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I sent this picture to Bob Van Dyke last night,

smily face

 

 

with the question 

“what’s worse than seeing faces in the carvings?”

Answer – seeing smiley faces in the carvings! 

For the record, Bob also replied – “and the smiley face is really kind of an evil wise ass smiley face- sort of reminds me of some sort of Tahitian or south pacific smiley face carving…why is that?”

My kids complain when we draw together, they say all I draw is patterns & designs. (Here’s them painting; I can’t find them drawing right now…)

kids painting

 

I’ve been doing some drawings lately. It’s somewhat new for me to draw before I build something, usually I make it first, then I draw it… 

I’m finishing up a few projects, which means it’s time to start the next ones…I’m real good at starting them…it’s easy. I always have more ideas than time. A further challenge is when one thing leads to another, and a project comes up out of nowhere, and jumps the queue. I’m right now struggling to keep that from happening. I’m losing that struggle. But that’s OK.

brittany

I had a visit from Chris Pinnell from Montreal recently, and we were talking about joinery in New France. I had remembered some photos sent to me from a reader, and dug out pictures of joined work from Brittany. [It was Maurice Pommier, author of Grandpa’s Workshop – here’s my original post from a few years back –   http://pfollansbee.wordpress.com/2010/03/27/bretagne-joinery-an-english-book-stand/ and the book is here http://lostartpress.com/products/grandpas-workshop  ]

 

Afterwards, I went back & started drawing this carving over & over. I’ve probably drawn five versions of it since yesterday. I plan on carving it just to get it out of my system, so I can get on with the other stuff I really should be doing.

bowdoin chair panel

One of the projects I have to do next is a wainscot chair. For this project, I’ll be using some of that really wide riven oak I just got in. The panel is 14” wide x 16 3/4” high. I decided I’d draw this design a few times before picking up the tools, that way I know the shapes I’m after. Those size panels don’t grow on trees, you know. This is slightly different from my usual approach. Typically, with this Ipswich/Devon stuff I carve my own versions of the panels…it’s easy enough to make them up using various elements from existing patterns. This time, I’m trying to copy the existing chair …)

dennis wainscot panel no grid

Dennis wainscot panel

 

 

I’ve drawn it about 3 times, including one that’s half the panel, full size. I won’t lay out a grid on the panel, but I will work from the scaled full size drawing. I want it to have irregularities in it, and those are easy to get. 

 

One last drawing – this thing jumped in front others, should be done this week. A bretstuhl – in walnut. Here’s the carving design I made up for the shaped back board to this chair. the chair is based on one Drew Langsner wrote about in Fine Woodworking in the early 1980s, from Switzerland. The carving designs I adapted from Dutch work of the 17th century. 

bretstuhl stabelle

things finished – the box w drawer (mostly, just needs one more board in the drawer bottom.) and a birch bowl.

done

drawer open

sliding DT

side

 

This birch bowl has been around a while, but I just finished carving it yesterday, then chipcarved some of the rim last night. It’s big – maybe 20″ long or more. Great fun. It’ll be for sale soon, no paint – don’t worry. 

bowl side

bowl end

 I added a link on the sidebar to Plymouth CRAFT – where you can sign up for spoon carving, card weaving, lace making & more. http://plymouthcraft.org/

Maureen tells me there’s new felt stuff on her site too. So that’s what she’s doing while I’m here doing this…  https://www.etsy.com/shop/MaureensFiberArts

spoon hook knife

I’m still working out the details of my teaching schedule for 2015 – there’ll be some new places. I think I mentioned before; Alaska, England, Indiana…and most of the usual spots; Roy’s place, Lie-Nielsen, Bob Van Dyke’s. I’ll have it nailed pretty soon. 

One exciting new venue is right here in Massachusetts – local or semi-local people have always asked me where do I teach near home, and til now the answer was “I don’t.” Now I do. We’re in the midst of setting up the classes, workshops, etc that will be Plymouth CRAFT. And along with some food & textiles offerings, we’re ready to cut some spoons. January 17th & 18th; 2 days of green wood; hatchets, knives, spoons – what could be more fun? I’ll have hook knives, students will need their own straight “sloyd” knife and small sharp hatchet. I’ll send a list of possible suppliers..

tools

Below is a link to sign up for classes; mine and others. If you’re from elsewhere, we can send you details about lodging and more…

Hope to see a full class of spoon-carvers! 

UPDATE – WE HAD SOME WEBSITE PROBLEMS; AS FAR AS I CAN TELL, IT SEEMS FIXED NOW. THESE LINKS WORKED WHEN I CHECKED THEM MOMENTS AGO -

http://plymouthcraft.org/events/

http://plymouthcraft.org/event/carving-wooden-spoons-with-peter-follansbee/

glyphs

It becomes a funny diversion; what are these called – both today & in the 17th century. The old name is easy – we have no idea what the joiners who made ‘em called ‘em. Furniture historians often call them “glyphs” – but most architectural definitions call a glyph a vertical groove or channel. 

whatever they’re called, here’s how I made some today for the carved box with drawer. This batch is walnut. Essentially I make a run of molding that is peaked, then cut it up. I took a scrap about 15″ long, by about 9″ wide. Planed a straight edge, then marked the middle of it, (this board is just over 1″ thick.) also marked the thickness of my glyph – 3/8″. Then planed two bevels down almost to the scribed lines. I needed about 4 feet of this stuff; so I did this to both edges of the board, a couple of times. I made extra so if something went wrong in trimming I wouldn’t need to start over. 

planing edge

Here’s a close up view of the planed result. 

more detail

here’s how I held the board – the single screw is next to useless – it just pinches the board while I get a mallet to whack the holdfast. Then I sawed down both edges, I sawed in the waste area, leaving stock for planing the backs of this molding. 

holdfastSawing. simple enough. 

sawing

This is one of those rare instances when I will say to you – be careful if you do it this way. It’s hard to tell from this photo, but I’m pulling the molding to plane off the saw marks – much like a cooper will plane the edges of his staves. Need a sharp plane, set fine. And focus. One slip…and you feel real stupid. 

planing upside down

Then saw the pieces to length, and use a chisel, bevel down at first, to shave each end of the glyph. Or whatever it’s called. 

chisel

 

Here’s some from a chest with drawers made in Plymouth Colony, c. 1680s or so

molding detail, Plymouth Colony chest

I have mine cut and glued onto the box with drawer. so that’s the first piece built for the next joinery book. Next week I’ll apply a finish & photograph it. 

This ain’t wainscot by any stretch of the imagination.

PF settee 1992

We saw this windsor settee when we were at Michael Burrey’s a couple of weeks ago. http://pfollansbee.wordpress.com/2014/10/30/plymouth-craft/ He bought it from a fellow who was downsizing, moving – life-changing somehow. 

I made it in about 1992. Had forgotten all about it. I think I made a couple something like it; all under the guidance of Curtis Buchanan. http://pfollansbee.wordpress.com/2014/03/19/go-see-curtis-stuff/ I have two or three of the chairs here at the house. We still use them all the time. Much lighter than a wainscot chair, but no carving…so where’s the fun in that? 

No sooner did I mention making a wainscot chair, than I got an email from Lie-Nielsen’s youtube channel – they’ve posted a preview of the new DVD, (as well as a couple of others)

here’s the chair one – you can order it from them, or I have a few left as well. But from them, you can get the disc and all that other good stuff too.

https://www.lie-nielsen.com/

http://pfollansbee.wordpress.com/book-dvds/

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