Tues it was off to a small island off the coast of America to see Heather & Pat. Heather’s show was outstanding as usual. Here’s one of my favorites, but the web doesn’t do it justice by half. The light in it is amazing.
(go to Heather’s blog and click on the paintings to see ‘em larger, then click the quill/feather in the teacup to read the notes) http://heatherneill.com/studio-blog/
here’s the gallery’s page of Heather’s work http://www.granarygallery.com/searchresults.php?page=1&artistId=11674&artist=Heather+Neill&start=1
we had a great, whirlwind one-day trip. Then back home to attempt to develop some routine or the semblance of one. Wednesday I mostly worked on hewn bowls; then Thursday spoons. today some of each.
The great part about spoon day is I can take it outside, and have the kids with me. The river, the birds – what could be better?
I have used ring-porous woods like oak, ash and hickory all my working days. I rarely have made spoons or bowls from ring porous woods because they split so easily. But sometimes I throw the rules out the window & see what happens. Catalpa is a very light-weight hardwood. I have made a couple of bowls from it before, and I had one small one kicking around ready to be finished.
Here’s the one from way back when; and the post it came from. One of the horrible things about keeping this blog is all my unfinished stuff is still there, taunting me: http://pfollansbee.wordpress.com/?s=catalpa
I remember southern visitors to the museum telling me about the fishermen who loved catalpa trees for the worms that ate the foliage – great bait. some said the best. They called it “catawba” – but it’s the same tree. http://en.wikipedia.org/wiki/Catalpa I am lately reading To Kill a Mockingbird, and it’s in there, “…the class was wriggling like a bucketful of catawba worms…” Turns out that Catawba is a name of both the tree and a group of Native people in the Carolinas, and someone made a mistake with the tree’s name, and we ended up with catalpa. I always knew it as the cigar tree, because of the long seed pods. we used to whip them around when we were kids.
The other ring-porous wood I have to sample lately is really rare – American Chestnut. Or so I’m told. It was a tree planted about 15 years ago; and got some trimming done recently. It’s healthy now…but time will tell. Chances are it will succumb to the blight that all but wiped out the American Chestnut. http://www.acf.org/
It’s not a great wood for spoons, quite the opposite I would expect, but I have some small limbs and will see what happens. It’s high in tannic acid, turned my tools black as quick as you please.
The first birch bowl I was making sold before I could really get it here on the blog…but now I have finished the next 2 birch bowls, just applied flax oil to them today. I’ll post them for sale in the next day or 2. The first one is the most common orientation of the bowl in the split blank – the rim of the bowl is the inner wide surface of the halved log. Then I carved some gouge-cut decoration along the upper edge of each side.
The next one is what I call “upside-down” – you hew the split face of the log and make that the bottom of the bowl. I learned this from Drew Langsner, who learned it from his Swedish friends. Smaller bowl, but lots of fun with the shapes.
There’s still a few spoons left on the etsy site – don’t be daunted by Etsy. it’s easy to sign up, free too. https://www.etsy.com/shop/PeterFollansbee